Cherry Poppin' Daddies
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Dimitiriou's Jazz Alley welcomes the Cherry Poppin' Daddies for two nights and two shows. Band members are: Steve Perry (vocals), Dana Heitman (trumpet), Willie Matheis (tenor sax), Chris Shuttleworth (trombone), Jason Moss (guitar), Dan Schmid (bass), and Nik Barber (drums). Show times Tuesday and Wednesday at 7:30pm. Doors open at 6:00pm each night.
artist info
The Cherry Poppin' Daddies are the kind of band that you would want to book if you were throwing a soiree at the Gatsby mansion. Penning elegant, lush, pitch perfect arrangements of much of the great American songbook, from Cole Porter to Frank Sinatra, the Daddies have surprised many, likely familiar with them from the early 90's, whose limited exposure to the band undoubtedly consists of an image of spray painted vans careening across the US as an iconoclastic, misfit part of an already marginalized punk/ska scene.
In fact the Daddies have of late put together a number of excellent swing/jazz sit down theatre type shows, each tailored to a different era of swing music: a "Jazz Age Lawn Party" consisting of roaring 20's and Cotton Club Era material, a swanky "Live at the Sands" type tribute to the Rat Pack, and a World War 2 "Christmas Canteen" show that is part Tiki, part Benny Goodman and comes across like a radio broadcast from Guadalcanal circa 1942. The sheer craftsmanship and professional attention to detail of these performances have shed new light on this criminally underestimated band.
On top of being a show band nonpareil, the Daddies have an "oh by the way" double platinum ability to pen original material that, while influenced by a history of American popular music, is wholly modern lyrically, and itself stands up as classic. The 1997 release of Zoot Suit Riot set the bar for the neo-swing movement of the era in terms of originality, lyrical depth, and flat out musical sales.
When you see the Daddies perform their original material you are struck by the poetry and audacity of artistic vision. Whole stirring narratives are laid down in swinging couplets that evince dual meaning and social critique.
"Lately, by laying our hands on the great American songbook, we have been trying to fill in for audiences the historical back story of what inspires our original brand of Americana, because in essence that is what I consider us to be, an Americana band. But instead of taking mostly from a delta blues tradition like many of the bands labeled "Americana", we adhere mostly to a pre rock, pre mid 50's, hot jazz and essentially Tin Pan Alley tradition. It's not Cole Porter clever, but it's not trying to be, it's something striving to be new, to be challenging, courageous, and truthful. It's not art simply designed to match the couch. What kind of band takes these kind of chances, both musically and thematically? The Daddies, that's who.
artist info
The Cherry Poppin' Daddies are the kind of band that you would want to book if you were throwing a soiree at the Gatsby mansion. Penning elegant, lush, pitch perfect arrangements of much of the great American songbook, from Cole Porter to Frank Sinatra, the Daddies have surprised many, likely familiar with them from the early 90's, whose limited exposure to the band undoubtedly consists of an image of spray painted vans careening across the US as an iconoclastic, misfit part of an already marginalized punk/ska scene.
In fact the Daddies have of late put together a number of excellent swing/jazz sit down theatre type shows, each tailored to a different era of swing music: a "Jazz Age Lawn Party" consisting of roaring 20's and Cotton Club Era material, a swanky "Live at the Sands" type tribute to the Rat Pack, and a World War 2 "Christmas Canteen" show that is part Tiki, part Benny Goodman and comes across like a radio broadcast from Guadalcanal circa 1942. The sheer craftsmanship and professional attention to detail of these performances have shed new light on this criminally underestimated band.
On top of being a show band nonpareil, the Daddies have an "oh by the way" double platinum ability to pen original material that, while influenced by a history of American popular music, is wholly modern lyrically, and itself stands up as classic. The 1997 release of Zoot Suit Riot set the bar for the neo-swing movement of the era in terms of originality, lyrical depth, and flat out musical sales.
When you see the Daddies perform their original material you are struck by the poetry and audacity of artistic vision. Whole stirring narratives are laid down in swinging couplets that evince dual meaning and social critique.
"Lately, by laying our hands on the great American songbook, we have been trying to fill in for audiences the historical back story of what inspires our original brand of Americana, because in essence that is what I consider us to be, an Americana band. But instead of taking mostly from a delta blues tradition like many of the bands labeled "Americana", we adhere mostly to a pre rock, pre mid 50's, hot jazz and essentially Tin Pan Alley tradition. It's not Cole Porter clever, but it's not trying to be, it's something striving to be new, to be challenging, courageous, and truthful. It's not art simply designed to match the couch. What kind of band takes these kind of chances, both musically and thematically? The Daddies, that's who.
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Where is it happening?
2033 6th Ave, Seattle, WA, United States, Washington 98121
Event Location & Nearby Stays:
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Host or PublisherDimitriou's Jazz Alley
