In Conversation: Rujeko Hockley & Hank Willis Thomas

The second Atlanta University Center Art History + Curatorial Studies Distinguished Lecture Series event of the academic year, join curator Rujeko Hockley and conceptual artist Hank Willis Thomas in conversation about the role of archives in art and curatorial practice. The conversation will be moderated by Dr. Cheryl Finley, Walton Endowed Professor + Director, AUC Art History + Curatorial Studies Collective.

• THE RECEPTION BEGINS AT 5PM
• DOORS OPEN AT 5:30PM
• THE LECTURE BEGINS AT 6PM

About Hank Willis Thomas

Hank Willis Thomas (b. 1976, Plainfield, NJ) lives and works in Brooklyn, NY and is a conceptual artist whose work examines themes of identity, perspective, commodity, media, and popular culture. Thomas’ interdisciplinary practice spans sculpture, photography, retroreflectives, quilt-based works, film, and more, often challenging the viewer to critically engage with the complexities of contemporary culture. Thomas has held solo exhibitions throughout the United States and internationally, including The Portland Museum of Art, Portland, OR (2019) Crystal Bridges Museum of American Art, Bentonville, AR (2020); the Cincinnati Art Museum, OH (2020); the National Building Museum, Washington, D.C. (2021); and the Henry Art Gallery, Seattle, WA (2024). Recent group exhibitions include SFMoMA, San Francisco, CA …

His work is included in numerous public collections, including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Brooklyn Museum, New York; High Museum of Art, Atlanta; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and the National Gallery of Art, Washington, D.C., among others.

His collaborative projects include Question Bridge: Black Males; In Search Of The Truth (The Truth Booth); The Writing on the Wall; The Gun Violence Memorial Project; and For Freedoms, an artist-led organization that models and increases creative civic engagement, discourse & direct action.

Thomas was the 2022 U.S. Department of State Medal of Arts honoree from the Office of Art in Embassies, Washington DC. Additionally, he was the Harmer/Eisner Artist-in-Residence in for Aspen Institute Arts Program (2024-2025) and the recipient of the Gordon Parks Foundation Fellowship (2019), The Guggenheim Fellowship (2018), AIMIA | AGO Photography Prize (2017), the Soros Equality Fellowship (2017), Aperture West Book Prize (2008), Renew Media Arts Fellowship from the Rockefeller Foundation (2007), and the New York Foundation for the Arts Fellowship Award (2006). He is a former member of the Public Design Commission for the City of New York.

Thomas’s public art practice includes permanent artworks around the country, including The Embrace (2023) on the Boston Common in Boston, MA; With These Hands: A Memorial to the Enslaved and Exploited (2025) at Davidson College in Davidson, NC; REACH (2023), made in collaboration with Coby Kennedy, at O’Hare International Airport in Chicago, IL; Duality (2023) at The Underline in Miami, FL; and The Truth is I Love You (2023), at the Austin Public Library, Austin, TX. Additional permanent public artworks include Unity (2019) in Downtown Brooklyn, NY; Love Over Rules (date) at Yerba Buena in San Francisco, CA; and All Power to All People in Opa Locka, FL.

Thomas holds a B.F.A. from New York University, New York, NY (1998) and an M.A./M.F.A. from MASS Art, MA, CCA the California College of the Arts, San Francisco, CA (2004). He received an honorary doctorate from Massachusetts College of Art and Design, Boston, MA in 2025; CCA the California College of the Arts, San Francisco, CA in 2024 as well as honorary doctorates from the Maryland Institute College of Art, Baltimore, MD, and the Institute for Doctoral Studies in the Visual Arts, Portland, ME in 2017.

About Rujeko Hockley

Rujeko Hockley was most recently the Arnhold Associate Curator at the Whitney Museum of American Art. She co-curated the 2019 Whitney Biennial, and organized the landmark exhibition Amy Sherald: American Sublime, which opened in April 2025.

Additional projects at the Whitney included 2 Lizards, Jennifer Packer: The Eye Is Not Satisfied With Seeing (2021), Julie Mehretu (2021), Toyin Ojih Odutola: To Wander Determined (2017) and An Incomplete History of Protest: Selections from the Whitney’s Collection, 1940-2017 (2017). Previously, she was Assistant Curator of Contemporary Art at the Brooklyn Museum, where she co-curated Crossing Brooklyn: Art from Bushwick, Bed-Stuy, and Beyond (2014) and was involved in exhibitions highlighting the permanent collection as well as artists LaToya Ruby Frazier, The Bruce High Quality Foundation, Kehinde Wiley, Tom Sachs, and others. She is the co-curator of We Wanted a Revolution: Black Radical Women, 1965-85 (2017), which originated at the Brooklyn Museum and travelled to three U.S. venues in 2017-18. She serves on the Board of Art Matters, as well as the Advisory Board of Recess.

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Header: Hank Willis Thomas Studio & mdash.mmlafleur.com

Flyer Photo credit: (modified image) Brooklyn Museum curator Rujeko Hockley and visual artist Hank Willis Thomas arrive at Spotlights (2015) Photo by Emma Freeman

Photo credit: Hank Willis Thomas in his Brooklyn studio via thecultivist.com

Photo credit: Rujeko Hockley at the Whitney Museum Photo: Mark Peterson

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