Setting (Nathan Bowles (Black Twig Pickers) Jaime Fennelly (Mind Over Mirrors) Joe Westerlund)

Name: Setting (Nathan Bowles (Black Twig Pickers) Jaime Fennelly (Mind Over Mirrors) Joe Westerlund)
Start: 2024-09-04T20:00:00+02:00
End: 2024-09-04T23:00:00+02:00
Location: Sonic Lyon

Schedule

Wed Sep 04 2024 at 08:00 pm to 11:00 pm

UTC+02:00

Location

Sonic Lyon | Lyon, RH

Sonic présente
mercredi 04 septembre 2024
20h00
12 euros

Setting (USA // Avant Garde-Ambiant-Psyche // Paradise of Bachelors)
Nathan Bowles (en solo/trio, Pelt, Black Twig Pickers) est à la guitare, aux claviers, aux bandes et aux percussions // Jaime Fennelly (Mind Over Mirrors, Peeesseye) est aux harmoniums, synthétiseurs et piano zither // Joe Westerlund (en solo, Califone, Sylvan Esso, Jake Xerxes Fussell) est à la batterie, aux percussions et aux métallophones.
https://setting.bandcamp.com/
https://settingsounds.com/
https://www.instagram.com/settingsounds
"Setting established its own setting and found its footing in regularly scheduled improvisational sessions outside Westerlund’s home in Durham, North Carolina, beginning in 2021. The three players began as two, in the context of occasional Bowles and Westerlund percussion duo performances dating back to 2018. Fennelly provided the initial impetus to gather and play together with intentionality and discipline, as well as an harmonic adhesive and thickening agent in the grain and gravity of his harmonium and synthesizer. As always, Bowles’s background as a pianist and drummer informs his approach to banjo, imparting a woodiness, a piney verticality and resinous tang. Westerlund’s training with Milford Graves is apparent in his polyrhythmic flow and its correspondences to human circulatory and corporeal rhythms. They recorded their collective discoveries on their debut album “Shone a Rainbow Light On” (Paradise of Bachelors), which Uncut praised with a "9/10", while Mojo Magazine listed the album as #3 of Underground Records of 2023, calling it “a record that spectacularly reconciles micro-detailed improv with deep-listening ambience.” And in Aquarium Drunkard’s Year in Review, they penned, “Like Fripp and Eno holed up in a mountain cabin looking for UFOs, Setting’s debut is a luminous slice of kosmische Appalachia that’s like scanning the horizon until you lose all separation between earth and sky.”"