Student Week: Cyanotype Workshop with Yannick Lowery

Hosted by ICA’s Student Board, this year’s annual Student Week begins with a cyanotype workshop with visual artist, Yannick Lowery.

Inspired by Cheng’s interest in experimental photography from ICA’s current exhibition, , Lowery will teach participants how to assemble and develop unique and personal cyanotype prints.

This program is free and open to all Philadelphia-based college students. Please show your college ID upon registration.

Yannick Lowery is an interdisciplinary artist currently residing and working in Philadelphia, PA. Originally from New York City, he embraces both cities as cultural and creative influences, drawing on their rich and sociopolitical histories to fuel his practice. Yannick’s work often weaves together illustrated proverbs, premonitions, and historical references to guide viewers through cultural introspection and imaginative narratives. Using archival imagery and his own photography, he engages in world-building through collage, cyanotypes, animation, and sculptural pieces, creating thought-provoking and exploratory works.

is the first in-depth survey of Carl Cheng’s prescient, genre-defying work from the 1960s to the present that will transform both floors of the ICA. Cheng began his career in the experimental context of the Southern California art scene and the post-war aerospace industry, resulting in artworks that operate at the intersection of identity, technology, and ecology. Over the last six decades he has worked in a variety of media to reflect on environmental change, the relevance of art institutions to their publics, and the role of technology in society. Because the majority of Cheng’s oeuvre is still in his possession, the exhibition will be an exciting and rare opportunity to animate the arc of his career through a presentation of artworks that are multidisciplinary, ephemeral, material, process-based, and interactive. The exhibition will also be presented at The Contemporary Austin – Jones Center (September – December 2024), Bonnefanten (May – September 2025), and Museum Tinguely (December 2025 – May 2026).

ICA is committed to creating a welcoming environment for all visitors. For more notes on accessibility including accessible parking nearby visit our Accessibility landing page. If you require any accessibility accommodations or have any questions about the program, please contact Brittany Clottey ([email protected]).

Programming at ICA is made possible in part by the Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Arts and the Lise Spiegel Wilks and Jeffrey Wilks Family Foundation. Public and Student Engagement at ICA is supported by the Bernstein Public Engagement Fund, Suzanne Weiss Doft & Jacob W. Doft, Stacey & Robert Goergen Jr., Hilarie L. & Mitchell Morgan, the Nash Family Foundation, Joline & David Stemerman, and by Dana McDonald Strong & Mark W. Strong.

Host or Publisher Institute of Contemporary Art