Opening Receptions 開幕茶會：The Conscious Absence: Tracing Emergence 間隙循跡 & A Brief Hint 簡短的提示

Name: Opening Receptions 開幕茶會：The Conscious Absence: Tracing Emergence 間隙循跡 & A Brief Hint 簡短的提示
Start: 2026-01-11T14:00:00+08:00
End: 2026-01-11T17:00:00+08:00
Location: 新店路110號, Xindian, New Taipei City, Taiwan

Schedule

Sun Jan 11 2026 at 02:00 pm to 05:00 pm

UTC+08:00

Location

新店路110號, Xindian, New Taipei City, Taiwan | Taipei, TP

Press release 新聞稿: https://drive.google.com/drive/folders/1N-wosETiehPTx5j_9lWPOgNMOioab9Fo?usp=sharing
The Conscious Absence: Tracing Emergence
January 11 – February 14, 2026
Artists: Chuang Ho 莊禾, Miyake Yuki 三宅佑紀, & Wu Pin-Jie 伍品潔
A Brief Hint: Miyake Yuki Solo Show
January 11 – February 1, 2026
Opening Receptions: Sunday, January 11, 2 – 5pm
Gallery Hours: Saturday & Sunday 1 – 5pm; and by appointment
Additional Events (Talks in Mandarin and English)
Artists & Curator Conversation on Transnational Exchange
Saturday, January 17 at 3pm
Walk My Walk: Artist-Led Neighborhood Stroll
Sunday, February 1 at 2pm (free admission, donations welcomed)
Curated by Lee Chien 李芊 & Huang Mu-Wei 黃慕薇 (gallery Unfold)
In collaboration with gallery Unfold and Kunst Arzt (Kyoto, Japan), Project Space 110 is pleased to present The Conscious Absence: Tracing Emergence—a three-person show by Taiwanese artists Chuang Ho and Wu Pin-Jie, and Japanese artist Miyake Yuki—alongside A Brief Hint, a solo exhibition by Miyake Yuki. These two exhibitions are the culmination of ongoing, transnational dialogues between Taiwan and Japan as reflected across the practices of the artists, the curatorial team, and the collaborating spaces.
The Conscious Absence: Tracing Emergence—an interdisciplinary show presented in our Main Room—weaves together the digital animation art of Chuang Ho, textile sculptures of Wu Pin-Jie, and pastel-based works of Miyake Yuki. Across the geocultural distances between these artists’ practices, the East Asian concepts of 間 (Ma) and 留白 (Liú Bái) play an integral role—emphasizing the active presence of negative space. This concept of an activated void reflects the nature of this transnational curatorial project in which an “essential interval” of physical and psychological space between the individuals and spaces involved leads to the emergence of new, creative possibilities. Amidst this dynamic of collaborative partnerships intertwined with acts of ceding space, Chuang Ho's animation utilises intentional emptiness to engage the audience, Miyake's pastel drawings evoke a visual experience that shifts with viewers’ movements, and Wu Pin-Jie’s indigo dye and cyanotype sculptures display receding traces that travel slowly across her works over the temporal course of the exhibition.
In A Brief Hint, Miyake Yuki presents her solo show in our Back Room—her first international exhibition. In this space, Miyake displays her delicate pastel drawings on the walls, suspended in space, and laid flat on the floor. Creating an environment both tranquil and subtly dynamic, Miyake probes how we see and remember. In response to experiencing the world with poor eyesight, Miyake creates what she calls “landscapes from memory”—ephemeral patterns inspired by nature and memories gathered from everyday life. The shimmering surfaces of Miyake’s drawings shift in tandem with viewers’ movements, changes in light, and modulations of air currents, reflecting the artist’s fascination with how we remember and the feeling of forgetting. In a show that mirrors the fragility of memory, Miyake induces beautiful, fleeting experiences—sensations that require one to actively grasp them, lest they easily escape.
About the Artists
MIYAKE Yuki (born in 1994, Okayama, Japan) is currently based in Kyoto and Osaka. Through distinctive approaches to creation, presentation, and display, Miyake explores ways in which her own memories exist and poses questions about “how we see.” Miyake’s recent exhibitions include lenses of glasses (solo exhibition, KUNST ARTZ, Kyoto, 2025), the 16th Okayama Prefectural Rising Artists Award Exhibition (group exhibition, Tenjinyama Cultural Plaza, Okayama, 2024), and ARTISTS’ FAIR KYOTO (Kyoto National Museum, Meiji Kotokan, 2024). She was awarded the Mainichi Newspapers Co., Ltd. Prize at Kyoto Art for Tomorrow 2024: Emerging Artists Exhibition.
CHUANG Ho (born in 1985, New Taipei City, Taiwan) is an animation artist based in Taipei. His practice centers on extending the qualities of hand-drawn animation, exploring the ascetic labor involved in its production and the emotional accumulation of time and space. He graduated from the Department of Digital Media Design at Asia University in 2009 and earned his Master's degree in New Media Art from National Taipei University of the Arts in 2014. In 2022, his solo exhibition See the Sea was held at Project Seek of Hong Foundation (Taipei, Taiwan), and he was selected to participate in the Tianmei Art Foundation's Taiwan Contemporary Artists Overseas Visit Program No.7 - Venice．Kassel．Berlin. In 2023, he exhibited in Here is where we meet at Chiayi Art Museum (Chiayi, Taiwan), C-LAB Future Media Arts Festival FUTURE VISION LAB 2023 at the Taiwan Contemporary Culture Lab (Taipei, Taiwan), and the artist residency for the 9th Nakanojo Biennale (Gunma, Japan). In 2024, he developed a new, full-dome projection piece titled Demo:Dome, which has been screened at international festivals in Melbourne, Jena, and Prague.
WU Pin-Jie (born in 1998, Kaohsiung, Taiwan) graduated from Taipei National University of the Arts in 2021 and is currently a graduate student in the Fiber Arts program at the Graduate Institute of Applied Arts, Tainan National University of the Arts. In recent years, Wu’s practice has combined indigo dyeing with cyanotype, employing the opposing effects of saturation and fading to trace the emergence and disappearance of experience and memory. In 2022, she was selected for London Craft Week: Theatre of Color—Taiwan Fiber Craft Exhibition (Gallery@OXO, London). Recent exhibitions include The Vanishing Form・blue afterglow (solo exhibition, ARARAT Art Partners, Taichung, 2025), Among Threads: Three Questions for the Weaver (Shu Lin, Taiwan, 2024), and ReGenerating Tomorrow: Sustainability, Environment and Imagination (O-Bank Art Gallery & Hsinchu City Art Site of Railway Warehouse, Taipei & Hsinchu, 2024).
About the Curators
LEE Chien is an art sociologist. She holds a PhD in Sociology from Goldsmiths, University of London; an MA in Auditory and Visual Cultures from Goldsmiths, University of London; and a BA in Sociology from National Taiwan University. She is currently an adjunct assistant professor in the Department and Graduate Institute of Sociology at National Taiwan University, and a co-founder and researcher of gallery Unfold in Kyoto. Her previous appointments include adjunct assistant professor at National Tsing Hua University, contributing researcher for the academic journal Theory, Culture & Society, and visiting researcher at Goldsmiths, University of London. Her research focuses on museums, aesthetic experience, and photographic media. Drawing on sensory ethnography, she explores the body, its dispositions and habits, and the role of space within these contexts. Her artistic practice adopts site-based performative approaches, rooted in observations of how eating is entangled with sociocultural structures—particularly the act of chewing, which is at once primal and feral, yet tightly embedded within frameworks of ritual and etiquette.
HUANG Mu-Wei holds an MA in Curatorial Studies from the Global Seminar Program at Kyoto University of the Arts, and an MA in Arts Policy and Management from Birkbeck, University of London. She is the director and curator of gallery Unfold, as well as a freelance translator specializing in art and design. Her interests focus on material transformation, spatial perception, and corporeality within visual experience. Recent curatorial and production projects include Reverse Journey: Kyoto at Art Rhizome Kyoto (2024–2025). Her translation work includes Becoming Taiwanese (Chinese-to-Japanese translation; to be published by Akaaka Art Publishing, Japan, in October 2025).

About the Collaborating Spaces
gallery Unfold was founded in 2024 in Kyoto, Japan by Mu-Wei Huang and Chien Lee. gallery Unfold is dedicated to presenting contemporary Asian art—with a particular emphasis on Taiwan—on the international scene through collaboration, exploration, research and curatorial initiatives. By engaging with diverse media and artistic practices while critically examining existing frameworks, the gallery seeks to uncover and articulate the multifaceted nature of Taiwanese contemporary art. At the same time, it collaborates with artists from around the world whose practices engage closely with contemporary contexts, working to interpret, translate, and convey the meaning and essence of art. ( www.galleryunfold.com; Instagram: @gallery.unfold)
Project Space 110 新店藝術空間 is a non-commercial and artist-run gallery located in the Xindian district of New Taipei City, Taiwan—by the scenic Bitan riverside. Our physical and digital spaces aim to promote experimental work by local artists dedicated to their practice, and foster connections between the diverse art communities we engage with in Taiwan and abroad. Our ground floor gallery consists of a street-facing Main Room, Back Room, and additional smaller experimental spaces. The upper floors house the art studios of gallery co-founders Jocelyn Shu, Tim Budden, and Dang Yang. Project Space 110 is by appointment outside of listed hours and scheduled events, and located by Xindian MRT station green line. ([email protected]; Instagram: @space110_gallery)
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《間隙循跡》The Conscious Absence: Tracing Emergence
藝術家：莊禾，三宅佑紀，伍品潔
展覽期間：2026年1月11日至2月14日
《簡短的提示》A Brief Hint
三宅佑紀個展
展覽期間：2026年1月11日至2月1日
開幕茶會：1月11日（週日）14:00-17:00
開放時間：週六，日 13:00-17:00；其他時間採預約制
策展人：李芊，黃慕薇 (gallery Unfold)
其他展覽活動（語言：中 & 英）
跨國交流觀察：藝術家與策展人的對話
Artists & Curator Conversation on Transnational Exchange
1月17日（週六）15:00
藝起走走（引路人：莊禾，三宅佑紀，伍品潔）
Walk My Walk: Artist-Led Neighborhood Stroll
2月1日（週日）14:00 （自由入場，費用隨喜）

Project Space 110 與京都 gallery Unfold 及 Kunst Arzt 合作，呈現《間隙循跡》——台灣藝術家莊禾、伍品潔與日本藝術家三宅佑紀的三人聯展，並同步推出三宅佑紀個展《簡短的提示》。此雙展為臺灣與日本之間長期跨國對話的延續，具體反映於藝術家實踐、策展思考以及合作空間之中。
《間隙循跡》為一場跨領域展覽，於主展間展出莊禾的數位動畫、伍品潔的纖維雕塑，以及三宅佑紀的粉彩繪畫。儘管三位藝術家的創作實踐橫跨不同的地理與文化位置，各自的實踐皆深探東亞概念中的「間」（Ma）與「留白」，強調負空間所具備的能動性。這種被啟動的「空無」回應了策展本質：個體與空間保留的「關鍵空隙」，正是開展創作新可能的契機。
在合作與讓渡空間交織的動態關係中，莊禾透過刻意留白，引導觀眾參與聯想與意義建構；三宅佑紀的粉彩作品隨著觀者移動而改變樣貌；伍品潔結合藍染與氰版的雕塑，則在展期中演繹色彩的退隱與消逝，記錄時間緩慢遊移的痕跡。
在《簡短的提示》中，三宅佑紀於後展間呈現其首次國際個展。藝術家將細膩的粉彩繪畫展示於牆面、懸吊於空間或平放於地面，營造靜謐且隱約流動的氛圍，藉此探究觀看與記憶的本質。
三宅佑紀的創作源於自身視力受限的經驗，捕捉她所稱「來自記憶的風景」——作品圖樣取材自自然，以及日常累積的破碎記憶。畫面的粉彩痕跡隨觀者移動、光影轉換與氣流閃爍變幻，反映藝術家對記憶與遺忘邊界的關注。此展覽呼應記憶本身的脆弱性，啟動細微而稍縱即逝的感知體驗——唯有通過主動的凝視，方能與這些易逝的片刻共鳴。

藝術家介紹
三宅佑紀 MIYAKE Yuki
1994年出生於日本岡山，現居京都，以大阪、京都為主要活動據點。三宅佑紀以記憶為創作主題，透過獨特的描繪、呈現及展示方法，探索自身記憶存在的方式，以及與他者共享的可能。近年展覽經歷包含「左右的視界 lenses of glasses」（個展、KUNST ARTZ、京都、2025年）、第16屆岡山縣新銳藝術家育成獎作品展（聯展、岡山縣天神山文化廣場、岡山、2024年）、ARTISTS’ FAIR KYOTO（藝術博覽會、京都國立博物館明治古都館、2024年）。曾獲Kyoto Art for Tomorrow 2024京都新銳選拔展毎日新聞社獎。
莊禾 CHUANG Ho
1985年出生，現居台北。2009年亞洲大學數位媒體設計學士，2014年國立臺北藝術大學新媒體藝術學系碩士。莊禾的作品專注於手繪動畫的特質延伸，探討其中製作的苦行與時空的情感堆疊；透過動畫重新組合了來自不同當下的片刻，創造出新的時間和空間維度。其所展現的影像並非記錄特定地點的實景，而是經過觀察、拆解及選擇，將局部轉化為可見的敘事，旨在喚起虛實交錯的空間感，促進人對存在本質的反思。近年入選並參與2025中之条當代藝術雙年展（群馬、日本），2023年參展嘉義市立美術館「我們在此相遇 Here is where we meet」(嘉義，台灣)、臺灣當代文化實驗場「C-LAB未來媒體藝術節FUTURE VISION LAB 2023」(台北，台灣)。2024年穹頂影像作品「影像雜技 Demo:Dome」在墨爾本、耶拿和布拉格等國際影展中放映。2025年參與Long Slow Distance 駐村創作並展覽（京都、日本）。
伍品潔 WU Pin-Jie
1998年出生於高雄，2021年畢業於台北藝術大學，台南藝術大學應用藝術研究所纖維組在學中。伍品潔以藍染為主要技法，透過布料染色捕捉空間中的光隨時間流動的軌跡，並賦予其植栽的外觀和形體，在布料拼接中利用縫線加入個人的痕跡，在隨機巧合與人為刻意兩個跨度擺盪。近期展覽包含「消逝的形意 blue afterglow」（個展、艾爾瑞特藝術所、台中、2025年）、「絮絮之間:知織者的三個提問」（聯展、澍林、台灣、台北、2024 ）、「明⽇再⽣:永續·環境·想像」(堤頂之星2.0邀請展、王道銀⾏總部、新⽵鐵道藝術村、台灣，台北、新⽵、2024年 )、「花園 Me and My Blue Finger 」（Artshop鳳甲美術館、台灣、台北、2023年）、「 2022倫敦⼯藝週⾊彩劇場-臺灣纖維⼯藝展」（聯展、Gallery@OXO、英國、倫敦2023)
策展人介紹
李芊 LEE Chien
藝術社會學者，倫敦大學金史密斯學院（Goldsmiths, University of London）社會學博士、倫敦大學金史密斯學院聽覺與視覺文化碩士、臺灣大學社會學學士。現為臺灣大學社會學系暨研究所兼任助理教授，京都gallery Unfold共同創辦人暨研究員。經歷包含國立清華大學兼任助理教授、《理論、文化與社會》（Theory, Culture & Society）學術期刊特約研究員、倫敦大學金史密斯學院參訪研究員。研究關注美術館、美學經驗與攝影媒介。運用感官民族誌，探索身體、其慣習與習慣、以及空間在這些脈絡中的作用。藝術創作以現場行為途徑，根源自對進食如何糾結於社會文化中的觀察，特別是咀嚼這一既原始野性、同時緊密鑲嵌於禮儀框架中的動作。
黃慕薇 HUANG Mu-Wei
京都藝術大學Global Seminar策展學程碩士、倫敦大學伯貝克學院藝術政策與管理碩士。gallery Unfold總監及策展人、藝術及設計專長自由譯者。關注物質變化與空間感知、視覺經驗中的身體性等。近期策展及製作經歷包含Art Rhizome Kyoto「逆旅京都」（2024-2025年）。譯作《Becoming Taiwanese》（中譯日、日本赤赤舍2025年10月出版）。

合作空間介紹
gallery Unfold由黃慕薇和李芊於2024年在日本京都成立，透過合作、探索、研究與策展，致力將臺灣當代藝術推向國際。我們在探索多樣的媒材和作品，反思既有的藝術實踐，發掘並呈現臺灣當代藝術的多元面貌之同時，也與來自世界各地、創作貼近當代情境的藝術家合作，進而詮釋、轉譯並傳遞藝術的意義與本質。( www.galleryunfold.com; IG: @gallery.unfold)
Project Space 110新店藝術空間是一間非營利藝術家自營空間，位於臺灣新北市新店區的碧潭河濱。我們的實體空間和數位平臺致力於推廣在地藝術家的藝術實踐與其實驗性作品，並促進我們在臺灣與國際間多元藝術社群的交流與連結。一樓的藝廊空間由面向街道的主展廳、後展廳和其他中小型的實驗空間組成。樓上則是藝廊共同創辦人兼藝術家舒琮維(Jocelyn Shu)、Tim Budden和楊璫（Dang Yang)的工作室。除開放時間與預定活動外，Project Space 110採預約制參觀
（[email protected]；IG: @space110_gallery），地點鄰近捷運新店站（綠線）。