One-to-one meetings with the RCA in Mumbai

Studying at the Royal College of Art places you in London: a city internationally renowned for its creativity, culture and diversity - the perfect place to develop your creative career in. What do prospective students need to know about living and studying in the UK?

You’re invited to meet Dr Sarah Cheang (Head of Programme of V&A/RCA History of Design MA) in Mumbai for an in-person conversation about studying at the RCA.

Saturday 27 September 2025, 10am-1pm

10am - Beginning of 1:1 meetings with Dr Sarah Cheang

1pm - End of meetings

Monday 29 September 2025, 5-9pm

5pm - Beginning of 1:1 meetings with Dr Sarah Cheang

9pm - End of meetings

Please only book 1 session per person to allow other the opportunity. If we see you have booked two sessions then we may cancel the latest booking in order to free up the space.

• Those interested in postgraduate study at the Royal College of Art
• Current RCA applicants and offer-holders
• Friends and family are also welcome to join, they do not need to have a ticket

You don't have to specialise in any discipline to attend this event: we welcome guests planning to apply to all subject areas.

Due to the postgraduate nature of RCA study, all attendees must be over 18.

The event is free to attend, but please note that places are limited. Pre-booking is essential to guarantee your spot.

Yes! We're delighted you're thinking of starting your RCA journey. Please bring your portfolio to the meeting appointment.

(Head of Programme of )

Sarah is a design historian. Her wide-ranging practice focuses on East Asian material culture and the body, with a special interest in fashion and race.

Sarah Cheang joined the RCA in 2011, and has led the History of Design Programme since 2020. A founder member of the Research Collective for Decoloniality and Fashion, Sarah works closely with a group of international scholars and activists who look to counter Eurocentricism in fashion studies and more inclusive and caring world-views in the fashion industry.

Sarah’s teaching interests reflect a commitment to shape more inclusive curricula and decolonial approaches to global history. Recent research and teaching have focussed on concepts of decolonial aesthesis, through experimental teaching methods and the research-led initiative OPEN. Issues of gender, race and ethnicity are often uppermost in her work, and she chaired the Design History Society Equalities Working group 2019–20.

We are continually adding to our diverse programme of events: conversations on key topics such as funding advice and portfolio development, symposia, exhibitions, open days and more. Many are free and open to the public.

Host or Publisher Royal College of Art