Flannel Fest Kimberly w/ The Record Company, The Mascot Theory, Beth Kille Band, American Scarecrows

Name: Flannel Fest Kimberly w/ The Record Company, The Mascot Theory, Beth Kille Band, American Scarecrows
Start: 2025-11-22T18:00:00-06:00
Location: Tanners Grill and Bar

Schedule

Sat, 22 Nov, 2025 at 06:00 pm

UTC-06:00

Location

Tanners Grill and Bar | Kimberly, WI

Join us for the 12th Anniversary of Flannel Fest, a celebration of music benefitting the Keep Wisconsin Warm/Cool Fund that keeps our Wisconsin neighbors in need safe in their homes!
NOVEMBER 22, 2025
Tanner's Grill & Bar, Kimberly, WI
With performances by:
The Record Company
The Mascot Theory
Beth Kille Band
American Scarecrows
TICKETS:
• $40 ($45 day of show) - General Ticket (STANDING and limited GENERAL SEATING)
• $55 ($60 day of show) - VIP Ticket (SEATING) - Includes a guaranteed seat in the VIP section plus early entrance to the event and an exclusive Flannel Fest souvenir.
DOORS OPEN: 5 pm (4:45 pm for VIP tickets).
SHOW TIME: 6 pm to 10:30 pm
Flannel Fest has raised over $169,000 for the Keep WI Warm/Cool Fund over the past decade of Flannel Fest events, thanks to generous sponsors, matching grants, and all the amazing event attendees! Thank YOU for helping us keep our Wisconsin neighbors in need safely in their homes!
-- LINEUP --
The Record Company:
The rock/roots trio of Chris Vos (guitar, lead vocals, harmonica), Alex Stiff (bass, guitar, vocals) and Marc Cazorla (drums, piano, vocals) has already been hailed by LA Weekly for “making bluesy music that would sound more at home in a sweaty, backwoods Mississippi juke joint,” while Time Out Los Angeles has described their sound as “reminiscent of some of the best acts of the ’50s and ’60s—like if John Lee Hooker and the Stooges had a well-behaved love child.” The comparisons are apt.“We have been influenced by early electric blues, so some of that influence certainly shows,” acknowledges Vos. “But we’re just as influenced by bands like the Stones and The Stooges as we are by blues legends like Hooker, Muddy Waters and Jimmy Reed.” On The 4th Album, the band uses the same microphones that have been dropped at bar gigs a few too many times, and the same tarnished 2008 computer with recording software mostly laughed at by today’s standards. The album cover shows a hand-cut metal sign given to the band by a fan at a 2021 show in St Louis, Missouri. For the live show, the band is performing as a trio again, purposely scaling back bigger lineups they’ve used in the past. “We keep going back to a less-is-more philosophy with the new songs, and that translates to the show as well. The space between us is the 4th member,” says singer Chris Vos.
The Mascot Theory:
The Mascot Theory leans heavily into folk and classic rock influences; Eagles/America harmonies, a bit of Rolling Stones guitar swagger and ZZ Top blues rock, a dash of the Pink Floyd mood, but never straying far from the core of the Tom Petty/Beatle-esque importance of solid melody and lyrics. Famed producer Terry Manning (Led Zeppelin, ZZ Top, Lenny Kravitz) and the band assembled at Sonic Ranch Studios in TX to record songs for their full-length “Every Sign Of Life” album, released in early 2024. Along with a WAMI (Wisconsin Area Music Industry) win for Best Male Vocalist (Erik Kjelland) and a nomination for Best Americana/folk artist, The Mascot Theory has won over 30 MAMA (Madison Area Music Association) awards including back-to-back 2016 and 2017 Artist of the Year awards. They have played major festivals throughout Wisconsin including Summerfest, Freak Fest, and Mile of Music Festival, and have shared the stage with BoDeans, America, Don McLean, The Jayhawks, Old 97’s, Vance Joy, Frank Turner, Chase Rice, Kaleo, The Wild Feathers, Guster, Blitzen Trapper, Cory Chisel, Andy Frasco and the UN, Miles Nielsen and the Rusted Hearts, American Aquarium, and Lillie Mae.
Beth Kille Band:
At first glance, you may not know what to make of them. The farm boy, the intellectual, the ex-Marine, all backing up a wild-haired, acrobat. But then, the show begins, and you know you're about to be wrapped in the arms of a cohesive unit, bonded in the kinship of music. The four members of the Beth Kille Band – Michael Mood (bass, backing vocals), Tony Kille (drums), Michael Tully (guitar, backing vocals) and Kille herself (guitar, mandolin, vocals) – have amassed some impressive accolades. In addition to the numerous songwriting recognitions, Kille grabbed one of her 30 Madison Area Music Association (MAMA) Awards when she was named “Artist of the Year'' in 2010 and Tully snagged the highly-competitive “Guitarist of the Year” Award in 2014. Their style can best be described as Americana-Rock but these dynamic performers can play everything from folk to funk to in-your-face rock.
American Scarecrows:
Listening to American Scarecrows’ music feels like late nights spent with your friends in hopeful revels, reflective pangs, and vulnerable heart-to-hearts. The Minneapolis trio-singer-songwriter Seth Davin on guitar backed by the rhythm section of Allen Maier on drums and Matthew Broadbent providing the low end - matches their storytelling with an indie-pop sensibility, rounded out with tastes of folk-rock, country, and Americana. Their straightforward pieces greet listeners with evolved emotions and earnest solidarity. Bassist Broadbent spent years touring with Somerset (Epitaph/Punknews Records), while Davin and Maier logged many miles touring across each of the lower 48 as half of Dropping Daylight (Sony/Octone). This group only makes considered moves and refuses to compromise their craft to fit general one-size-fits-all models or modes. In a CityPages interview ahead of their last album release, Davin simply stated “You can only be the artist that you are” and this refreshing honesty and authenticity resound through their albums, Keep Your Devils Around (2011) and Yesteryear (2014). The band is back with their third LP entitled Drawing Little Pictures (2022). Fans of The Wallflowers, Band of Horses, and The Jayhawks will definitely find a place on their playlists for American Scarecrows.