EMBODIED FILMMAKING: 8 FILMS BY SHIRLEY CLARKE + Book Launch & Discussion!

Schedule

Sun Jan 25 2026 at 07:00 pm to 09:30 pm

UTC-08:00

Location

Philosophical Research Society | Los Angeles, CA

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An evening of pioneering experimental filmmaker Shirley Clarke’s dance films in celebration of Karen Pearlman’s new book on her work!
About this Event

I’ve realized that all my films are dance films. Every film of mine is dance.
Every one. It’s clear in the way I use the camera, my editing, my sense of rhythm.
I learned so much from being a dancer. I could not have been as good a film-maker had I not danced.
— Shirley Clarke, quoted in Karen Pearlman, Thinking Through Movement (Edinburgh University Press)


On the occasion of the publication of Shirley Clarke: Thinking Through Movement (2025; Edinburgh University Press), Dance Camera West, Los Angeles Filmforum, 7th House Screenings at The Philosophical Research Society, and Clare Schweitzer welcome writer/director , who will appear in person to discuss this book and present a screening of films by pioneering filmmaker Shirley Clarke.


Shirley Clarke (1919-1997) was a trained dancer who became a pioneer of independent and experimental film. Clarke’s early work in dance film radically expanded the notion of onscreen choreography, first with explorations of the choreographic potential of camera and editing with filmic reworks of dance performance to highlighting the performative elements of the interaction of bodies, surfaces, space and light in films such as “Bridges Go Round” & “In Paris Parks.” Clarke also challenged the structures of filmmaking away from the camera and co-founded the New York Film-Makers’ Cooperative (with Jonas Mekas) and then the New York Film-Makers’ Distribution Center (with Louis Brigante). In 1975, Shirley Clarke became a professor at UCLA, inspiring a younger generation of film artists to defy convention and make socially meaningful films.


This Evening's Program Includes:

Dance in the Sun (6:47, 1953) featuring choreographer/dancer Daniel Nagrin
In Paris Parks, (13:36, 1954 /2014) featuring Wendy Clarke at age 4
A Moment in Love (9:08, 1957), choreographed by Anna Sokolow
A Visual Diary (6:06, 1980), featuring Choreographer-Performer Blondell Cummings
Butterfly (3:40, 1967), an anti-war protest film with Wendy Clark
One-2-3, 24 (8:18, 1978), featuring former Bella Lewitsky dancer Lynda Davis and Clay Taliaferro (Duke Professor Emeritus)
24 Frames Per Second (2:57, 1977) commissioned by the LACMA to complement an exhibit on Persian art
Skyscraper (21:05, 1959), a documentary re-imagined as a musical.


Writer/Director Karen Pearlman’s latest book, Shirley Clarke: Thinking Through Movement is the first film-philosophy book on filmmaker Shirley Clarke and the films she edited and directed. The book draws on film analysis, archival research, dance and film theory, and creative practice expertise, to think through Clarke's work as a dancer turned multi-award-winning editor and director of dance film, fiction, documentary, and video art. This account of Clarke's creative oeuvre offers the reader insight into a too long overlooked filmmaker and offers a novel method for analysis of films, filmmaking practices and cultures of film production.


Following the screening, Karen will join us to discuss the singular artistry of Clarke's choreographed cinema, in conversation with dancer-filmmaker . Copies of Shirley Clarke: Thinking Through Movement will be available for purchase, with a book signing by the author to follow.


Special thanks to George Schmalz and Kino Lorber.




Tickets: $15 (All Screenings Are In-Person Only)

Please email [email protected] or phone 323-663-2167 with any questions.


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DANCE CAMERA WEST

Dance Camera West aims to foster ground-breaking creation of dance film, by supporting teaching, production, distribution of dance films. DCW presents an annual international festival held at renowned arts venues throughout Los Angeles, along with informative and educational events throughout the year, to bring dance off the stage and onto the screen, utilizing the language of film to reach a wider audience. 

DCW’s current core programs and services fall into three core categories: Prepare; Produce and Present. 

DCW creates spaces for learning, funding for production, and audiences and revenue for screening films. DCW is a community organization that believes in affordable access to the arts and thus keeps ticket prices affordable as well as offering free events. Established presenters range from performing arts centers like The Getty Center, REDCAT/Walt Disney Concert Hall, Hammer Museum, Skirball Center, John Anson Ford Amphitheater, The Autry Museum, Theater Raymond Kabbaz, Track 16 / Bergamot Station; cinemas such as American Cinematheque’s Egyptian and Aero Theaters and the Laemmle Theaters have all presented Dance Camera West; and alternative spaces include city parks, pop up drive ins, and mobile film screen parades.

Visit Dance Camera West's website for full lineup, info, tickets, and passes for the DCW2026 Festival.


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ABOUT LOS ANGELES FILMFORUM

Los Angeles Filmforum is the city’s longest-running organization dedicated to weekly screenings of experimental film, documentaries, video art, and experimental animation. In 2025 they celebrated their 50th year. www.lafilmforum.org


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ADVISORY DISCLAIMER

With some exception, The Philosophical Research Society’s 7th House Screenings does not typically provide advisory warnings about potentially upsetting content or subject matter, as sensitivities are particular to each viewer. Please be sure to read event listings, research on the web, or visit Common Sense Media, IMDb, and DoesTheDogDie.com for thorough info on content and age-appropriateness. If you have any specific content advisory questions, please email [email protected].


CONTENT DISCLAIMER

The views, opinions, and thoughts expressed within exhibited works are solely those of their creators and may not represent those of the Philosophical Research Society (PRS), its affiliates, or any individuals associated with PRS. Screenings are intended for educational and entertainment purposes.


ACCESSIBILITY

PRS wants all guests to be able to enjoy our events safely and comfortably. If you require any accessibility accommodation, please reach out to [email protected] before showtime and we will be happy to assist you.


REFUND POLICIES

All sales are final. There are no refunds for PRS events , except in the event of a medical emergency, including but not limited to a positive COVID-19 test. Ticket exchanges may be granted on a case by case basis, pending circumstances.

In the event that PRS is forced to cancel an event entirely, tickets will be refunded or vouchers offered for a rescheduled event.


PARKING

We encourage attendees to consider carpooling, walking or biking to events if possible, and please be considerate of our Los Feliz neighbors when parking. Nearby street parking is available, as well as limited parking onsite at PRS in the front lot (entry from Los Feliz Blvd. when heading east).


PRS EVENT POLICIES

  • We reserve the right to refuse service to anyone.
  • Events are subject to change without notice, including guest speakers and/or performers.
  • We encourage you to arrive at least 30 min. before the scheduled event start time to find parking, enjoy the Bookstore and take your seats.
  • Please turn off all mobile devices before the show. Talking and texting are not allowed during the events.
  • No filming, audio recording or mobile phone recording of events, screenings, concerts or other programs by audience members is allowed without permission.
  • There is no smoking permitted on PRS grounds.
  • We strongly encourage guests to wear masks to PRS events to prevent the spread of infectious diseases.
  • PRS allows Service Animals into the facility under ADA and state guidelines. For further details please visit www.ADA.gov. No animals permitted whose sole function is to provide comfort or emotional support, under ADA guidelines and CA Health Code.
  • Please do not bring outside food or drink into PRS events.
  • Weapons are strictly prohibited at PRS events.
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Where is it happening?

Philosophical Research Society, 3910 Los Feliz Boulevard, Los Angeles, United States

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