Morning of The Earth @Tower Cinemas

Name: Morning of The Earth @Tower Cinemas
Start: 2026-03-14T07:30:00+11:00
Location: 183-185 King Street, Newcastle, NSW, Australia, New South Wales 2300

Schedule

Sat, 14 Mar, 2026 at 07:30 am

UTC+11:00

Location

183-185 King Street, Newcastle, NSW, Australia, New South Wales 2300 | Newcastle, NS

Tower Cinemas 4.30pm Saturday 14th March.
www.fivestarcinemas.com.au/newcastle/movie/morning-of-the-earth
Over Fifty years ago, Albert Falzon OAM premiered what would become one of the greatest surf films of all time: Morning of the Earth. The film first screened on February 25th, 1972 at the Manly Silver Screen Theatre in Sydney, Australia and much to everyone’s surprise became an instant hit at the box office with sold-out shows for months to come. The story was inspiring, visuals stunning, and the editing cutting edge; but, a big contribution to the film’s success was G. Wayne Thomas’ legendary soundtrack (released under Warner Brothers), which became the first Australian soundtrack to sell over a million copies and go Gold. The film’s counter-culture approach and its country-soul soundtrack resonated deeply with Australia’s youth culture and solidified it into Australian history as a national treasure.
Above all, Morning of the Earth was a labor of love for Falzon: “I just wanted to make a beautiful film about surfing, the planet and the ocean.” Falzon frequented the beautiful North Coast of New South Wales with his friends as a getaway from the hustle and bustle of Sydney’s concrete jungle. He would pack his car with camera gear, surfboards and rolls of 16mm film and road trip north to capture the beauty and serenity that those journeys and destinations had to offer. But the film’s locations reached much farther than Australia’s North Coast. Morning of the Earth was the first film to capture surfing in Bali, and its two surfers, Stephen Cooney and Rusty Miller, became the first to ever surf the now world-famous point break, Uluwatu. Falzon also captured the powerful surf of Hawaii’s north shore during the winter of 1970/71, which contributes a presence of energy to the film that is unparalleled in both beauty and power.