2025 Art Taipei B26敦煌藝術中心

Name: 2025 Art Taipei B26敦煌藝術中心
Start: 2025-10-23T12:00:00+08:00
End: 2025-10-27T18:00:00+08:00
Location: 台北世界貿易中心展覽大樓（世貿一館）

Schedule

Thu, 23 Oct, 2025 at 12:00 pm to Mon, 27 Oct, 2025 at 06:00 pm

UTC+08:00

Location

台北世界貿易中心展覽大樓（世貿一館） | Taipei, TP

2025 Art Taipei 台北國際藝術博覽會
▖Booth B26
▖SVIP Preview
10/23（四） 12:00~21:00
▖VIP Preview
10/23（四）15:00~21:00
10/24（五） 11:00~14:00
▖Public Days
10/24（五） 14:00~19:00
10/25（六）~26 （日） 11:00~19:00
10/27（一） 11:00~18:00
▖Participating Artists｜
林麗玲 Li Ling LIN
洪江波 Chiang Po HONG
李默父 Mo Fu LEE
林季鋒 Chi Fong LIN
董小蕙 Shaw Hwei DONG
洪平濤 Ping Tao HONG
敦煌藝術中心很榮幸為台北藝術博覽會呈現六位藝術家：林麗玲、洪江波、李默父、林季鋒、董小蕙、洪平濤。林麗玲以油彩描摹花卉的神情與氣質，在古典細線與溫潤色彩中，既見柔婉亦見堅韌；洪江波以穩健的膠彩筆調描繪鄉土地景，粒粒飽滿的稻米與果實間傳遞樸實而真誠的視野；李默父以筆墨連結佛典與漢字美學，在材質與思想之間為傳統與當代搭起橋樑；林季峰以白描工筆水墨佛像為人熟知，其線條穩健、耐心而堅定，將佛菩薩的崇高莊嚴純淨地彰顯；董小蕙以柔婉筆致與內斂色調描繪靜物，東方哲思融入西方印象派氣息，靜謐而自在；洪平濤以純熟水墨結合簡約生活觀，山川墨韻層層鋪展，古典底蘊開展出當代的深度。本次展出匯聚多元的創作語彙，藝術家以膠彩、油彩、水墨與白描，勾勒內在心境與外在世界的呼應，於精微筆觸與層疊色感之間展現各自獨到的視覺語言。作品不僅承載傳統與現代的交會，也映照對自然與人文的深刻體悟；在留白與光影的對話中，觀者得以於寧靜與流轉之間重新凝視自我，思索存在的價值與生命的厚度。願此刻的觸動化為心中的寧靜，喚醒對當下真切與純粹的珍惜，並悄然滋長為長久的藝術養分，餘韻不絕。
Caves Art Center is honored to present six artists at ART TAIPEI 2025, Booth B26: Li Ling LIN, Chiang Po HONG, Mo Fu LEE, Chi Fong LIN, Shaw Hwei DONG, and Ping Tao HONG.
Li Ling LIN renders florals in oil with a poised balance of delicacy and resolve. Fine classical lines meet mellow, translucent color; the works carry a gentle clarity in which tenderness coexists with quiet strength.
Chiang Po HONG paints fields, orchards, streams, and village horizons in pigment with steady, nuanced brushwork. From full ears of rice to ripening fruit, his images convey an honest, clear-sighted view of place and season.
Mo Fu LEE bridges Buddhist texts and the aesthetics of Chinese characters through ink and brush. Material and idea interweave, opening a crafted passage between tradition and the present, belief and inquiry.
Chi Fong LIN is known for disciplined linear drawing of Buddhist figures. His calm, patient line affirms dignity and stillness, sustaining religious rigor while allowing new readings in a contemporary context.
Shaw Hwei DONG composes still lifes with restrained palettes and supple touch. Eastern thought—quietude, ease—meets a softened Impressionist sensibility; irises and crabapples appear as lucid emblems of inward freedom.
Ping Tao HONG unites seasoned ink technique with an unadorned philosophy of living. Layered washes and measured rhythms shape mountains and rivers into signs of humanistic spirit—classical in root, contemporary in reach.
Together, these practices form a chorus of media— pigment, oil, ink, and line—mapping the dialogue between inner feeling and outer scene. Within the tension of light and white space, viewers may find a cadence of stillness and movement, a chance to look again at self and world. We hope this encounter settles into quiet, rekindles a precise and tender regard for the present, and grows into a durable nourishment for the imagination—an afterglow that remains.