Scarabs

Screams, rumbles, crumbling bricks. The fortress that was built to last centuries to house the ‘Scarabs’, collapses as the result of an earthquake. They’ve escaped…

The citizens, however, have been told by the authorities that the refugees broke through the walls to escape, which causes panic.

Magical ‘jewels’ begin to fall upon them as the refugees flee, rupturing the dust and debris that was left behind the collapse.

After a series of propaganda generated by certain media, the public quickly came to naming these new refugees as ‘scarabs’. Conflict increases due to the economical, symbolic, social and identity threat they pose. But we see both sides of the story.

We see an elderly lady who herself was a refugee to the country many years ago, witnessing the building of the fortress.

Her granddaughter, living in this new land, is inspired to make a change and leave her mark for the next generation.

We see, through the eyes of a young refugee, how their family who were promised freedom, was able to escape their war-torn land, only to be detained in the fortress.

We see politicians justifying their decisions, citizens expressing their concerns, ignorant civilians regurgitating the propaganda they hear on certain media.

Although ‘scarab’ may be perceived as a negative term created to cause division amongst the population, scarabs have great importance and symbolises birth, life, death, and resurrection. It is also the symbol of the Sun god and as such could stimulate the non-living heart to life. The scarab beetle was the symbol of ‘transformations’, whereby the dead could make any changes into whatever their heart desired. This original play draws upon refugee experiences, demographic challenges, changing media landscapes, political ambits, and emotional abundance in the face of adversity.

The play is set in a fictional world. It is an alternate reality; a dystopian/hyper-hideous fictional reality. It is not representative of any land or country. It does not try to take aim at any current situation. This is not a story about repression, it is about the myths and legends that develop as a result of blended existences; it’s about resilience in the face of oppression; it is about rising above.

Scarabs is a kaleidoscopic play of 52 scenes, some long, some short, addressing contemporary issues such as racism, discrimination and xenophobia, with an underlying foundation of hope, identity and strength.

FAQs

What time should I get there?

At least 30 minutes before the show. Our performances start bang on time and it takes a hot second to welcome you into the building.

Are there ID or minimum age requirements to enter the event?

The Butterfly Club is a licensed venue. Accordingly, patrons under 18 are only allowed on premises in the company of a parent or legal guardian.

What are my transport/parking options for getting to and from the event?

We strongly encourage using public transport. The Butterfly Club is a short stroll from Flinders Street station and Melbourne Central, and an even shorter stroll from any tram that travels through Swanston or Collins Streets (get off at Town Hall).

How can I contact the venue with any questions?

Please call The Butterfly Club on 03 9663 8107 or reply to your email confirmation.

What's the refund policy?

All sales are final: exceptions are made in extraordinary circumstances at the Club's sole discretion.

Do I have to bring my printed ticket to the event?

No. Our team have a record of all attendees updated in real time and will be able to let you in whether you bring a printed copy of your ticket or not.

Is it ok if the name on my ticket or registration doesn't match the person who attends?

Yes. It happens all the time. It's totally fine.

Host or Publisher The Butterfly Club