Danijela Zajc: Kinektanje | 19. Klovnbuf festival

𝐃𝐚𝐧𝐢𝐣𝐞𝐥𝐚 𝐙𝐚𝐣𝐜: 𝙆𝙞𝙣𝙚𝙠𝙩𝙖𝙣𝙟𝙚

𝘜𝘭𝘪𝘤̌𝘯𝘰 𝘨𝘭𝘦𝘥𝘢𝘭𝘪𝘴̌𝘤̌𝘦, 𝘴𝘰𝘥𝘰𝘣𝘯𝘪 𝘤𝘪𝘳𝘬𝘶𝘴, 𝘪𝘯𝘵𝘦𝘳𝘮𝘦𝘥𝘪𝘫𝘴𝘬𝘪 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘴

Kinektanje je tretji del trilogije PrepLetanje, avtorice Danijele Zajc. Trilogija je zasnovana kot intimen preplet performerkinega prostora z občinstvom ter preizkušanje meja uličnega gledališča. Rdeča nit trilogije je sovplivanje, prepletanje, povezanost med prostorom, časom, vsemi živimi bitji, vesoljem. Navdihuje se tudi pri delih in idejah glasbenika Johna Cage-a. Z vsako nadaljno produkcijo trilogija vsebino, izraz, zvok in gib prenaša v tehnološko “zahtevnejšo” smer.

V atomizirani družbi, kjer se poudarja in povzdiguje posameznika napram kolektivu, se soočamo s poplavo (dez)informacij, ki nas še bolj ločujejo druge od drugih. Prepredeni smo s (“pametno”) tehnologijo, ki nas še bolj atomizira. V produkciji Kinektanje avtorica preizprašuje tovrstne elemente atomizacije in aparatov nadzora. V nasprotju s tem pa naslovna besedna igra “kinektanje” poziva ravno k nasprotnemu. Vsebuje besede “kinetik” – aktivno premikanje, spravljanje v gibanje, akcijo ter “connecting” – povezovanje. Poziva torej k aktivnemu medsebojnemu povezovanju.

Prostorsko je predstava Kinektanje zasnovana na tripod konstrukciji, ki predstavlja gibalkin intimni prostor, t.i. “moj tipi” v katerega se je zaprla iz strahu pred perečimi problemi, ki tarejo svet, in ji nudi lažni občutek varnosti. V “tipiju” tako performerka Danijela Zajc komunicira svoj svet prek govora in petja, talnega gibanja ter prepleta različnih zračnih rekvizitov: vertikalna vrv, trakovi – “straps”, zračna tkanina, visenje na laseh – “hair hanging” ter bungie elastika. Tako je obenem izolirana od sveta, hkrati pa ima s pomočjo tehnologije cel svet ves čas na dlani, z njim manipulira – tudi s prostorskim in rotacijskim senzorjem - nevedoč, da je manipulacija ravno obratna. Da je njen “varni tipi” v resnici nekaj zelo krhkega in vodljivega, Da lahko živi to udobno življenje, je po eni strani potrebno delo mnogih nevidnih ljudi, po drugi starni pa jo to individualizira, kar prinaša še večje težave.

V predstavi sodeluje Tjaž Juvan, ki izdeluje glasbo in obdeluje performerkino zvočenje ter glasbo povezuje s gibalno-prostorskim senzojem. Petra Hrovatin upravlja z video kamero in video projekcijami, ki jih povezuje s senzorjem gibanja, ki ga manipulira performerka. Jaka A. Vojevec je v vlogi svetovalec za režijo ter “Fly Crew”.

🎫 Vstop je brezplačen. Veseli bomo prostovoljnih prispevkov.

Ustvarjalna ekipa

Avtorica, idejna zasnova, koreografija, gib, glasba, manipuliranje senzorjev: Danijela Zajc

Svetovalec za režijo, “Fly Crew”: Jaka Andrej Vojevec

Umetniško programiranje, povezava gibalnih senzorjev z glasbo, glasba: Tjaž Juvan

Video mapiranje, oblikovanje videa, povezava gibalnih senzorjev z videom: Petra Hrovatin

Kostumografija: Katarina Zalar

Svetovalec za programiranje senzorjev: Jurij Podgoršek

Produkcija: Društvo Matafir, Društvo Mismo Nismo

Koprodukcija: Cirkuška rezidencialna mreža (Cirkus Kolektiv, Cirkorama)

Soorganizacija in podpora: KUD Mreža, Cirkulacija 2, PLAC, Stripburger

__________

➡️ ENG

𝐃𝐚𝐧𝐢𝐣𝐞𝐥𝐚 𝐙𝐚𝐣𝐜: 𝙆𝙞𝙣𝙚𝙘𝙩𝙞𝙣𝙜

𝘚𝘵𝘳𝘦𝘦𝘵 𝘵𝘩𝘦𝘢𝘵𝘳𝘦, 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘤𝘪𝘳𝘤𝘶𝘴, 𝘪𝘯𝘵𝘦𝘳𝘮𝘦𝘥𝘪𝘢 𝘱𝘦𝘳𝘧𝘰𝘳𝘮𝘢𝘯𝘤𝘦

Kinecting is the third part of the PrepLetanje trilogy by Danijela Zajc. The trilogy is conceived as an intimate interweaving of the performer’s space with the audience, while also testing the boundaries of street theatre. Its central thread is co-existence, interconnection, and the intertwining of space, time, all living beings, and the universe. It also draws inspiration from the works and ideas of John Cage. With each new production, the trilogy moves its content, expression, sound, and movement toward a more technologically “advanced” direction.

In an atomized society, where the individual is emphasized and elevated over the collective, we are faced with a flood of (mis)information that further separates us from one another. We are entangled in (“smart”) technology that further deepens this atomization. In Kinecting, the author questions these elements of atomization and mechanisms of control. In contrast, the title’s wordplay—“kinecting”—points in the opposite direction. It combines “kinetic” (active movement, initiating motion, action) and “connecting,” thus calling for active mutual connection.

Spatially, the performance is structured around a tripod construction representing the performer’s intimate space, a so-called “my tipi,” into which she has withdrawn out of fear of pressing global issues, and which provides a false sense of security. Inside the “tipi,” performer Danijela Zajc communicates her world through speech and singing, floor movement, and the interplay of various aerial apparatuses: vertical rope, straps, aerial fabric, hair hanging, and a bungee cord. In this way, she is both isolated from the world and, through technology, has the entire world constantly at her fingertips—manipulating it, including through spatial and rotational sensors—unaware that the manipulation is actually reversed. Her “safe tipi” is in reality something fragile and easily controlled. While this comfortable life depends on the labor of many invisible people, it also further individualizes her, creating even greater problems.

The performance also features Tjaž Juvan, who creates the music and processes the performer’s sound, linking it with motion-spatial sensors. Petra Hrovatin operates the video camera and projections, connecting them with motion sensors manipulated by the performer. Jaka Andrej Vojevec serves as directing consultant and part of the “Fly Crew.”

🎫 Admission is free. We would be happy to accept voluntary contributions.

Creative Team

Author, concept, choreography, movement, music, sensor manipulation: Danijela Zajc

Directing consultant, “Fly Crew”: Jaka Andrej Vojevec

Artistic programming, connection of motion sensors with music, music: Tjaž Juvan

Video mapping, video design, connection of motion sensors with video: Petra Hrovatin

Costume design: Katarina Zalar

Sensor programming consultant: Jurij Podgoršek

Production: Društvo Matafir, Društvo Mismo Nismo

Co-production: Cirkuška rezidencialna mreža (Cirkus Kolektiv, Cirkorama)

Co-organisation and support: KUD Mreža, Cirkulacija 2, PLAC, Stripburger

📸 Milan Šabić

***

𝘗𝘳𝘰𝘨𝘳𝘢𝘮 𝘱𝘰𝘵𝘦𝘬𝘢 𝘷 𝘴𝘬𝘭𝘰𝘱𝘶 𝘔𝘦𝘥𝘯𝘢𝘳𝘰𝘥𝘯𝘦𝘨𝘢 𝘧𝘦𝘴𝘵𝘪𝘷𝘢𝘭𝘢 𝘴𝘰𝘥𝘰𝘣𝘯𝘦 𝘬𝘭𝘰𝘷𝘯𝘢𝘥𝘦 𝘪𝘯 𝘯𝘰𝘷𝘦𝘨𝘢 𝘤𝘪𝘳𝘬𝘶𝘴𝘢 𝘒𝘭𝘰𝘷𝘯𝘣𝘶𝘧, 𝘬𝘪 𝘨𝘢 𝘰𝘳𝘨𝘢𝘯𝘪𝘻𝘪𝘳𝘢 𝘡𝘢𝘷𝘰𝘥 𝘉𝘶𝘧𝘦𝘵𝘰. / 𝘗𝘳𝘰𝘨𝘳𝘢𝘮 𝘪𝘯 𝘵𝘩𝘦 𝘧𝘳𝘢𝘮𝘦 𝘰𝘧 𝘐𝘯𝘵𝘦𝘳𝘯𝘢𝘵𝘪𝘰𝘯𝘢𝘭 𝘍𝘦𝘴𝘵𝘪𝘷𝘢𝘭 𝘰𝘧 𝘊𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘊𝘭𝘰𝘸𝘯 𝘢𝘯𝘥 𝘕𝘦𝘸 𝘊𝘪𝘳𝘤𝘶𝘴 𝘒𝘭𝘰𝘷𝘯𝘣𝘶𝘧 𝘰𝘳𝘨𝘢𝘯𝘪𝘴𝘦𝘥 𝘣𝘺 𝘡𝘢𝘷𝘰𝘥 𝘉𝘶𝘧𝘦𝘵𝘰.

Več informacij o festivalu na: https://sl.klovnbuf.si/

Pridržujemo si pravico do spremembe programa.

Know what’s Happening Next — before everyone else does.

Get App

Host or Publisher Klovnbuf