Celebrating Recent Work by Bruce Robbins

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by Bruce Robbins

Mass violence did not always have a name. Like conquest, what we think of now as atrocities have not always invited indignation or been seen to violate moral norms. Venturing from the Bible to Zadie Smith, Robbins explores the literature of suffering, to show how, over time, abhorrence of mass violence takes shape. With it comes the emergence of a necessary element of cosmopolitanism: the ability to look at one's own nation with the critical eyes of a stranger.

Drawing on a vast written archive and with penetrating insight, Robbins takes up such literary representations of violence as Bartolomé de las Casas's account of his fellow Spaniards' atrocities, Kurt Vonnegut's Slaughterhouse-Five, Grimmelshausen's 1668 novel Simplicissimus, David Mitchell's Cloud Atlas, Gabriel García Márquez's One Hundred Years of Solitude, Homero Aridjis's short novel Smyrna in Flames, and Tolstoy's Hadji Murat. These essential texts do more than simply testify to atrocious acts. In their literariness, they take the risk of contextualizing and relativizing, thereby extending beyond the legal paradigm of accusation. They recognize atrocity as a moral scandal about which something should be done and can be done, while they also place that scandal within a larger and more uncertain history.

About the Author

is the Old Dominion Foundation Professor in the Department of English and Comparative Literature at Columbia University. He is the author of Secular Vocations: Intellectuals, Professionalism, Culture (1993), Perpetual War: Cosmopolitanism from the Viewpoint of Violence (2012), and, most recently, The Beneficiary (2017). His works are mainly in the areas of nineteenth and twentieth-century fiction, literary and cultural theory, and postcolonial studies.

About the Speakers

is an Assistant Professor of English and Comparative Literature at Columbia University. He specializes in the literature, especially poetry, of the Romantic period, with a particular interest in the legacies of Romanticism across a number of theoretical and critical domains. His first book, Common Measures: Romanticism and the Groundlessness of Community (Stanford University Press, 2024), reads writers from Geneva to Jamaica to trace new formations of community, ecology, and the everyday in Romantic literature and its later inheritors.

is the Dean of Humanities and Jesse and George Siegel Professor in the Humanities in the Department of Latin American and Iberian Cultures at Columbia University, with a joint appointment in the Institute for Comparative Literature and Society. Prior to returning to Columbia in 2016, he taught for many years at Harvard and Cornell University. His research covers a wide range of topics in literature, culture, and politics in modern Latin America, as well as contemporary philosophy and political theory.

is a Professor and the Chair of the Department of English and Comparative Literature at Columbia University, where she writes and teaches about gender and sexuality in national and transnational cultures. She uses spatial and geographic frameworks (from the transpacific, to the regional, to the Global South) to examine previously unstudied archives (from the first works of English literature by Filipina and Filipino authors, to private papers that document connections between the Midwest and U. S. empire, to fashion shows in Manila).

 is Visiting Assistant Professor at New York University. Her books include Through the Lens: The Pandemic and Black Lives Matter (2022), Shadow of Memory (co-author, 2021), and Conversations on Conflict Photography (2019). She is co-editor of The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures (2012) and The Millennium Villages Project (2016), and editor of Macondo: Memories of the Colombian Conflict (2017). Walsh has published in The Los Angeles Review of Books, Photography and Culture, The Romanic Review, The Journal of American History, The New Republic, and Nomadikon, among others, and has articles in numerous anthologies. In addition to her appearances on CNN, BBC and Al Jazeera, she has appeared on radio programs and in documentary films as an expert on photography.

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