Wild Honey Backyard: Dead Rock West with Special Guest Ruthann Friedman!!!
About this Event
Wild Honey Foundation's 2026 Backyard concert series continues with an amazing performance by Dead Rock West with support from Ruthann Friedma at our newly renovated performance space. Music begins at 4pm with Ruthann's set. Dead Rock West will take the stage after 5pm. There is a good amount of street parking on our street but be prepared to climb the hill if you arrive late. Please be respectful of the neighbors. We will have food and non-alcoholic beverages for sale.
DEAD ROCK WEST
These are difficult days and we need more and more love,” says Frank Lee Drennen, songwriter, guitarist, and singer with Cindy Wasserman in the band Dead Rock West. More Love, the pair's fourth album and first for Omnivore Recordings, was made under the California sun with producer John Doe and a studio full of special guests, yet Frank and Cindy's wraparound vocals remain the focal point over the course of its12 heartstrong songs. “Frank played me the song 'More Love,' and I was so blown away, I thought, that's it!” says Cindy. “It became the inspiration for the harmonies and the song ideas for the entire record.” The album was recorded, mixed, and mastered in LA by Grammy-winner Dave Way, with David J. Carpenter on bass, D.J. Bonebrake on drums, multiinstrumentalist Geoff Pearlman, keyboardist Phil Parlapiano, special guests Elliot Easton and Greg Leisz on guitars, and Mike Bolger on horns. “This was a group effort; band, singers, engineer, producer all equal, all working toward a common, honest goal,” says Doe. “All of us in a room making real music, from the heart, from intuition, from aching and wanting, from beauty and the desert.”
From the opening love-affirming title song and throughout its passionate performances (including a surprising country-soul finale, Sam Cooke's “Bring It On Home To Me”), love is the tie that binds, though Frank counters, “For me, it's totally a non-concept album.” But whether it's their honeyed voices rubbing against the hard won guitar strums as on “Boundless Fearless Love,” or the whispers between lines of “Radio Silence,” the duo have an undeniably entwined singing style. Locked in, like all great vocal duos, their sound was characterized by the Los Angeles Times as “bent notes in tandem, musically summoning a flawless union.” (July 17, 2015) “They are a modern day Gram and Emmylou singing songs that Otis and Carla would sing,” says Doe. "Somehow Cindy and Frank connect the dots between ’70s country and ’60s soul music." The jingle jangle of the Byrds and the lyrical economy of Buddy Holly, Merle Haggard and Lou Reed inform Frank's writing style while Cindy loves American classics, from anonymous down home singers to the more sophisticated song styles of Smokey Robinson and vocal teams like Marvin Gaye and Tammi Terrell. When paired with Doe and their family of collaborators, the result is positively transcendent and soul-stirring rock magic– the golden harmonies, the unbroken melodies that sound like love in action and that could only have been made in California. Frank and Cindy's shared love of country, rock, and soul singing and songwriting has only grown deeper through their ongoing collaborations with three California songmen: Doe (of X, the Knitters, and the John Doe Band) Dave Alvin (of the Blasters and the Guilty Men and Women) and Peter Case (formerly of the Nerves and the Plimsouls and producer/arranger of Dead Rock West's second album, Bright Morning Stars). “We call them the Holy Trinity,” says Cindy who sings on the road and in the studio with Doe, while Frank claims an early enounter with Case guided him toward finding his own spiritual style of secular songwriting. “Peter's songs embraced regular people in common circumstances, yet they were personal, heartfelt, and deeply spiritul,” says Frank. "Each one of them hits a spot where it's so exciting,” says Cindy. “They're all so different but the thread that connects them is they are amazing writers, such wordsmiths, and that they came from punk rock and turned that energy into incredible artistry.” Call them mentors or big brothers, “That they've taken us as their own is like a dream," says Cindy. The dream started for Frank and Cindy on the Southern California club scene.
Debuting in 2007 with the independent Honey and Salt, they followed with the aforementioned California spirituals collection, Bright Morning Stars, then received critical raves for 2015's It's Everly Time!, an homage to pioneering rock vocalists and songwriters, the Everly Brothers. With More Love, Dead Rock West returns to original music with an indie/Americana bent. Pulling the songs together with a method he borrowed from songwriting legend, Guy Clark, Frank says, “I don't care how many years it takes me, I just wait until I have ten songs I want to put on a record.” As they developed the repertoire, “Cindy and I deconstructed the songs,” he explains. Switching roles as written in the verses and choruses, “There's something about that dynamic that allows for a deeper contrast than when you hear the traditional male/female parts sung," says Frank. The added dimensions of road and recording experience contributed to the making of More Love as did an appreciation of the brevity and preciousness of life itself. Between records, both band members lost close family members – Frank's mother Nelda Gunn-Drennen and Cindy's brother, Rob Wasserman, the noted bassist. Music became a lifeline during the grieving spell. ”I just wouldn't be doing this if it weren't for Rob, honestly I wouldn't,” says Cindy whose brother introduced her to his collaborators like Lou Reed, Brian Wilson, and Stéphane Grappelli (who played with guitarist, Django Reinhardt). All these encounters made their imprints on Dead Rock West's own commitment to excellence, and to love, at all costs. "More Love is heart and soul from two deeply original singers and songwriters,” says Doe, a true believer who's been witness to Dead Rock West's process as it continues to unfold. “As Willie Dixon said to me when I was blessed to meet him some years ago,” says Cindy. “Happy or sad songs, they are all about love--more love.” ###
RUTHANN FRIEDMAN
Born in Bronx, New York,[1] Friedman spent her formative years in the San Fernando Valley, north of Los Angeles after her family moved to Southern California when she was 10.[2] She started playing guitar at the age of eight while listening to Woody Guthrie, Pete Seeger and Josh White.
After moving to California, Friedman recalled feeling "very isolated" with few friends, so she started playing guitar in her room.[2] Her first song gained her a spot on the television talent show Rocket to Stardom at age 12. While at Ulysses S. Grant High School, she started playing "Hoot Nights" at The Troubadour in West Hollywood,[2][3] where she met the musicians Steve Mann and Hoyt Axton and became part of the growing musical scene of Los Angeles.[4]
Her first paid performance was at the Green Spider Coffee House in Denver, Colorado, at the age of nineteen. Soon she was part of the hippie migration to the West, traveling the California Coast and living off earnings from her performances. While staying in San Francisco, Friedman befriended the members of Jefferson Airplane, Country Joe and Janis Joplin. Her friendship with Van Dyke Parks not only influenced her deep commitment to music but also introduced her to The Association, who recorded her song "Windy" in 1967. Friedman wrote "Windy" in 20 minutes while living in an apartment in David Crosby's house.[3]
In 1968, she was part of the band Petrus, which also included Peter Kaukonen.
Two years later, Constant Companion, her first solo album, was released by Reprise Records.[5] She also wrote and sang the songs for the cult movie ,[6] released in 1971. While on tour promoting the album, Friedman suddenly returned to her family's Los Angeles home after a family tragedy and stopped recording music altogether in 1972–73.[2]
In 2006, Water, a San Francisco label, reissued Constant Companion,[5] renewing interest in Friedman's music. Prior to the 2006 reissue, Friedman had been out of the music business for more than thirty years, spending the intervening time running her own stationery company, raising two daughters and earning a degree in English from UCLA.[7] Later in 2006, Water released a compilation of rare and previously unreleased home recordings from 1965 to 1971, .[8]
After the re-release of Constant Companion, Friedman was invited to play at a local festival. She recalls that she had "to learn to play [guitar] again" and was taught the songs from her album by a guitarist at a local folk venue, McCabe's Guitar Shop in Santa Monica, but "it took about two years [of practicing] for me to get my chops back."[3] Friedman has been performing locally in Los Angeles since that time.
Where is it happening?
Event Location & Nearby Stays:
USD 25.00 to USD 44.52
