GISELA WEIMANN & NONA DOMÍNGUEZ - METAMORPHOSIS in Art and Life

Name: GISELA WEIMANN & NONA DOMÍNGUEZ - METAMORPHOSIS in Art and Life
Start: 2025-09-13T18:00:00+02:00
End: 2025-09-13T21:00:00+02:00
Location: Mälarvarvsbacken 32, 117 33 Stockholm, Sweden

Schedule

Sat Sep 13 2025 at 06:00 pm to 09:00 pm

UTC+02:00

Location

Mälarvarvsbacken 32, 117 33 Stockholm, Sweden | Stockholm, ST

Slipvillan
Mälarvarvsbacken 32,
117 33 Stockholm, Långholmen
Metro: Hornstull
Open at 6PM
Video screening & artist talk
Gisela Weimann (Berlin, Germany) and Nona Domínguez (Salamanca, Spain) spent a residency period at Slipvillan approaching the theme of METAMORPHOSES in Art and Life.
Program :
In the Garden of Female composers
(Im Garten der Komponistinnen)
Selected songs
In the Garden of Female composers was premiered at the Frauenmuseum in Bonn as part of the locally and internationally celebrated 250th birthday of the cosmopolitan Beethoven and the German reunification 30 years ago.
19:00 Introduction by Gisela Weimann
Violeta Dinescu, Romania
"Flori di mucegai" (Mold flowers), 14:15
For 3 voices, 2020
Poem: Tudor Arghezi (1880-1967)
Clara Maïda, France
“Fiori Fuori” (Flowers Outside), 8:02
For soprano solo, 2021
Annette Schlünz, Germany
"Knallgelbe Forsythien" (Bright yellow forsythias), 5:07
For vocal trio, 2021 (Soprano, Mezzosoprano, Alto)
Poem: Ulrike Draesner
Karmella Tsepkolenko, Ukraine
"Sub rosa", 4:50
For 3 female voices, Odessa 2020
Text: Karmella Tsepkoleno
Lucie Vítková, Czech Republic
“Skalnicky” (Rock garden perennials), 4:25
For three voices, 2021
In dialogue with Nona Domínguez
alter ordo naturalis
“With this Latin expression, I would like to reflect on the natural order that nature offers us, and on other orders that humans have created from nature.
Gardens, so present in today’s artistic and literary expressions, are perhaps the clearest example of this “other order”. And the play with garden remains, their rearranging, just like the play with words, offers us a new perception and feeling for what they once were.” (Nona Domínguez)