Li-Young Lee (Afternoon Conversation) as the ETSU Fall Feature

Name: Li-Young Lee (Afternoon Conversation) as the ETSU Fall Feature
Start: 2025-09-24T13:30:00-04:00
End: 2025-09-24T15:00:00-04:00
Location: ETSU D.P. Culp Center

Schedule

Wed Sep 24 2025 at 01:30 pm to 03:00 pm

UTC-04:00

Location

ETSU D.P. Culp Center | Johnson City, TN

This year's Bert C. Bach Written Word Initiative will feature legendary poet Li-Young Lee as the 2025 Fall Feature.
From 1:40-3 PM in the Culp's Forum Room (311), Lee will join us for a conversation with Jesse Graves. Audience Q&A and book signing to follow.
Return later that evening at 7 PM to the Bud Frank Theatre (Gilbreath 118) to hear Lee read from his work. There will be a book signing to follow.
Both events are free and open to the public.
https://www.etsu.edu/cas/litlang/writingfestival/fallfeature.php
This event is sponsored by the Bert C. Bach Written Word Initiative and the Mary B. Martin School of the Arts.
Li-Young Lee is the author of six critically acclaimed books of poetry, most recently The Invention of the Darling (W. W. Norton, 2024), The Undressing (W.W Norton, 2018), Behind My Eyes (W.W. Norton, 2008), and a chapbook The Word From His Song (BOA Editions, 2016). His earlier collections are Book of My Nights (BOA Editions, 2001); Rose (BOA, 1986), winner of the Delmore Schwartz Memorial Award from New York University; The City in Which I Love You (BOA, 1991), the 1990 Lamont Poetry Selection; and a memoir entitled The Winged Seed: A Remembrance (Simon and Schuster, 1995), which received an American Book Award from the Before Columbus Foundation and was reissued by BOA Editions in 2012. His translation of the Dao De Jing debuted in October 2024.
Lee’s honors include fellowships from the National Endowment for the Arts, The Lannan Foundation, and the John Simon Guggenheim Memorial Foundation, as well as grants from the Illinois Arts Council, the Commonwealth of Pennsylvania, and the Pennsylvania Council on the Arts. He is winner of the 2024 Ruth Lilly Poetry Prize, and in 1988 he received the Writer’s Award from the Mrs. Giles Whiting Foundation. He is also featured in Katja Esson’s documentary, Poetry of Resilience.
Li-Young Lee’s collection, The Undressing, investigates the violence and dispossession increasingly prevalent around the world, as well as the horrors he grew up with as a child of refugees. Lee draws from disparate sources, including the Old Testament, the Dao De Jing, and the music of the Wu Tang Clan. While the ostensive subjects of these layered, impassioned poems are wide-ranging, their driving engine is a burning need to understand our collective human mission. Most recently, he just finished co-translating The Dao De Jing, which will be forthcoming with W. W. Norton in 2024.
Born in 1957 of Chinese parents in Jakarta, Indonesia, Lee learned early about loss and exile. His great grandfather was China’s first republican President; and his father, a deeply religious Christian, was physician to Communist leader Mao Tse-Tung. After the establishment of the People’s Republic of China in 1949, Lee’s parents escaped to Indonesia. In 1959, his father, after spending a year as a political prisoner in President Sukarno’s jails, fled Indonesia with his family to escape anti-Chinese sentiment. After a five-year trek through Hong Kong, Macau, and Japan, they settled in the United States in 1964.
Through the observation and translation of often unassuming and silent moments, the poetry of Li-Young Lee gives clear voice to the solemn and extraordinary beauty found within humanity. By employing hauntingly lyrical skill and astute poetic awareness, Lee allows silence, sound, form, and spirit to emerge brilliantly onto the page. His poetry reveals a dialogue between the eternal and the temporal, and accentuates the joys and sorrows of family, home, loss, exile, and love. In “The City In Which I love You,” the central long poem in his second collection, Li-Young Lee asks, “Is prayer, then, the proper attitude / for the mind that longs to be freely blown, / but which gets snagged on the barb / called world, that / tooth-ache, the actual?” Anyone who has seen him read will add that Lee is also one of the finest poetry readers alive.