Poet Alison Deming at The Peregrine

Alison Hawthorne Deming, a Guggenheim Fellow from Connecticut, is an accomplished poet and author. Join us to hear her discussion on her new releases - T and .

Alison Hawthorne Deming was born and grew up in Connecticut steeped in literary and naturalist traditions. A Guggenheim Fellow, she has two books out in 2025: the poetry anthology from Storey Press and the new poetry collection from Red Hen Press. Her most recent nonfiction book A WOVEN WORLD: On Fashion, Fishermen, and the Sardine Dress was published by Counterpoint Press in 2021. Previous poetry books include (Penguin 2016) and , a collaboration with photographer Stephen Strom (George F. Thomson 2016). The essay collection was published by Milkweed Editions in 2014. She is the author of (LSU Press, 1994), winner of the Walt Whitman Award of the Academy of American Poets; (LSU, 1997), (Penguin Poets, 2005), and (Penguin Poets, 2009); and three additional nonfiction books, (Mercury House, 1994; Picador USA, 1996), (Picador USA, 1998), finalist for the PEN Center West Award, and (Milkweed, Credo Series). She edited (Columbia University Press, 1996) and co-edited with Lauret E. Savoy (Milkweed, 2002; revised and expanded edition, 2011).

Deming’s small press works include two limited edition chapbooks, Girls in the Jungle: What Does It Take For a Woman to Survive in the Arts (Kore Press, 1995) and Anatomy of Desire: The Daughter/Mother Sessions (Kore, 2000), a collaboration with her daughter, the artist Lucinda Bliss.

Deming received an MFA from Vermont College of Fine Arts. a Wallace Stegner Fellowship from Stanford University, two poetry fellowships from the National Endowment for the Arts, a fellowship from the Borchard Foundation, and fellowships from the Fine Arts Work Center in Provincetown, the Arizona Commission on the Arts, the Tucson/Pima Arts Council, and the National Writer’s Voice. Her work has been awarded the Pablo Neruda Prize from Nimrod, a Pushcart Prize, the Gertrude B. Claytor Award from the Poetry Society of America, the Best Essay Gold Award from the GAMMA Southeastern Magazine Association, and the Bayer Award in Science Writing from Creative Nonfiction for the essay “Poetry and Science: A View From the Divide.” She has held residencies at Yaddo, Djerassi Resident Artists Program, Mesa Refuge, Hawthornden Castle International Retreat for Writers, The Hermitage Artist Retreat, and the H. J. Andrews Experimental Forest in Oregon. She has served on the faculty of the Prague Summer Program, Taos Summer Writer’s Conference, Orion’s Environmental Writing Workshop, Kachemak Bay Writers Conference, University of Montana’s Environmental Writing Institute, Minnesota Northwoods Writers Conference, Indiana University Writers’ Conference, and the Bread Loaf Environmental Writing Workshop, among many other venues.

Working with the Language of Conservation Project sponsored by Poets House in New York City, Deming served as Poet-in-Residence to curate the poetry installation at the Jacksonville (FL) Zoo and Gardens. In a similar project, she served as Poet-in-Residence at the Milwaukee Public Museum and Milwaukee Public Library. Her writing has been widely published and anthologized, including in Scientific American, Ecotone, The Georgia Review, Kenyon Review, Ploughshares, Orion, Western Humanities Review, Sierra, Gnosis, American Poetry Review, Eleven Eleven, Terrain.org, The Norton Book of Nature Writing, and Best American Science and Nature Writing. Among her most keen interests is the intersection of art and science. Former Director of the University of Arizona Poetry Center and Agnese Nelms Haury Chair of Environment and Social Justice, she is Regents Professor Emerita at the University of Arizona, where in 2015 she founded the Field Studies in Writing Program. She lives in Tucson, Arizona and Grand Manan, New Brunswick, Canada.

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