Koncert med Dúo Arcadia - Guitarens Weekend 2025

Name: Koncert med Dúo Arcadia - Guitarens Weekend 2025
Start: 2025-08-17T17:00:00+02:00
Location: Københavns Guitarskole - Casa de la guitarra

Schedule

Sun, 17 Aug, 2025 at 05:00 pm

UTC+02:00

Location

Københavns Guitarskole - Casa de la guitarra | Copenhagen , SK

Koncert med Duo Arcadia til Guitarens Weekend.
🔸️Dørene åbner kl. 16.30
🔸️Koncerten starter kl. 17.00
🔸️Billetten inkl. et glas vin eller lign. til koncerten
🔸️Se hele programmet her https://koebenhavnsguitarskole.dk/guitarensdag/
Dúo Arcadia er en guitar duo fra Spanien, som består af Avelina Vidal Seara og Pilar Rius Fortea.
Duoen har optrådt på en lang række internationale musik festivaller og har tradition for at arbejde med samtidens komponister.
I 2017 vandt Dúo Arcadia IMelody International Composition Contest prisen for deres fortolkning af Ivan Lyran’s værk, Três Peças Brasileiras.
Man kan høre værket på deres album Paisajes Sonoros
https://open.spotify.com/album/7AcrYuNn7IfKSRe2tjIipl?si=7nlphqsWSYW-uD3dkcd9MA

Dùo Arcadia skriver dette om deres koncert
Invisibles....para ver (Invisible....to see)

"The title of our program is a paradox constructed from the titles of the works of Diana Pérez Custodio and Rebeca Santiago.
It could perfectly apply to the way in which many of the women who have preceded us navigated their own existence and to the way in which some of our contemporaries and those who will follow us do so. Those whose human essence is not respected, those who are intended to be rendered invisible and submissive, and who are limited to seeing, if they can, behind fabrics, walls, religions, and ideals.
They are and have always been protectors and guarantors of life. Of that which is born, of that which is yet to be born, of the innocence behind a glance or a smile that is capable of taking us back to our childhood essence in Teresa Catalán's Nana del Juguete (Toy lullaby) or in Alicia Díaz de la Fuente's Niño Poeta (Poet boy), of observing and being rooted, even if it is not visible. But this paradox also applies in an artistic sense to all those extramusical influences or processes that are inherent to a piece, even if they are not evident. That which is not seen and can be transmuted into a sound, such as the memories of youth and specific places in Marisa Manchado's Mayrit; Pictorial borrowings that are difficult to transmute into a physical-harmonic phenomenon, but whose tension and chromaticism we sense changing in Diana Pérez Custodio's work, Cerrar los Ojos para ver 02: El Arce (Close Your Eyes to See 02: The Maple) and the resounding presence of Georgia O'Keeffe's painting; in Isabel Pérez del Pugar's audiovisual pulse alongside the electronic and acoustic sound of both guitars in Rebeca Santiago's Sobre los vacíos invisibles (On the Invisible Voids). Finally, in the power of the word and the Sephardic Jewish cultural roots in the form of a poetic motif in M. José Cordero's Dibaxu or in the contrapuntal language of Raquel Quiaro in APPA".
Glæd jer til en fantastisk koncert med denne enestående duo🤩