Marisa Anderson performing The Anthology of UnAmerican Folk Music
About this Event
Marisa will be touring her new album, called The Anthology Of UnAmerican Folk Music: Volume 1. The record will be released May 2026 on Thrill Jockey as part of a larger multi-year release project connected to her ongoing work curation of what she calls the Anthology of UnAmerican Folk Music.
This curated collection draws from nearly one thousand songs sourced from the private record collection of Harry Smith, where she is focusing on music from regions where the United States has engaged in conflict since 1970, including Southeast Asia, the former USSR, and the Arabic and Islamic world. Very relevant at the moment!
Marisa was awarded a residency through the Tulsa Artist Fellowship granting her access to an archive (of more than 1,200 records) from Smith’s personal collection, now owned by the University of Oklahoma and housed at the Bob Dylan Center in Tulsa.
During the nine-day residency, Marisa focused on collecting recordings from countries connected to U.S. conflicts during her lifetime starting in 1970 - the year she was born. The record features deeply personal interpretations—composed, transcribed, and arranged—of music spanning from Afghanistan to Vietnam, via Yemen, Cambodia, Turkmenistan, and Pakistan. She will be performing this material live for the first time, alongside selections from her earlier catalog and new, unreleased works.
Marisa Anderson bio:
Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her playing is fluid, emotional, and masterful, featuring compositions and improvisations that re-imagine the landscape of American music.
The New Yorker calls Anderson ‘one of the most distinctive guitar players of her generation’, and NPR refers to her as among ‘this era’s most powerful players’. Her music has been featured in Rolling Stone, NPR, The New York Times, Pitchfork, the BBC and The Wire. Festival appearances include Big Ears, Pitchfork Midwinter, Le Guess Who and the Copenhagen Jazz Festival. Anderson is the recipient of the 2025 Spark Award for Oregon Artists presented by the James F. and Marion L. Miller Foundation.
In addition to her solo work, Anderson is sought after as a collaborator and composer. Swallowtail, her second record in duo with drummer Jim White was released May 2024 on Thrill Jockey Records. 2024 also saw the release of the feature film score ‘ A Perfect Day For Caribou’, as well as appearances on records by Charlie Parr, Myriam Gendron and Big|Brave.
In addition to multiple solo releases, past projects include 2021’s Lost Futures with guitarist William Tyler, and contributions to recordings by Matmos, Tara Jane O’Neil, Beth Ditto, Sharon Van Etten and Circuit Des Yeux, among others. Classically trained, Anderson honed her skills playing in country, jazz and circus bands. Her current work is focused on a mid-20th century archive of recorded music from the Islamic world, Southeast Asia and the Soviet Union.
‘Marisa Anderson doesn't just play guitar — she sinks into bends and lingers over melodies, knowing when to light a fire under her fingers’ - NPR
‘One of the best emotional mediums in the field of solo guitar, Anderson is a master of lovely melancholy.’ - Pitchfork
Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her playing is fluid, emotional, and masterful. - Bandcamp
https://marisaanderson.bandcamp.com/album/the-anthology-of-unamerican-folk-music
Dancing Bears play ‘Irish Primitive’ trance folk, wordless vocals with guitar/banjo and sometimes percussion.
Dancing Bears is also Rory who plays guitar with 7:10 and does vocals with Hands Up Who Wants to Die.
Dancing Bears performances drift in between improvisation and composition. Rooted in rhythmic folk and exploring psychedelic territories.
Where is it happening?
Event Location & Nearby Stays:
EUR 15.50
