Vokalni lab Julianne Bloodgood: GLAS OSLOBAĐANJA
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VOKALNI LAB s JULIANNOM BLOODGOOD: GLAS OSLOBAĐANJA
KAD: 4. – 6. rujna 2026. (petak - nedjelja), 10 – 17 sati (s pauzom od 13 do 14 sati)
GDJE: 4.9. u maloj dvorani POGON-a, 5. i 6.9. u Tango Club Marabú (Šenoina 23)
KOME JE NAMIJENJENA: Namijenjena je umjetnicima i neumjetnicima, odnosno pjevačima, glumcima, performerima, studentima i svima zainteresiranima za istraživanje potencijala glasa kroz tjelesno – orijentirane prakse – bez obzira na prethodno iskustvo. Radni jezik je engleski.
PRIJAVA: Vaše prijave, s kratkom motivacijom i kontakt podacima (mobitel i e-mail), šalju se na [email protected] najkasnije do 28. kolovoza 2026. Budući da je broj mjesta ograničen te se prijave prihvaćaju do popunjenja kapaciteta, preporučamo da se prijavite što prije.
KOTIZACIJA: 60 eura
Više informacija na [email protected]
– – –
Glas oslobađanja (The Voice of Release) utjelovljeni je pristup radu s glasom koji spaja somatske prakse i vokalnu tehniku kako bi potaknuo osvještavanje, buđenje i aktiviranje našeg autentičnog glasa. Radionica istražuje glas kroz iskustvo tijela i prostora koji nas okružuje. Tijelo je naš ulaz u sve izvore kreativnosti te upravo iz tijela započinjemo istraživanje glasa, zvuka, pjesme i riječi polazeći od samog procesa nastanka zvuka.
Kroz protok pokreta i daha budimo zvučne vibracije u tijelu. Rezonancijom kostiju i tkiva razvijamo duboko, utjelovljeno razumijevanje glasa te otvaramo nove mogućnosti njegova izražavanja.
Glas oslobađanja poseban je pristup radu s glasom koji se usredotočuje na čin davanja glasa vlastitim emocijama. Riječ je o transformativnom procesu koji u suvremenim društvenim strukturama često nedostaje. Jedan od jedinstvenih aspekata ljudskog iskustva jest sposobnost da kroz umjetnost oblikujemo i izrazimo vlastite osjećaje, pretvarajući unutarnja iskustva i emocije u nešto što može biti podijeljeno, prepoznato, podržano i oslobođeno.
Izražavanje emocionalne boli glasom prirodan je proces. U sigurnom zajedničkom prostoru, uz prisutnost, svjedočenje i podršku zajednice te kroz snažan čin vokalizacije, naši osjećaji mogu postati nešto lijepo – nešto što možemo preobraziti i otpustiti.
Tijekom radionice prolazit ćemo kroz različite kreativne procese i tehnike glasovnog oslobađanja, a završit ćemo kreativnom i tjelesnom integracijom cijelog iskustva. Proces započinje i završava osjećajem lakoće i radosti.
– – –
JULIANNA BLOODGOOD (SAD/Poljska) kazališna je umjetnica, vokalistica, praktičarka pokreta i pedagoginja čiji rad istražuje povezanost tijela i glasa, ritualnost u izvedbi te praksu naricanja.
Od 2009. do 2019. bila je vodeća glumica višestruko nagrađivanog poljskog kazališta 'Song of the Goat', gdje je sudjelovala u stvaranju i izvedbama hvaljenih predstava "Songs of Lear", "Portraits of the Cherry Orchard", "Return to the Voice", "Hamlet: A Commentary", "Dead Walk Love", "Crazy God" i "Island".
Suradnička je umjetnica kazališta Brú Theatre iz Galwaya u Irskoj, gdje se velik dio njezina rada usredotočuje na naricanje i glas.
Godine 2024. bila je autorica glazbe i vokalna izvođačica u predstavi "Somnium", koja je premijerno izvedena na Galway International Arts Festivalu i dobila izvrsne kritike. Godine 2021. skladala je glazbu, bila glazbena voditeljica i izvođačica u predstavi "Gol", koja istražuje tradiciju irskog pogrebnog naricanja (caoineadh). Svoje je skladbe snimila i za "Olagón", virtualno-realistički projekt posvećen naricanju za krajolik, oblikujući zvučni pejzaž u suradnji s kazalištem Brú i ansamblom predstave "Gol".
Suautorica je i projekta "Cráite", solo predstave za glumicu koja kroz formu dugotrajnog naricanja istražuje povijesno pomirenje, a nastala je uz potporu stipendije irskog Abbey Theatrea. Među njihovim zajedničkim projektima nalazi se i "NOX", eksperimentalna site-specific predstava vokalnog i fizičkog kazališta inspirirana irskim pogrebnim naricanjima i ženama koje su tu tradiciju prenosile, premijerno izvedena u Rijeci.
Julianna Bloodgood dobitnica je stipendije poljskog Ministarstva kulture i nacionalne baštine za istraživanje i razvoj kazališnog teksta o svetoj Katarini Sijenskoj. Godine 2022. režirala je i premijerno nastupila u kazališnom koncertu "Little Thunder", nastalom u suradnji sa skladateljicom Katarzynom Szwed i Warsaw Stage Society, koji istražuje nasljeđe ženskih mističarki. Godine 2024. premijerno je izvela djelo skladateljice Kasije Szwed "I Wilderness / Ja Puszcza", rekvijem za krajolik napisan za orkestar i tri glasa.
Svoje autorske metodologije Embodied Voice Practices i The Polyphonic Body predaje diljem svijeta, usmjeravajući se na iscjeljujući i izražajni potencijal glasa i tijela. Magistrirala je s najvišim počastima na Manchester Metropolitan Universityju, diplomirala na University of Cincinnati College-Conservatory of Music te završila edukaciju iz Integrativne somatske terapije traume, uz dodatna usavršavanja u Indiji, Tajlandu i diljem Europe. Naricanje predstavlja središnju nit koja povezuje njezin umjetnički i pedagoški rad.
– – –
Radionica se realizira u sklopu projekta "Edukultura" ("Vokalni lab") Ganz nove kulture promjene, u partnerstvu sa Zagrebačkim centrom za nezavisnu kulturu i mlade – POGON te uz potporu Grada Zagreba, Ministarstva kulture i medija te Zaklade Kultura nova.
– – –
*english version
VOCAL LAB with JULIANNA BLOODGOOD: THE VOICE OF RELEASE
WHEN: September 4–6, 2026 (Friday–Sunday), 10 am–5 pm (with a break from 1 to 2 pm)
WHERE: September 4 at POGON’s Small Hall; September 5 and 6 at Tango Club Marabú (23 Šenoina Street)
WHO IS IT FOR: The workshop is intended for both artists and non-artists, including singers, actors, performers, students, and anyone interested in exploring the potential of the voice through body-oriented practices, regardless of previous experience. The working language is English.
APPLICATION: Please send your application, including a short statement of motivation and your contact details (phone number and email), to [email protected] by August 28, 2026 at the latest. As the number of places is limited and applications are accepted until capacity is reached, we recommend applying as soon as possible.
FEE: €60
For more information, contact [email protected]
The Voice of Release
Full body, full breath, full emotion, full potential.
An embodied approach to vocal training which utilizes somatic practices and vocal technique to bring about the awareness, awakening and activation of our authentic voices. Exploration of voice as experienced through the body and the space around us. The body is our gateway to all creative sources, and from the body we begin our investigation of voice, sounding, song and words through a dynamic exploration of the origins of sound. Through a flow of movement and breath we can awaken sound vibrations within the body -resonating the bones and tissues- creating a visceral understanding of the voice and enlivening new possibilities for vocal expression.
The Voice of Release is a special approach to vocalising which focuses on the act of giving voice to one's emotions. It is a transformative process and something that we collectively lack in our contemporary structures. Part of our unique human experience is that we are able to give shape and substance to our feelings through art; transmuting our inner experiences and emotions into something that can be shared, witnessed, supported and released. To express our emotional pain through our voice is a natural process and through shared and held space, witness and support of community and the powerful act of vocalising, our feelings can become a thing of beauty that we can transform and release. We will cycle through different creative processing and vocal release techniques and conclude the process with creative and physical integration, beginning and ending with lightness and joy.
Julianna Bloodgood
Theatre maker, vocalist and teacher
juliannabloodgood.com
https://www.juliannabloodgood.com/music
Julianna Bloodgood (USA/Poland) is a vocalist, actress, movement artist, and teacher whose work explores the connection between body and voice, ritual in performance, and the practice of lamentation. She was a leading actress with the award-winning Song of the Goat Theatre (Poland, 2009–2019), performing in and premiering acclaimed productions including Songs of Lear, Portraits of the Cherry Orchard, Return to the Voice, Hamlet: A Commentary, Dead Walk Love, Crazy God, and Island.
Julianna is an associate artist with Brú Theatre of Galway, Ireland, where much of her work has centered on lament and the voice. In 2024, she was the composer and vocal performer for Somnium, a company-devised piece that premiered at the Galway International Arts Festival to critical acclaim. In 2021, she composed, served as music director, and performed in Gol, which explored the tradition of Irish keening (caoineadh), the lament for the dead. She also recorded her compositions for Olagón, a virtual reality lament for the land, crafting the soundscape in collaboration with Brú and the ensemble of Gol. Julianna also co-created Cráite, a solo script for a female performer that examines historical reconciliation through ‘long-form lament,’ supported by a bursary from the Abbey Theatre of Ireland. Their collaborations also include NOX, an experimental site-specific work of vocal and physical theatre inspired by Irish death laments and the women who carried this tradition, which premiered in Rijeka, Croatia.
Julianna was awarded a scholarship from the Polish Ministry of Culture and National Heritage to research and develop a script based on Saint Catherine of Siena. In 2022, she directed, premiered, and performed Little Thunder, a theatrical concert in collaboration with composer Katarzyna Szwed and the Warsaw Stage Society, exploring the lineage of female mystics. And in 2024 she premiered the work of composer Kasia Szwed called I Wilderness, Ja Puszcza, a requiem for the land for orchestra and three voices.
Julianna teaches her methodologies, Embodied Voice Practices and the Polyphonic Body, internationally, focusing on the healing and expressive capacities of voice and body. She holds a master’s degree with high honors from Manchester Metropolitan University, a degree from the University of Cincinnati College-Conservatory of Music, and training in Integrative Somatic Trauma Therapy, with additional study in India, Thailand, and across Europe. Lamentation is a central through-line in her work, both as performer and teacher
KAD: 4. – 6. rujna 2026. (petak - nedjelja), 10 – 17 sati (s pauzom od 13 do 14 sati)
GDJE: 4.9. u maloj dvorani POGON-a, 5. i 6.9. u Tango Club Marabú (Šenoina 23)
KOME JE NAMIJENJENA: Namijenjena je umjetnicima i neumjetnicima, odnosno pjevačima, glumcima, performerima, studentima i svima zainteresiranima za istraživanje potencijala glasa kroz tjelesno – orijentirane prakse – bez obzira na prethodno iskustvo. Radni jezik je engleski.
PRIJAVA: Vaše prijave, s kratkom motivacijom i kontakt podacima (mobitel i e-mail), šalju se na [email protected] najkasnije do 28. kolovoza 2026. Budući da je broj mjesta ograničen te se prijave prihvaćaju do popunjenja kapaciteta, preporučamo da se prijavite što prije.
KOTIZACIJA: 60 eura
Više informacija na [email protected]
– – –
Glas oslobađanja (The Voice of Release) utjelovljeni je pristup radu s glasom koji spaja somatske prakse i vokalnu tehniku kako bi potaknuo osvještavanje, buđenje i aktiviranje našeg autentičnog glasa. Radionica istražuje glas kroz iskustvo tijela i prostora koji nas okružuje. Tijelo je naš ulaz u sve izvore kreativnosti te upravo iz tijela započinjemo istraživanje glasa, zvuka, pjesme i riječi polazeći od samog procesa nastanka zvuka.
Kroz protok pokreta i daha budimo zvučne vibracije u tijelu. Rezonancijom kostiju i tkiva razvijamo duboko, utjelovljeno razumijevanje glasa te otvaramo nove mogućnosti njegova izražavanja.
Glas oslobađanja poseban je pristup radu s glasom koji se usredotočuje na čin davanja glasa vlastitim emocijama. Riječ je o transformativnom procesu koji u suvremenim društvenim strukturama često nedostaje. Jedan od jedinstvenih aspekata ljudskog iskustva jest sposobnost da kroz umjetnost oblikujemo i izrazimo vlastite osjećaje, pretvarajući unutarnja iskustva i emocije u nešto što može biti podijeljeno, prepoznato, podržano i oslobođeno.
Izražavanje emocionalne boli glasom prirodan je proces. U sigurnom zajedničkom prostoru, uz prisutnost, svjedočenje i podršku zajednice te kroz snažan čin vokalizacije, naši osjećaji mogu postati nešto lijepo – nešto što možemo preobraziti i otpustiti.
Tijekom radionice prolazit ćemo kroz različite kreativne procese i tehnike glasovnog oslobađanja, a završit ćemo kreativnom i tjelesnom integracijom cijelog iskustva. Proces započinje i završava osjećajem lakoće i radosti.
– – –
JULIANNA BLOODGOOD (SAD/Poljska) kazališna je umjetnica, vokalistica, praktičarka pokreta i pedagoginja čiji rad istražuje povezanost tijela i glasa, ritualnost u izvedbi te praksu naricanja.
Od 2009. do 2019. bila je vodeća glumica višestruko nagrađivanog poljskog kazališta 'Song of the Goat', gdje je sudjelovala u stvaranju i izvedbama hvaljenih predstava "Songs of Lear", "Portraits of the Cherry Orchard", "Return to the Voice", "Hamlet: A Commentary", "Dead Walk Love", "Crazy God" i "Island".
Suradnička je umjetnica kazališta Brú Theatre iz Galwaya u Irskoj, gdje se velik dio njezina rada usredotočuje na naricanje i glas.
Godine 2024. bila je autorica glazbe i vokalna izvođačica u predstavi "Somnium", koja je premijerno izvedena na Galway International Arts Festivalu i dobila izvrsne kritike. Godine 2021. skladala je glazbu, bila glazbena voditeljica i izvođačica u predstavi "Gol", koja istražuje tradiciju irskog pogrebnog naricanja (caoineadh). Svoje je skladbe snimila i za "Olagón", virtualno-realistički projekt posvećen naricanju za krajolik, oblikujući zvučni pejzaž u suradnji s kazalištem Brú i ansamblom predstave "Gol".
Suautorica je i projekta "Cráite", solo predstave za glumicu koja kroz formu dugotrajnog naricanja istražuje povijesno pomirenje, a nastala je uz potporu stipendije irskog Abbey Theatrea. Među njihovim zajedničkim projektima nalazi se i "NOX", eksperimentalna site-specific predstava vokalnog i fizičkog kazališta inspirirana irskim pogrebnim naricanjima i ženama koje su tu tradiciju prenosile, premijerno izvedena u Rijeci.
Julianna Bloodgood dobitnica je stipendije poljskog Ministarstva kulture i nacionalne baštine za istraživanje i razvoj kazališnog teksta o svetoj Katarini Sijenskoj. Godine 2022. režirala je i premijerno nastupila u kazališnom koncertu "Little Thunder", nastalom u suradnji sa skladateljicom Katarzynom Szwed i Warsaw Stage Society, koji istražuje nasljeđe ženskih mističarki. Godine 2024. premijerno je izvela djelo skladateljice Kasije Szwed "I Wilderness / Ja Puszcza", rekvijem za krajolik napisan za orkestar i tri glasa.
Svoje autorske metodologije Embodied Voice Practices i The Polyphonic Body predaje diljem svijeta, usmjeravajući se na iscjeljujući i izražajni potencijal glasa i tijela. Magistrirala je s najvišim počastima na Manchester Metropolitan Universityju, diplomirala na University of Cincinnati College-Conservatory of Music te završila edukaciju iz Integrativne somatske terapije traume, uz dodatna usavršavanja u Indiji, Tajlandu i diljem Europe. Naricanje predstavlja središnju nit koja povezuje njezin umjetnički i pedagoški rad.
– – –
Radionica se realizira u sklopu projekta "Edukultura" ("Vokalni lab") Ganz nove kulture promjene, u partnerstvu sa Zagrebačkim centrom za nezavisnu kulturu i mlade – POGON te uz potporu Grada Zagreba, Ministarstva kulture i medija te Zaklade Kultura nova.
– – –
*english version
VOCAL LAB with JULIANNA BLOODGOOD: THE VOICE OF RELEASE
WHEN: September 4–6, 2026 (Friday–Sunday), 10 am–5 pm (with a break from 1 to 2 pm)
WHERE: September 4 at POGON’s Small Hall; September 5 and 6 at Tango Club Marabú (23 Šenoina Street)
WHO IS IT FOR: The workshop is intended for both artists and non-artists, including singers, actors, performers, students, and anyone interested in exploring the potential of the voice through body-oriented practices, regardless of previous experience. The working language is English.
APPLICATION: Please send your application, including a short statement of motivation and your contact details (phone number and email), to [email protected] by August 28, 2026 at the latest. As the number of places is limited and applications are accepted until capacity is reached, we recommend applying as soon as possible.
FEE: €60
For more information, contact [email protected]
The Voice of Release
Full body, full breath, full emotion, full potential.
An embodied approach to vocal training which utilizes somatic practices and vocal technique to bring about the awareness, awakening and activation of our authentic voices. Exploration of voice as experienced through the body and the space around us. The body is our gateway to all creative sources, and from the body we begin our investigation of voice, sounding, song and words through a dynamic exploration of the origins of sound. Through a flow of movement and breath we can awaken sound vibrations within the body -resonating the bones and tissues- creating a visceral understanding of the voice and enlivening new possibilities for vocal expression.
The Voice of Release is a special approach to vocalising which focuses on the act of giving voice to one's emotions. It is a transformative process and something that we collectively lack in our contemporary structures. Part of our unique human experience is that we are able to give shape and substance to our feelings through art; transmuting our inner experiences and emotions into something that can be shared, witnessed, supported and released. To express our emotional pain through our voice is a natural process and through shared and held space, witness and support of community and the powerful act of vocalising, our feelings can become a thing of beauty that we can transform and release. We will cycle through different creative processing and vocal release techniques and conclude the process with creative and physical integration, beginning and ending with lightness and joy.
Julianna Bloodgood
Theatre maker, vocalist and teacher
juliannabloodgood.com
https://www.juliannabloodgood.com/music
Julianna Bloodgood (USA/Poland) is a vocalist, actress, movement artist, and teacher whose work explores the connection between body and voice, ritual in performance, and the practice of lamentation. She was a leading actress with the award-winning Song of the Goat Theatre (Poland, 2009–2019), performing in and premiering acclaimed productions including Songs of Lear, Portraits of the Cherry Orchard, Return to the Voice, Hamlet: A Commentary, Dead Walk Love, Crazy God, and Island.
Julianna is an associate artist with Brú Theatre of Galway, Ireland, where much of her work has centered on lament and the voice. In 2024, she was the composer and vocal performer for Somnium, a company-devised piece that premiered at the Galway International Arts Festival to critical acclaim. In 2021, she composed, served as music director, and performed in Gol, which explored the tradition of Irish keening (caoineadh), the lament for the dead. She also recorded her compositions for Olagón, a virtual reality lament for the land, crafting the soundscape in collaboration with Brú and the ensemble of Gol. Julianna also co-created Cráite, a solo script for a female performer that examines historical reconciliation through ‘long-form lament,’ supported by a bursary from the Abbey Theatre of Ireland. Their collaborations also include NOX, an experimental site-specific work of vocal and physical theatre inspired by Irish death laments and the women who carried this tradition, which premiered in Rijeka, Croatia.
Julianna was awarded a scholarship from the Polish Ministry of Culture and National Heritage to research and develop a script based on Saint Catherine of Siena. In 2022, she directed, premiered, and performed Little Thunder, a theatrical concert in collaboration with composer Katarzyna Szwed and the Warsaw Stage Society, exploring the lineage of female mystics. And in 2024 she premiered the work of composer Kasia Szwed called I Wilderness, Ja Puszcza, a requiem for the land for orchestra and three voices.
Julianna teaches her methodologies, Embodied Voice Practices and the Polyphonic Body, internationally, focusing on the healing and expressive capacities of voice and body. She holds a master’s degree with high honors from Manchester Metropolitan University, a degree from the University of Cincinnati College-Conservatory of Music, and training in Integrative Somatic Trauma Therapy, with additional study in India, Thailand, and across Europe. Lamentation is a central through-line in her work, both as performer and teacher
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Where is it happening?
Pogon - Zagrebački centar za nezavisnu kulturu i mlade, Močvara, Trnjanski nasip, HR-10000 Zagreb, Hrvatska, Zagreb, Croatia
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