Horse Lords (US)//Arnfinn Nesset(NO)

Horse Lords were founded in Baltimore in 2010; they evolved from the experimental collective Teeth Mountain and began as a trio with drummer Sam Haberman, guitarist Owen Gardner, and bassist Max Eilbacher, soon adding alto saxophonist Andrew Bernstein to the core ensemble. Though Horse Lords grew out of the fertile Baltimore noise and leftfield rock scene, a storied environment for artists and weirdos that has nurtured many an influential outsider band (Lungfish, Matmos), their approach is more omnivorous than the stippled rhythms of instrumental electric rock would indicate.
Across sixteen years of frequent touring, Horse Lords have released ten studio, live, and collaboration albums in addition to a split EP with fellow Baltimoreans Lower Dens, a handful of singles and compilation tracks. For RVNG’s FRKWYS series, the band
collaborated with Berlin-based composer Arnold Dreyblatt, a onetime student of La Monte Young and Pauline Oliveros whose just intonation chamber music was a crucial part of the post-Fluxus Downtown New York City environment.
With the relocation of three of the four members to Germany beginning in 2021, the potential for more further creative exploration, and performance opportunities including
the Moers Festival (with an 11-piece lineup, interpreting Julius Eastman’s music as well as their own), the interdisciplinary phases of the band’s music was poised for fascinating new directions. The band observes “We are always trying to balance working
within the limitations of the quartet and pushing beyond them.
For their second studio album on RVNG Intl., Demand To Be Taken To Heaven Alive!, Horse Lords have followed this notion and augmented the instrumentation, expanding
the format slightly to include bass clarinetist Madison Greenstone (TAK Ensemble), trombonist Weston Olencki (Nate Wooley, RAGE Thormbones) and vocalists Nina Guo (Departure Duo) and Evelyn Saylor (Holly Herndon, Caterina Barbieri) across
a program of twelve original compositions.
Demand To Be Taken To Heaven Alive! is a reference to a line in a poem by Russian Futurist writer Vladimir Myakovsky, and the band have also name-checked the Bauhaus weaver Anni Albers (wife of painter Josef Albers), Islamic geometrical patterning, Dutch avant-garde group the Maciunas Ensemble (themselves named after
Fluxus artist and typographer George Maciunas), composer/writers Tom Johnson, Henry Flynt and Catherine Christer Hennix, and musically draw from sources as diverse as Roscoe Holcolmb, James Brown, Kuwaiti/Bahraini sawt, and electronic
composers Maryanne Amacher and Jaap Vink.
As the members are keen to point out, Demand To Be Taken To Heaven Alive! is “a bid for the flattening of time and perception in favor of greater goods [and] the iterative nature of reaching/building a paradise in this life, not the next,” and the new album at hand is an illuminating starting point for eternal nowness.Takk for tålmodigheten :)
Arnfinn Nesset
Tenk deg at King Crimson møtte Man is the Bastard på fylla og gikk og kræsja øvinga til Black Flag under Process of Weeding Out-tida, mens Ornette Coleman og Sun Ra ga motvillig bekreftelse fra sidelinja og alt kulminerte i et instrumentalt, kakofonisk og aseksuelt takras som produsert av Brian Eno i 1978, MEN det viser seg at det egentlig bare er du som sitter på psykiatrisk avdeling og alt dette skjer kun inni hodet ditt. Litt sånn er det Arnfinn Nesset høres ut.