Live Music @ The Hub On Martin- Daisy Van der Wee x Volunteers x Jared Jack

Daisy Van der Wee is a singer-songwriter who pairs dynamic live performance with unassuming lyrical strength and tenderness, making music similar to artists like Perfume Genius, M. Ward, and Marlon Williams. Shifting from powerful cries to gentle invitations, Daisy brings you through the full depth of their experience. In the past three years, Daisy Van der Wee has completed three independently managed cross-country tours, released a series of soaring and intimate singles, and is currently in the midst of an ambitious dual-album project: producing two sets of recordings of the same songs with wildly different arrangements.

Daisy’s debut releases “Naked in Your Arms” and “Naked in Your Arms (After Midnight)” are the first two offerings from their highly anticipated Mount Uniacke Dual Album project, and are the first glimpses into the ambitious vision that will become the Mount Uniacke Dance Club and Mount Uniacke Dreamers Club albums.

“Love each other, love yourself, love the world”. It’s up to you whether you dream or dance.

Volunteers are a 3-piece garage country group from the North Okanagan, playing the original songs of Okanagan-raised Liam McIvor (current steel player for Petunia & The Vipers). They take influence from John Prine, Gene Clark, The Flying Burrito Brothers and other psych country acts from the 60s and 70s, blending them with traditional folk & country songwriting conventions under dense lyricism about love, mortality, compost & garbage.

Jared Jackel is a Penticton based multi-instrumentalist and producer presiding somewhere inside the otherworldly realm of gothic cowboy psychedelia. Jackel, releasing two hazily ambitious albums under the title of Jared Jackel’s Bad Vibrations, is belligerently experimental, combining a meticulously refined command of bizarro country tonality, with an aggressively original lyricism. Jared Jackel’s Bad Vibrations spirited live sets consist of avant-garage, one-man-band style songs backed by foot-triggered bass drones, twangy post-western guitar playing, and retro-jazz drum-machines

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