"Morphing America" PAAS Conference
Advertisement
PAAS ”Morphing America” Conference 2026
16-18 September 2026
University of Szczecin
“Meaning emerges in the encounter — in the relations between bodies, images, and the world,” wrote Vivian Sobchack in her Carnal Thoughts (68); and it is precisely these shifting relations that shape contemporary — digital — American identity. In the digital environment, such relations do not stabilise; they reconfigure themselves, recalibrate, and adjust across platforms, archives, sensors, and interfaces.
To inhabit this condition, the twenty-first century offers morphing as a conceptual tool for perceiving cultural forms that remain sensible not because remain unchanged, but keep moving. Originating in early digital image-processing and made culturally iconic by the liquid-metal T-1000 in Terminator 2 (dir. James Cameron, 1991), morphing describes a process in which form emerges through transformation rather than through any singular outline. We suggest that this code-driven logic has become central to the circulation of contemporary American narratives, symbols, and histories — through digital and cross-platform flows that reconfigure how America is sensed, remembered, contested — and lived.
From this perspective, America appears less as an analytically bounded object and more as a network of relations shaped by political change, technological infrastructures, aesthetic environments, and embodied experience. Analogue humanities often separate medium, history, body, and narrative; yet digital circulation dissolves these borders, creating conditions in which identities take shape through movement across media rather than within a single register.
“Morphing America” thus invites scholars to consider how relationality, networkedness, algorithmic visibility, and new modes of embodiment transform what American identity is and how it is felt. This is a call to imagine an American Studies attentive to the lived conditions of the present — a world in which cultural forms migrate between interfaces, sensory registers, and temporal layers, and where transformation is not a deviation from stability but the very environment in which meaning takes place.
We welcome proposals from literature, film and media studies, digital humanities, political science, history, sociology, cultural studies, and related fields. Suggested areas include (but are not limited to):
• relationality and networked forms of American identity across literature, film, digital platforms, and everyday media histories sensed and reconfigured through algorithmic systems, data infrastructures, and digital archival practices,
• histories sensed and reconfigured through algorithmic systems, data infrastructures, and digital archival practices,
• movement of American myths and narratives across evolving media environments and cultural interfaces,
• affect, embodiment, and sensory experience in contemporary American culture shaped by digital mediation,
• political, regional, and diasporic identities formed and negotiated within networked social environments,
• emerging American mythologies (e.g., founding narratives, frontier imaginaries, heroic scripts) as they shift across platforms, images, and narrative habitats,
• digital aesthetics and the reconfiguration of America’s narrative landscapes in literature, visual culture, and audiovisual media,
• marginalised and minoritised identities articulated through digital visibility, platformed publics, and new circuits of cultural circulation,
• interdisciplinary approaches to identity as ongoing transformation across media studies, cultural studies, literary studies, film studies, and social sciences.
The topics above are our propositions, we welcome papers that focus on subjects from beyond the list.
Please send abstracts of approx. 300 words to [email protected] by 10 April.
16-18 September 2026
University of Szczecin
“Meaning emerges in the encounter — in the relations between bodies, images, and the world,” wrote Vivian Sobchack in her Carnal Thoughts (68); and it is precisely these shifting relations that shape contemporary — digital — American identity. In the digital environment, such relations do not stabilise; they reconfigure themselves, recalibrate, and adjust across platforms, archives, sensors, and interfaces.
To inhabit this condition, the twenty-first century offers morphing as a conceptual tool for perceiving cultural forms that remain sensible not because remain unchanged, but keep moving. Originating in early digital image-processing and made culturally iconic by the liquid-metal T-1000 in Terminator 2 (dir. James Cameron, 1991), morphing describes a process in which form emerges through transformation rather than through any singular outline. We suggest that this code-driven logic has become central to the circulation of contemporary American narratives, symbols, and histories — through digital and cross-platform flows that reconfigure how America is sensed, remembered, contested — and lived.
From this perspective, America appears less as an analytically bounded object and more as a network of relations shaped by political change, technological infrastructures, aesthetic environments, and embodied experience. Analogue humanities often separate medium, history, body, and narrative; yet digital circulation dissolves these borders, creating conditions in which identities take shape through movement across media rather than within a single register.
“Morphing America” thus invites scholars to consider how relationality, networkedness, algorithmic visibility, and new modes of embodiment transform what American identity is and how it is felt. This is a call to imagine an American Studies attentive to the lived conditions of the present — a world in which cultural forms migrate between interfaces, sensory registers, and temporal layers, and where transformation is not a deviation from stability but the very environment in which meaning takes place.
We welcome proposals from literature, film and media studies, digital humanities, political science, history, sociology, cultural studies, and related fields. Suggested areas include (but are not limited to):
• relationality and networked forms of American identity across literature, film, digital platforms, and everyday media histories sensed and reconfigured through algorithmic systems, data infrastructures, and digital archival practices,
• histories sensed and reconfigured through algorithmic systems, data infrastructures, and digital archival practices,
• movement of American myths and narratives across evolving media environments and cultural interfaces,
• affect, embodiment, and sensory experience in contemporary American culture shaped by digital mediation,
• political, regional, and diasporic identities formed and negotiated within networked social environments,
• emerging American mythologies (e.g., founding narratives, frontier imaginaries, heroic scripts) as they shift across platforms, images, and narrative habitats,
• digital aesthetics and the reconfiguration of America’s narrative landscapes in literature, visual culture, and audiovisual media,
• marginalised and minoritised identities articulated through digital visibility, platformed publics, and new circuits of cultural circulation,
• interdisciplinary approaches to identity as ongoing transformation across media studies, cultural studies, literary studies, film studies, and social sciences.
The topics above are our propositions, we welcome papers that focus on subjects from beyond the list.
Please send abstracts of approx. 300 words to [email protected] by 10 April.
Advertisement
Where is it happening?
Uniwersytet Szczeciński Geocentrum, aleja Papieża Jana Pawła II 22, 70-453 Szczecin, Polska, Szczecin, Poland
Event Location & Nearby Stays:
Know what’s Happening Next — before everyone else does.
Host or PublisherZespół do Badań Literatury i Kultury Popularnej
