eTown Taping with Tom Rush

Name: eTown Taping with Tom Rush
Start: 2025-10-26T19:00:00-06:00
End: 2025-10-26T21:30:00-06:00
Location: 1535 Spruce St, Boulder, CO, United States, Colorado 80302

Schedule

Sun Oct 26 2025 at 07:00 pm to 09:30 pm

UTC-06:00

Location

1535 Spruce St, Boulder, CO, United States, Colorado 80302 | Boulder, CO

Tom Rush is a gifted musician and performer, whose shows offer a musical celebration — a journey into the tradition and spectrum of what music has been, can be, and will become. His distinctive guitar style, wry humour and warm, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific storytelling, the sweet melancholy of ballads and the passion of gritty blues.
Tom’s impact on the American music scene has been profound. He helped shape the folk revival in the ’60s and the renaissance of the ’80s and ’90s, his music having left its stamp on generations of artists. James Taylor told Rolling Stone, “Tom was not only one of my early heroes, but also one of my main influences.” Country star Garth Brooks has credited him with being one of his top five musical influences. Tom has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell, Jackson Browne and James Taylor, and in more recent years his Club 47® concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations.
Tom began his musical career in the early ’60s playing Boston-area clubs while a Harvard student. The Club 47 was the flagship of the coffeehouse fleet, and he was soon holding down a weekly spot there, learning from the legendary artists who came to play, honing his skills and growing into his talent. He had released two albums by the time he graduated.
Tom displayed then, as he does today, an uncanny knack for finding wonderful songs and writing his own — many of which have become classics re-interpreted by new generations. (It is a testimony to the universality of his appeal that his songs have been folk hits, country hits, heavy metal and rap hits.) Signed by Elektra in 1965, Tom made three albums for them, culminating in The Circle Game, which, according to Rolling Stone, ushered in the singer-songwriter era.
In the early ’70s, folk turned to folk-rock, and Tom, ever adaptable, saw more room to stretch out. Recording now for Columbia, he toured tirelessly with a five-man band, playing concerts across the country. Endless promotional tours, interviews, television appearances and recording sessions added up to five very successful but exhausting years, after which he decided to take a break and “recharge” his creative side at his New Hampshire farm.
Tom returned with a splash in 1981, selling out Boston’s prestigious Symphony Hall in advance. Time off had not only rekindled his love of music, but it had also re-ignited audiences’ love of Tom.
He instinctively knew that his listeners were interested in both the old and the new, and set out to create a musical forum — like the Club 47 of the early ’60s — to allow established artists and newcomers to share the same stage. In 1982, he tried it out at Symphony Hall. The show was such a hit it became an annual event, growing to fill two, then three nights, and the Club 47 series was born. Crafting concerts that combined well-known artists such as Bonnie Raitt or Emmylou Harris with (then) unknowns like Alison Krauss or Mark O’Connor, Tom took the show on the road. From the ’80s to the present day, Club 47 events have filled the nation’s finest halls to rave reviews and have been broadcast as national specials on PBS and NPR.
In 1999, Columbia/Legacy released a retrospective album that covered his recorded history from 1962 to the present, including tracks recorded for Columbia, Elektra, Prestige and his independent years. Entitled The Very Best of Tom Rush: No Regrets, the 17-track compilation includes as a bonus a brand-new composition, “River Song,” featuring vocal contributions from Grammy winners Shawn Colvin and Marc Cohn.
A live CD, Trolling for Owls (2003, Nightlight Recordings), captures his complete performance and includes, for the first time, some of the spoken stories that have endeared him to audiences. How I Play (some of) My Favorite Songs, a DVD released in 2005 by Homespun Tapes, shows how he plays ten of his memorable songs and guitar arrangements, earning great reviews from guitarists all over the world.
In 2009, Tom recorded his first studio CD in 35 years in Nashville. What I Know, produced by longtime friend Jim Rooney, includes original material with harmonies by Emmylou Harris, Bonnie Bramlett and Nanci Griffith.
In 2012, he began a revival of his Club 47® shows at Boston’s Symphony Hall. Tom Rush: 50 Years of Music featured old friends David Bromberg, Jonathan Edwards and Buskin & Batteau, and new friends like Dom Flemons of the Carolina Chocolate Drops. The show was streamed live and released as a DVD. He followed up with a sold-out Symphony Hall show in 2013 with the Kweskin Jug Band, Maria Muldaur, Geoff Muldaur and Bill Keith, Patty Larkin and Sarah Lee Guthrie and Johnny Irion.
On December 28, 2014, his show featured Red Molly, Grace Kelly and Monica Rizzio, again to rave reviews.
Today, Tom lives in Massachusetts when he’s not touring. His voice has grown even richer and more melodic, and his music, like a fine wine, has matured and ripened in the blending of traditional and modern influences. He continues to write and perform passionately, tenderly — knitting together the musical traditions and talents of our times.