Lloyd Cole // Hobart // Solo Electric // Odeon Theatre

Name: Lloyd Cole // Hobart // Solo Electric // Odeon Theatre
Start: 2026-03-29T09:00:00+11:00
Location: Odeon Theatre, Hobart

Schedule

Sun, 29 Mar, 2026 at 09:00 am

UTC+11:00

Location

Odeon Theatre, Hobart | Hobart, TS

𝑫𝒆𝒔𝒕𝒓𝒐𝒚 𝑨𝒍𝒍 𝑳𝒊𝒏𝒆𝒔 𝑷𝒓𝒆𝒔𝒆𝒏𝒕𝒔
𝐋𝐋𝐎𝐘𝐃 𝐂𝐎𝐋𝐄
𝐒𝐨𝐥𝐨 𝐄𝐥𝐞𝐜𝐭𝐫𝐢𝐜 - 𝟐 𝐒𝐞𝐭𝐬 - 𝐌𝐚𝐫𝐜𝐡 𝟐𝟎𝟐𝟔
Sᴜɴᴅᴀʏ Mᴀʀᴄʜ 29
Oᴅᴇᴏɴ Tʜᴇᴀᴛʀᴇ, Hᴏʙᴀʀᴛ 18+
Dᴏᴏʀs 7:00ᴘᴍ
𝐓𝐢𝐜𝐤𝐞𝐭𝐬:
➟ https://daltours.cc/26LLC=hoba
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TICKETING INFORMATION
GA/GOLD: $89.90
PLATINUM: $109.90
DIAMOND: $129.90
Lloyd Cole will take to the road in 2026 with a run of solo shows in
Australia. His elegant solo live performances in recent years have been predominantly acoustic, but for these concerts he has decided to go electric. The performance will run the gamut from his masterful debut with the Commotions ‘Rattlesnakes’ right up to 2023’s acclaimed ‘On Pain’ touching on all points in between.
Says Lloyd: “In 1999, in retreat from mainstream ambivalence, the idea of becoming a troubadour was perversely alluring. Two acoustic guitars, a suitcase, and a round the world ticket. It took a while for me to become comfortable with it, but The Folksinger Show became my staple. And then, somehow or other, twenty-five years were gone, and now I find myself approaching the end of my career, and wanting to be seen more as just a singer, who wrote a body of work, very little of which one would reasonably label ‘folk’. So I’m back with my Telecaster, my Princeton amp, and my solo show is now electric.”
In 2023 Lloyd Cole released ‘On Pain’, his twelfth album as a solo
artist. He has released 17 studio albums including three with The
Commotions [‘Rattlesnakes’ (84), ‘Easy Pieces’ (’85), Mainstream (’87)] twelve solo albums [‘Lloyd Cole’ (’90), ‘Don’t Get Weird On Me Babe’ (’91), ‘Bad Vibes’ (’93), ‘Love Story’ (95), ‘Plastic Wood’ (’01), ‘Music In A Foreign Language’ (’03), ‘Anti Depressant’ (’06), ‘Broken Record’ (’10), ‘Standards’ (’13), ‘1D’ (’15), ‘Guesswork’ (’19), ‘On Pain’ (’23)], one with The Negatives [‘The Negatives (2000)] and one with Hans Joachim Roedelius [‘Selected Studies Vol. 1’ (’13)].