Carnival of Shipwreck: Scholarly Goats (Daytime Pass)

Artists, workshops, performance lectures, and more will be announced over time.

Carnival of Shipwreck is UKAI’s celebration of being in the water.

Our culture did not evolve to deal with climate change or the explosion of artificial intelligence. The promise of a better future may no longer hold and as a result, too many cling to ideas of control and rescue. Groups of various political stripes are rediscovering their authoritarian impulses.

The accumulated institutions, routines, and assumptions that got us into this mess aren't likely to get us out of it.

We'll need to figure out other ways of being in the water and our work in 2024 has been an attempt to contribute in various ways to this effort. Carnival of Shipwreck is a celebration of this work and, more importantly, of those that made it.

You can expect beauty and rage. You can expect direct, strange and embodied encounters with the changes underway. If we continue to turn sense-making over to ideologies, whether unreflectively internalized or forced upon us, we forego the work of making up our minds. To be answerable for what's coming, we will need to rediscover our capacity to make sense of the world.

Programmatically, you can expect a return to first principles and looking at artificial intelligence and ecological aesthetics with a weather eye to the future. We will be hosting workshops, performance lectures, provocations, performances, installations, and a lot of general weirdness and disorder.

And, as always, the main focus will be on music, dancing, release, reversal, friendship, and letting go so that we might return to the work renewed once Carnival season is concluded.

Last year we had over 350 folks come through and this year will be bigger (and longer).

Get advance tickets before they’re gone. We’ll be sharing out the various contributors to the Carnival of Shipwreck here and elsewhere.

Carnival is reversal. Carnival is release.

Spanish philosopher Jose Ortega y Gasset worried, early in the 20th century, that the modern world's capacity to create culture in response to changing conditions had significantly eroded.

Life is shipwreck, he offered, and culture is the swimming stroke that keeps us from drowning.

However, over time, we become burdened by "parasitic and lymphatic matter" that threatens to pull us under and completely undermines our ability to adapt to changes that come. We develop techniques, institutions, and ways of thinking that we are hesitant to let go of because learning to swim again is scary and uncertain. We look out for rescue with no guarantee that it will ever come.

Host or Publisher UKAI Projects