IDEOLOGIES OF POPULAR FICTION IN ROMANIA AND BEYOND: Cultural Functions, Global Circulations

Name: IDEOLOGIES OF POPULAR FICTION IN ROMANIA AND BEYOND: Cultural Functions, Global Circulations
Start: 2025-10-17T08:00:00+03:00
End: 2025-10-18T18:00:00+03:00
Location: Strada Emil Racoviță 21, 400165 Cluj-Napoca, România

Schedule

Fri, 17 Oct, 2025 at 08:00 am to Sat, 18 Oct, 2025 at 06:00 pm

UTC+03:00

Location

Strada Emil Racoviță 21, 400165 Cluj-Napoca, România | Cluj-napoca, CJ

The International Conference for the Study of the Novel
Third Edition: Ideologies of Popular Fiction in Romania and Beyond: Cultural Functions, Global Circulations
17-18 October 2025
Important dates:
Submission deadline: 31 July 2025
Notice of acceptance: 2 September 2025
The third edition of the International Conference for the Study of the Novel continues the line of inquiry pursued in the previous editions of the conference, with respect to the new methods and analytical tools promoted in contemporary literary studies after the transnational and digital turns. The 2025 edition conference is organised within the framework of the research project Ideological Functions of Popular Literature in Postcommunist Romania (IDEOLIT). This project is coordinated by Mihai Iovănel at Lucian Blaga University of Sibiu, Romania, and analyses how popular and consumer literature captured and engaged with the ideologies of the transition from a communist system to a market-based one. It aims to explore the cultural, political, and economic implications of popular literature – often referred to as “paraliterature” – in both national and transnational contexts, but with a focus on peripheral markets of literary consumption.
In the last two decades, scholarly inquiry into popular genres – including science fiction, fantasy, crime fiction, romance, spy novels, children’s literature, and comics – has intensified, contributing to a reconsideration of cultural hierarchies and the blurred lines between “high” and “low” literature. These forms, once relegated to the margins of cultural legitimacy, are now recognised for their complex ideological roles and their ability to reshape literary canons, market dynamics, and cultural identities. This shift reflects broader postmodern debates on the hierarchy of cultural production, as well as the economic rationalities that dominate the neoliberal age, where artistic value is often conflated with market performance.
As Clive Bloom argues in Best-Sellers: Popular Fiction Since 1900 (2002) and Violent London: 2000 Years of Riots, Rebels and Revolts (2010), popular literature serves not only as entertainment but also as a political and sociological artifact, reflecting and refracting the ideologies of its time. Likewise, Matthieu Letourneux’s Fictions à la chaîne. Littératures sérielles et culture médiatique (2017) provides a framework for understanding the seriality, industrial logic, and cultural legitimacy of popular narratives, especially within the Francophone and European traditions.
Popular novel is not only a cultural phenomenon but also a site of economic circulation, institutional negotiation, political representation, epistemic imagination, sociographic reflection, and transnational exchange. The asymmetrical flow of cultural goods – typically from the Anglo-American “centre” to semi-peripheral or peripheral markets – raises important questions about cultural dependency, resistance, and hybridisation. Yet exceptions to this flow, such as the recent global popularity of Nordic noir (see Crime Fiction as World Literature), signal the potential for alternative models of circulation and influence.
We invite proposals that address, but are not limited to, the following topics:
The competition between subgenres and the transformation of the literary canon.
The cultural economy of popular literature and its market dynamics.
Institutional imaginaries and their literary representations (e.g., the police, gendered labour).
Political dimensions of popular novel: feminism, racial diversity, and ideology in genre fiction.
The epistemic function of speculative genres in relation to science, technology, and futurism.
Class representation and sociographic mapping in popular fiction.
Transnational circulations: literary imports and exports, cultural asymmetries, and translation flows.
Romanian popular novel in comparative, regional, or global frameworks.
We welcome proposals from scholars working in literary studies, cultural studies, media studies, sociology, translation studies, and related fields. Contributions focused on the Romanian context, especially in dialogue with global perspectives, are particularly encouraged.
The 2025 edition of the International Conference for the Study of the Novel continues the initiative launched in the first edition, and welcomes workshops meant to share the preliminary or final results achieved within research team grants concerned with the formal, thematic, systemic, transnational, quantitative, or digital study of the novel.
Further reading:
Baghiu, Stefan, and Anca Simina Martin. 2024. “The Transmedial Triangulation of Dracula: How Cinema Turned the Gothic Bloodsucker into a Gothicized Serial Killer.” Nature Humanities and Social Sciences Communications 11, no. 1015, online: https://www.nature.com/articles/s41599-024-03531-2.
Berberich, Christine, ed. 2014. The Bloomsbury Introduction to Popular Fiction. London–New Delhi–New York–Sydney: Bloomsbury Academic.
Bloom, Clive. 2021. Bestsellers: Popular Fiction Since 1900, 3rd ed. Cham: Palgrave Macmillan.
Bloom, Clive. 2010. Violent London: 2000 Years of Riots, Rebels and Revolts. Cham: Palgrave Macmillan.
Boltanski, Luc. 2014. Mysteries and Conspiracies. Detective Stories, Spy Novels and the Making of Modern Societies. Translated by Catherine Porter. Cambridge: Polity Press.
Bordwell, David. 2023. Perplexing Plots: Popular Storytelling and the Poetics of Murder. New York: Columbia University Press.
Edwards, Martin. 2022. The Life of Crime. Detecting the History of Mysteries and Their Creators. London: HarperCollins UK.
Frantz, Sarah S.G., and Eric Murphy Selinger. 2012. New Approaches to Popular Romance Fiction. Jefferson, North Carolina: McFarland & Company, Inc.
Iovănel, Mihai. 2021. Istoria literaturii române contemporane: 1990–2020. Iași: Polirom.
Leith, Sam. 2024. The Haunted Wood: A History of Childhood Reading. Toronto: Sutherland House Books.
Letourneux, Matthieu. 2017. Fictions à la chaîne. Littératures sérielles et culture médiatique. Paris: Seuil.
Levine, Caroline. 2015. Forms. Whole, Rhythm, Hierarchies, Networks. Princeton: Princeton University Press.
Moraru, Christian. 2024. Flat Aesthetics: Twenty-First-Century American Fiction and the Making of the Contemporary. London: Bloomsbury Academic.
Moretti, Franco. 2013. Distant Reading. London: Verso.
Nilsson, Louise, David Damrosch, Theo D’haen, eds. 2017. Crime Fiction as World Literature. New York: Bloomsbuy Academic, 2017.
Roberts, Adam. 2025. Fantasy: A Short History, London–New York–Oxford–New Delhi–Sydney: Bloomsbury Academic.
Terian, Andrei. 2019. “Istoria literară și analiza cantitativă. Un studiu al pieței de carte actuale din România.” In Exploring the Digital Turn, edited by Anca-Diana Bibiri, Camelia Grădinaru, Emanuel Grosu, Andreea Mironescu, and Roxana Patraș, pp. 33–43. Iași: Editura Universității “Al. I. Cuza.”
Organizers: Sextil Pușcariu Institute of Linguistics and Literary History, Romanian Academy, Cluj-Napoca Branch; Lucian Blaga University of Sibiu, Faculty of Letters and Arts (PN-IV-P2-2.1-TE-2023-1275, within PNCDI IV: https://grants.ulbsibiu.ro/ideolit/about/).
Location: Sextil Pușcariu Institute of Linguistics and Literary History, 21 Emil Racoviță St., Cluj-Napoca, Romania