Casey Adams + Hannah Rice, really loud free jazz and Necrosol

Hannah Rice and Casey Adams perform live using movement and sound. They are aesthetically driven by contrast: soft/hard, silent/caustic, visible/invisible, wrapped/unbound, still/erratic. Their site specific work is heavily grounded in spatial resonance and connecting with candid environmental elements. The heart of their work researches whether the body moves sound or sound moves the body.Their work has been shown around Seattle in DIY spaces such as The Cherry Pit, The Woodland Theater, 18th & Union as a part of Spring Shot 2024 and The Shed- as part of the 2024 season of Being Mode. However, their preference is to utilize the myriad of unlikely nooks and crannies: parks, basements, attics and spaces of reclamation.All the Hours of The Day investigates sound through miscellaneous objects and animates menial movements extracted from daily routine. This work draws inspiration from the 19th century concept of Taylorism: the science of dividing specific tasks to allow employees to complete assignments as efficiently as possible.

really loud free jazz is the Victoria duo of drummer i.o and saxophonist JP Meldrum.

Necrosol are an invitation into a conversation between a theremin and a guitar, a space where music theory gives way to experience and notes are bent and distorted into dreamscapes.

Host or Publisher The Orange Light