Co(reo)imagining/Choreographing the Impossible

On the occasion of the publication of Co(reo)imaginar: ensaios com a dança e a performance (2011-2023) (Edições do Saguão, 2026) by André Lepecki (Performance Studies, Tisch), the book becomes an excuse for a broader conversation between the author and the Brazilian curator and scholar Diane Lima (Dept. of Spanish and Portugese, Arts & Science), particularly on the convergence between Lepecki’s notion of “coreoimagination” and Lima's notion of "choreographing the impossible." Issues of art and movement, of life and movement, of the political-affective power of co-imagining, co-curating, and co-choreographing the impossible in contemporary art are some of the topics for this informal conversation.

Presented to you in partnership with the Department of Performance Studies at NYU

This venue has an elevator and is accessible for wheelchair users. There are single-stall, all gender restrooms available. If you have any access needs, please email [email protected]