Outland Seattle & YES Music Productions Present: Rabbit Junk
Outland Seattle and YES Music Productions present:
A Cyberpunk Collaboration featuring -
Rabbit Junk
+ special guests
Amelia Arsenic
MHYMiR
DJs Sophixi & Keypr
July 11, 2026
Doors 8pm | Show 9pm
$20 adv | $25 dos
21+
Funhouse
109 Eastlake Ave E
Seattle, WA 98109
Adv tickets: https://app.opendate.io/e/yes-music-productions-and-club-outland-present-rabbit-junk-july-11-2026-711732
**RABBIT JUNK** (Seattle, WA)
Forged in the industrial crucible of Seattle in 2004, Rabbit Junk stands as a fiercely independent and genre-defying force in modern heavy music. The duo, comprised of multi-instrumentalist J.P. Anderson and vocalist Jennifer "Sum Grrrl" Bernert, has carved out a unique niche by masterfully blending digital hardcore, industrial metal, and electropunk with an array of influences ranging from hip-hop and dubstep to black metal and synthwave.
Rabbit Junk's journey began with their self-titled debut in 2004, initially a demo that quickly gained underground traction for its raw energy and distinctive male/female vocal dynamics, reminiscent of acts like Atari Teenage Riot. This initial success, including a rare 9/10 review from Metal Hammer Magazine, propelled them forward. Their 2006 sophomore effort, REframe, solidified their reputation for innovative sampling and genre fusion, with tracks like "Demons" famously incorporating a sample from John Williams' "Duel of the Fates." REframe expanded their fanbase across the US and Europe, showcasing their signature blend of tremolo-picked guitars, black metal tones, and raucous breakbeats. The band's commitment to pushing boundaries was further exemplified in their 2008 release, This Life Is Where You Get Fucked, an ambitious album divided into three conceptual suites exploring diverse themes and musical styles. This was followed by Project Nonagon in 2010, another multi-part release that continued to refine their vision. While initially releasing full-length albums, Rabbit Junk embraced a more agile approach in the 2010s, focusing on a steady stream of EPs and singles, including Pop That Pretty Thirty (2014) and Invasion (2015), maintaining a consistent evolution of their sound. However, 2018 marked a triumphant return to the LP format with Rabbit Junk Will Die: Meditations on Mortality. This album was hailed as their most experimental and perhaps best work yet, a testament to their continued growth and willingness to integrate new elements while retaining their core identity. More recently, their 2022 album Apocalypse for Beginners reached #1 on Bandcamp's metal chart and #2 overall, a significant achievement for a 100% independent band. Rabbit Junk's influences are a rich tapestry. J.P. Anderson has cited Japanese acts like The Mad Capsule Markets as a profound inspiration, praising their genre-bending approach. Other discernible influences include classic industrial bands like Skinny Puppy and Nitzer Ebb, the aggressive electronic punk of Atari Teenage Riot, and even subtle nods to hip-hop (sampling N.W.A on their debut) and classic rock (a unique cover of The Police's "Walking on the Moon"). Their ability to weave in everything from retro synthwave aesthetics to drum & bass rhythms and even unexpected bluesy or orchestral elements showcases a deep appreciation for diverse musical landscapes.
What truly sets Rabbit Junk apart is their unique contribution to their musical genres: an unyielding dedication to organized chaos. They don't merely mash genres together; they meticulously fuse them into a cohesive, often surprisingly melodic, and always powerfully energetic sound. Their music is characterized by an "uncomfortably in-between" aesthetic, using a wide palette of sounds to create new spaces within intense electronic music. This fearless experimentation, coupled with J.P. Anderson's intricate production and the compelling interplay with Sum Grrrl's vocals, has cultivated a dedicated fanbase that values their innovative spirit and unwavering artistic independence. Rabbit Junk continues to be a pioneering force, proving that heavy music can be both brutal and boundary-pushing.
https://rabbitjunk.bandcamp.com
**AMELIA ARSENIC** (Los Angeles, CA)
Los Angeles Death Wave. Australian Chinese DJ and producer AM ELIA ARSENIC makes harsh beats for dark times. Amelia's iconoclastic style is a convergence of bunkertechno club tracks, industrial metal and satirical lyrics.
https://ameliaarsenic.bandcamp.com/
**MHYMIR** (Seattle, WA)
MHYMiR (prounced M. Heimer) makes electronic music informed by synth pop, darkwave, and IDM. Donning a red telephone mask, MHYMiR very literally plays telephone with listeners via impressionistic vocoded lyrics, layered sonics, and collaged surrealist visuals.
https://linktr.ee/mhymir
Instagram: @mmhymirr
YES Music Productions DISCRIMINATION, HARASSMENT & INAPPROPRIATE BEHAVIOR ZERO-TOLERANCE POLICY
YES Music Productions will not tolerate inappropriate behavior and/or harassment that is related to an individual’s race, color, sex, age, creed, disability, marital status, national origin, religion, pregnancy, gender, gender identity or expression, genetic information, sexual orientation, veteran or military status, use of a service animal, domestic violence victimization, and any other status protected by federal, state or local law. Any persons observed in violation of this policy at our shows will be asked to leave.
A Cyberpunk Collaboration featuring -
Rabbit Junk
+ special guests
Amelia Arsenic
MHYMiR
DJs Sophixi & Keypr
July 11, 2026
Doors 8pm | Show 9pm
$20 adv | $25 dos
21+
Funhouse
109 Eastlake Ave E
Seattle, WA 98109
Adv tickets: https://app.opendate.io/e/yes-music-productions-and-club-outland-present-rabbit-junk-july-11-2026-711732
**RABBIT JUNK** (Seattle, WA)
Forged in the industrial crucible of Seattle in 2004, Rabbit Junk stands as a fiercely independent and genre-defying force in modern heavy music. The duo, comprised of multi-instrumentalist J.P. Anderson and vocalist Jennifer "Sum Grrrl" Bernert, has carved out a unique niche by masterfully blending digital hardcore, industrial metal, and electropunk with an array of influences ranging from hip-hop and dubstep to black metal and synthwave.
Rabbit Junk's journey began with their self-titled debut in 2004, initially a demo that quickly gained underground traction for its raw energy and distinctive male/female vocal dynamics, reminiscent of acts like Atari Teenage Riot. This initial success, including a rare 9/10 review from Metal Hammer Magazine, propelled them forward. Their 2006 sophomore effort, REframe, solidified their reputation for innovative sampling and genre fusion, with tracks like "Demons" famously incorporating a sample from John Williams' "Duel of the Fates." REframe expanded their fanbase across the US and Europe, showcasing their signature blend of tremolo-picked guitars, black metal tones, and raucous breakbeats. The band's commitment to pushing boundaries was further exemplified in their 2008 release, This Life Is Where You Get Fucked, an ambitious album divided into three conceptual suites exploring diverse themes and musical styles. This was followed by Project Nonagon in 2010, another multi-part release that continued to refine their vision. While initially releasing full-length albums, Rabbit Junk embraced a more agile approach in the 2010s, focusing on a steady stream of EPs and singles, including Pop That Pretty Thirty (2014) and Invasion (2015), maintaining a consistent evolution of their sound. However, 2018 marked a triumphant return to the LP format with Rabbit Junk Will Die: Meditations on Mortality. This album was hailed as their most experimental and perhaps best work yet, a testament to their continued growth and willingness to integrate new elements while retaining their core identity. More recently, their 2022 album Apocalypse for Beginners reached #1 on Bandcamp's metal chart and #2 overall, a significant achievement for a 100% independent band. Rabbit Junk's influences are a rich tapestry. J.P. Anderson has cited Japanese acts like The Mad Capsule Markets as a profound inspiration, praising their genre-bending approach. Other discernible influences include classic industrial bands like Skinny Puppy and Nitzer Ebb, the aggressive electronic punk of Atari Teenage Riot, and even subtle nods to hip-hop (sampling N.W.A on their debut) and classic rock (a unique cover of The Police's "Walking on the Moon"). Their ability to weave in everything from retro synthwave aesthetics to drum & bass rhythms and even unexpected bluesy or orchestral elements showcases a deep appreciation for diverse musical landscapes.
What truly sets Rabbit Junk apart is their unique contribution to their musical genres: an unyielding dedication to organized chaos. They don't merely mash genres together; they meticulously fuse them into a cohesive, often surprisingly melodic, and always powerfully energetic sound. Their music is characterized by an "uncomfortably in-between" aesthetic, using a wide palette of sounds to create new spaces within intense electronic music. This fearless experimentation, coupled with J.P. Anderson's intricate production and the compelling interplay with Sum Grrrl's vocals, has cultivated a dedicated fanbase that values their innovative spirit and unwavering artistic independence. Rabbit Junk continues to be a pioneering force, proving that heavy music can be both brutal and boundary-pushing.
https://rabbitjunk.bandcamp.com
**AMELIA ARSENIC** (Los Angeles, CA)
Los Angeles Death Wave. Australian Chinese DJ and producer AM ELIA ARSENIC makes harsh beats for dark times. Amelia's iconoclastic style is a convergence of bunkertechno club tracks, industrial metal and satirical lyrics.
https://ameliaarsenic.bandcamp.com/
**MHYMIR** (Seattle, WA)
MHYMiR (prounced M. Heimer) makes electronic music informed by synth pop, darkwave, and IDM. Donning a red telephone mask, MHYMiR very literally plays telephone with listeners via impressionistic vocoded lyrics, layered sonics, and collaged surrealist visuals.
https://linktr.ee/mhymir
Instagram: @mmhymirr
YES Music Productions DISCRIMINATION, HARASSMENT & INAPPROPRIATE BEHAVIOR ZERO-TOLERANCE POLICY
YES Music Productions will not tolerate inappropriate behavior and/or harassment that is related to an individual’s race, color, sex, age, creed, disability, marital status, national origin, religion, pregnancy, gender, gender identity or expression, genetic information, sexual orientation, veteran or military status, use of a service animal, domestic violence victimization, and any other status protected by federal, state or local law. Any persons observed in violation of this policy at our shows will be asked to leave.
Where is it happening?
Funhouse Seattle, 101 Eastlake Ave E, Seattle, WA 98109-5404, United States
Know what’s Happening Next — before everyone else does.
Host or PublisherYES Music Productions
