LIVE MUSIC: Dyr Faser // Darsombra // Wooll // Small Pond

Name: LIVE MUSIC: Dyr Faser // Darsombra // Wooll // Small Pond
Start: 2024-10-25T20:00:00-04:00
Location: 134 Waterman Ave, East Providence, RI

Schedule

Fri Oct 25 2024 at 08:00 pm

UTC-04:00

Location

134 Waterman Ave, East Providence, RI | East Providence, RI

Wooll is an American indie rock band from Providence, RI. The band consists of Corinne Roma on vocals and acoustic guitar, Tyler Rosenholm on electric guitar, Tyler Chauncey on bass, Derek Goulet on drums, and Robert LaSalvia on electric guitar and keys. Rosenholm, Chauncey and Goulet all played in former Boston band Kid Mountain, a band that folded in 2020 and LaSalvia plays in MA band Substantial Abuse. Wooll started in 2023 and put out their debut album “Unwind” in April 2024. Their influences range anywhere from Cat Stevens to Yusuf Islam.
Darsombra is a trans-apocalyptic galaxy rock duo from Baltimore, Maryland, USA. Known internationally for walking the line between glam-prog-psych-stoner metal and site-specific installation performance art, their hallucinogenic live audio-visual shows are often met with the following responses: “I didn’t know what to expect, but that was awesome”, “I’ve never seen anything like that before”, and “it was like tripping on acid, without the acid.”
The band has a committed DIY cottage industry ethic, self-producing their music and videos and booking their own tours globally. They bring a stadium show in a cargo van or a handful of suitcases, and have performed in 48 states and 20 countries worldwide since their inception in 2005.
Hailing from Portsmouth, NH, Small Pond is a four-piece melodic indie rock group throwing out swingy, laid-back tracks with big hooks and undeniably catchy lyrics. Indie folk band, Sneaky Miles, formed in the fall of 2019. The trio found each other through Open Mic nights at the University of New Hampshire.
“Dyr Faser is another side project of musical centipede Ty Segall. Well it’s actually not, but it could have been. Why? The echoing and waywardly glam garage rock sonority, the fuzz and buzz guitar electricity à la the early days of The Jesus And Mary Chain, and the 60s chaotic The Velvet Underground jangliness in Warhol‘s hedonistic club The Factory, are gloomy ingredients you find on several Segall albums too.”