Sigi Jöttkandt — Jalouissance Druge žene
Schedule
Fri, 18 Apr, 2025 at 06:00 pm
UTC+02:00Location
Preradovićeva 18, 10000 Zagreb, Croatia | Zagreb, GZ
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[𝘌𝘯𝘨𝘭𝘪𝘴𝘩 𝘣𝘦𝘭𝘰𝘸]• Zadovoljstvo nam je najaviti kako ćemo 𝐮 𝐩𝐞𝐭𝐚𝐤, 𝟏𝟖.𝟎𝟒. 𝐮 𝟏𝟖𝐡, 𝐮 𝐌𝐚𝐌𝐢 ugostiti 𝐒𝐢𝐠𝐢 𝐉ö𝐭𝐭𝐤𝐚𝐧𝐝𝐭, istaknuto ime međunarodne scene teorijske psihoanalize •
Prenosimo njezin poziv:
“Kako razumjeti nevjerojatne slike koje su putem mreža stizale iz Irana krajem 2022. godine – slike žena koje ne nose veo, kose koja slobodno vije, gorućih hidžaba podignutih poput zastava na štapovima? Vidimo tisuće i tisuće gologlavih žena – i gotovo isto toliko muškaraca – koje uzvikuju revolucionarni slogan 𝙯𝙮𝙝𝙞𝙤𝙣𝙖 (“Žena, život, sloboda“). U svom predavanju nadovezat ću se na određene teme koje proizlaze iz evokativnog teksta anonimne žene “L”, koja dokumentira svoju reakciju kada je vidjela fotografije pobune. Usredotočujući se na pitanje vela, moje se izlaganje bavi pitanjima gledanja i mimetizma, te ulogom koju oni imaju u formiranju određenih vrsta grupa – onih ženskih. U 𝘎𝘳𝘶𝘱𝘯𝘰𝘫 𝘱𝘴𝘪𝘩𝘰𝘭𝘰𝘨𝘪𝘫𝘪 𝘪 𝘢𝘯𝘢𝘭𝘪𝘻𝘪 𝘦𝘨𝘢, Freud razrađuje model grupa usredotočenih na hipnotičku, eksternu figuru uživanja, no u iranskoj pobuni susrećemo se s vrlo različitom strukturom, internom figurom Druge žene čija 𝘫𝘰𝘶𝘪𝘴𝘴𝘢𝘯𝘤𝘦 organizira jedan drukčiji odnos prema totalitetu. Ta 𝘫𝘰𝘶𝘪𝘴𝘴𝘢𝘯𝘤𝘦 Druge žene nadilazi spekularne modele identifikacije u korist onoga što ja teoretiziram, uz malu pomoć topologije, kao kolektivnu “pred-sliku”.”
• 𝐒𝐢𝐠𝐢 𝐉ö𝐭𝐭𝐤𝐚𝐧𝐝𝐭 profesorica je engleskog jezika na Sveučilištu Novog Južnog Walesa u Australiji. Suosnivačica je i urednica časopisa 𝘚: 𝘑𝘰𝘶𝘳𝘯𝘢𝘭 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘪𝘳𝘤𝘭𝘦 𝘧𝘰𝘳 𝘓𝘢𝘤𝘢𝘯𝘪𝘢𝘯 𝘐𝘥𝘦𝘰𝘭𝘰𝘨𝘺 𝘊𝘳𝘪𝘵𝘪𝘲𝘶𝘦 i 𝘜𝘮𝘣𝘳(𝘢), a pokrenula je i izdavačku kuću Open Humanities Press. Autorica je knjiga 𝘈𝘤𝘵𝘪𝘯𝘨 𝘉𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭𝘭𝘺: 𝘏𝘦𝘯𝘳𝘺 𝘑𝘢𝘮𝘦𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘌𝘵𝘩𝘪𝘤𝘢𝘭 𝘈𝘦𝘴𝘵𝘩𝘦𝘵𝘪𝘤 [2005.], 𝘍𝘪𝘳𝘴𝘵 𝘓𝘰𝘷𝘦: 𝘈 𝘗𝘩𝘦𝘯𝘰𝘮𝘦𝘯𝘰𝘭𝘰𝘨𝘺 𝘰𝘧 𝘵𝘩𝘦 𝘖𝘯𝘦 [2010.], te 𝘛𝘩𝘦 𝘕𝘢𝘣𝘰𝘬𝘰𝘷 𝘌𝘧𝘧𝘦𝘤𝘵: 𝘙𝘦𝘢𝘥𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘌𝘯𝘥𝘨𝘢𝘮𝘦 [2024.].
• 𝐔𝐥𝐚𝐳 𝐣𝐞 𝐛𝐞𝐬𝐩𝐥𝐚𝐭𝐚𝐧, 𝐚 𝐩𝐫𝐞𝐝𝐚𝐯𝐚𝐧𝐣𝐞 ć𝐞 𝐬𝐞 𝐨𝐝𝐫ž𝐚𝐭𝐢 𝐧𝐚 𝐞𝐧𝐠𝐥𝐞𝐬𝐤𝐨𝐦 𝐣𝐞𝐳𝐢𝐤𝐮 •
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[𝘌𝘯𝘨𝘭𝘪𝘴𝘩 𝘷𝘦𝘳𝘴𝘪𝘰𝘯]
•It is our pleasure to announce that on 𝐅𝐫𝐢𝐝𝐚𝐲, 𝐀𝐩𝐫𝐢𝐥 𝟏𝟖𝐭𝐡, 𝐚𝐭 𝟔 𝐏𝐌 𝐢𝐧 𝐌𝐚𝐌𝐚, we will host 𝐒𝐢𝐠𝐢 𝐉ö𝐭𝐭𝐤𝐚𝐧𝐝𝐭, a prominent figure in the international scene of theoretical psychoanalysis •
We are sharing her invitation:
“How are we to understand the extraordinary images streaming out of Iran in late 2022 – images of women unveiled and unveiling, hair flying freely, burning hijabs proffered up like flags on sticks? We see thousands and thousands of women – and almost as many men – bare-headed, chanting the revolutionary slogan, 𝙕𝙖𝙣, 𝙕𝙚𝙣𝙙𝙚𝙜𝙞, 𝘼𝙯𝙖𝙙𝙞 (“Woman, Life, Freedom”). In this talk, I shall pursue some threads arising arising from an evocative text written by an anonymous woman, “L”, who documents her reaction to seeing photographs of the revolt. Centring on the question of the veil, my talk addresses issues of seeing and of mimeticism, and the part these play in the formation of certain kinds of groups – feminine ones. In 𝘎𝘳𝘰𝘶𝘱 𝘗𝘴𝘺𝘤𝘩𝘰𝘭𝘰𝘨𝘺 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘈𝘯𝘢𝘭𝘺𝘴𝘪𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘌𝘨𝘰, Freud elaborates a model of groups focused on an hypnotic, external figure of enjoyment, yet in the Zhina Uprising we encounter a very different structure, an internal figure of the Other woman whose 𝘫𝘰𝘶𝘪𝘴𝘴𝘢𝘯𝘤𝘦 organizes another relation to the totality. This 𝘫𝘰𝘶𝘪𝘴𝘴𝘢𝘯𝘤𝘦 of the Other woman outruns specular models of identification in favor of what I theorize, with a little help from topology, as a collective “pre-image”.”
• 𝐒𝐢𝐠𝐢 𝐉ö𝐭𝐭𝐤𝐚𝐧𝐝𝐭 is a professor of English at the University of New South Wales in Australia. She is the co-founder and editor of 𝘚: 𝘑𝘰𝘶𝘳𝘯𝘢𝘭 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘪𝘳𝘤𝘭𝘦 𝘧𝘰𝘳 𝘓𝘢𝘤𝘢𝘯𝘪𝘢𝘯 𝘐𝘥𝘦𝘰𝘭𝘰𝘨𝘺 𝘊𝘳𝘪𝘵𝘪𝘲𝘶𝘦 and 𝘜𝘮𝘣𝘳(𝘢) and has also launched the publishing house Open Humanities Press. She is the author of the books 𝘈𝘤𝘵𝘪𝘯𝘨 𝘉𝘦𝘢𝘶𝘵𝘪𝘧𝘶𝘭𝘭𝘺: 𝘏𝘦𝘯𝘳𝘺 𝘑𝘢𝘮𝘦𝘴 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘌𝘵𝘩𝘪𝘤𝘢𝘭 𝘈𝘦𝘴𝘵𝘩𝘦𝘵𝘪𝘤 [2005.], 𝘍𝘪𝘳𝘴𝘵 𝘓𝘰𝘷𝘦: 𝘈 𝘗𝘩𝘦𝘯𝘰𝘮𝘦𝘯𝘰𝘭𝘰𝘨𝘺 𝘰𝘧 𝘵𝘩𝘦 𝘖𝘯𝘦 [2010.], and 𝘛𝘩𝘦 𝘕𝘢𝘣𝘰𝘬𝘰𝘷 𝘌𝘧𝘧𝘦𝘤𝘵: 𝘙𝘦𝘢𝘥𝘪𝘯𝘨 𝘪𝘯 𝘵𝘩𝘦 𝘌𝘯𝘥𝘨𝘢𝘮𝘦 [2024.].
• 𝐀𝐝𝐦𝐢𝐬𝐬𝐢𝐨𝐧 𝐢𝐬 𝐟𝐫𝐞𝐞, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐥𝐞𝐜𝐭𝐮𝐫𝐞 𝐰𝐢𝐥𝐥 𝐛𝐞 𝐡𝐞𝐥𝐝 𝐢𝐧 𝐄𝐧𝐠𝐥𝐢𝐬𝐡 •
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Where is it happening?
Preradovićeva 18, 10000 Zagreb, Croatia, Ulica Petra Preradovića 18, HR-10000 Zagreb, Hrvatska,Zagreb, CroatiaEvent Location & Nearby Stays:
