'The Devils' at The Nightlight 🎬
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"Ken Russell's epic religious horror is a scathing critique on abuse of political power" -IndieWire
In 1634 France, charismatic Father Urbain Grandier becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.​​​​​​​​​​​​​​​​
Ken Russell’s 1971 The Devils remains one of cinema’s most transgressive and incendiary provocations, a feverish account of the Loudun possessions witchcraft trial in 17th-century France. Oliver Reed stars as Urbain Grandier, a wildly charismatic libertine priest who defies Cardinal Richelieu’s consolidation of power. Vanessa Redgrave’s Sister Jeanne is a sexually repressed, hunchbacked Abbess obsessed with Grandier with an intensity that ignites accusations of demonic possession among her convent’s nuns. Already a target for reprisals due to his political resistance, Grandier’s promiscuity eventually lands him on the wrong side of a powerful family.
Adapting from Aldous Huxley’s The Devils of Loudun, Russell vividly stages the mass hysteria, torture, and exorcism as history, horror, and political allegory. As Russell’s most political film, it condemns the collusion of church and state for the purposes of wielding unchecked and self-serving powers. Influential artist Derek Jarman contributed a stark, white production design which sharply contrasts with the baroque excesses and saturated colours of the film now rendered more vibrant in this 4K restoration.
Ken Russell's The Devils was infamously rated X, banned, censored, recut in many territories for decades, and is still controversial for its depictions of religious hysteria — which includes several writhing nuns defiling a crucifix — and its body horror. This director’s cut restores Russell’s original intent. Alternately hailed as a masterpiece and derided as pornography, its anti-authoritarian outrage and critique of institutional hypocrisy feel more urgent than ever. -Tiff
In 1634 France, charismatic Father Urbain Grandier becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.​​​​​​​​​​​​​​​​
Ken Russell’s 1971 The Devils remains one of cinema’s most transgressive and incendiary provocations, a feverish account of the Loudun possessions witchcraft trial in 17th-century France. Oliver Reed stars as Urbain Grandier, a wildly charismatic libertine priest who defies Cardinal Richelieu’s consolidation of power. Vanessa Redgrave’s Sister Jeanne is a sexually repressed, hunchbacked Abbess obsessed with Grandier with an intensity that ignites accusations of demonic possession among her convent’s nuns. Already a target for reprisals due to his political resistance, Grandier’s promiscuity eventually lands him on the wrong side of a powerful family.
Adapting from Aldous Huxley’s The Devils of Loudun, Russell vividly stages the mass hysteria, torture, and exorcism as history, horror, and political allegory. As Russell’s most political film, it condemns the collusion of church and state for the purposes of wielding unchecked and self-serving powers. Influential artist Derek Jarman contributed a stark, white production design which sharply contrasts with the baroque excesses and saturated colours of the film now rendered more vibrant in this 4K restoration.
Ken Russell's The Devils was infamously rated X, banned, censored, recut in many territories for decades, and is still controversial for its depictions of religious hysteria — which includes several writhing nuns defiling a crucifix — and its body horror. This director’s cut restores Russell’s original intent. Alternately hailed as a masterpiece and derided as pornography, its anti-authoritarian outrage and critique of institutional hypocrisy feel more urgent than ever. -Tiff
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30 N High St, Akron, OH, United States, Ohio 44308
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Host or PublisherThe Nightlight
