BRAVO BEETHOVEN | Homeland

Favourites by Beethoven and Mozart bookend a nostalgic journey through ancestral melodies by a Jules Léger Prize winning Canadian composer
About this Event

Saturday, October 3, 2026, 7:30 pm - Trinity St-Paul's Centre, 427 Bloor St. West

BRAVO BEETHOVEN
Homeland

Favourites by Beethoven and Mozart bookend a nostalgic journey through ancestral melodies by a Jules Léger Prize winning Canadian composer

SINFONIA TORONTO
NURHAN ARMAN Conductor
SHENG CAI Pianist

Program

BEETHOVEN Piano Concerto No. 2

SARGSYAN Ergir (Homeland) world premiere

PIAZZOLLA Milonga del Angel

MOZART Divertimento K 138

ABOUT THE PERFORMERS

Pianist Sheng Cai has been delighting audience and critics across four continents with his electrifying performing charisma and individual personality. Described as "with seeming effortlessness and performing with gusto and a loving attention to detail" by Buffalo Hives in New York and as "having the inner passion paired with Rubinstein's nonchalance" by Thuringer Allgemeine in Germany. Sheng Cai has gained praise worldwide for his performances of major keyboard works for the past four centuries. With a number of prizes and awards, he continues to push the boundaries in interpreting both the established and rarities of the piano literature.

Since winning top prizes at Montreal Symphony Competition and Toronto Symphony Competition at age 15, Sheng Cai has performed a broad spectrum of over 35 piano concertos from Mozart to 21st century composers with more than 60 orchestras worldwide. In solo recitals, Sheng Cai has performed at many prestigious venues in North America and Europe. He is a passionate recording artist. His first CBC recording was a CD of Mozart and Martinu. His most recent Schumann, Liszt, Grieg, Rachmaninoff and Tchaikovsky discs on ATMA label gained international acclaim from the America Record Guide, Classic Today, the international Music web Review in UK , the Wholenote Magazine, Le Devoir in Canada and the Fanfare Music Magainze in US.

Sheng Cai is instrumental in advocating many neglected works by composers such as Enescu, Kabalevsky, Kapustin, Medtner, Mathieu, Villa-Lobos and a number of his own works. He has also promoted and premiered many living composer's works like Claudia Montero, Fazil Say and Vache Sharafyan. He has studied in Canada and US at the Royal Conservatory of Music of Toronto, Julliard School, and at New England Conservatory in Boston. His teachers and mentors include Anton Kuerti, Gary Graffman and Russell Sherman.

Sinfonia Toronto now in its 28th season, has toured twice in Europe, in the US, South America and China, receiving glowing reviews. It has released six CD’s, including a JUNO Award winner, and performs in many Ontario cities. Its extensive repertoire includes all the major string orchestra works of the 18th through 21st centuries, and it has premiered many new works. Under the baton of Nurhan Arman the orchestra’s performances present outstanding international guest artists and prominent Canadian musicians.

Maestro Nurhan Arman has conducted throughout Europe, Asia, South America, Canada and the US, returning regularly to many orchestras in Europe. Among the orchestras Maestro Arman has conducted are the Moscow Philharmonic, Deutsches Kammerorchester Frankfurt, Filarmonica Italiana, Orchestra Sinfonico di Roma, St. Petersburg State Hermitage Orchestra, Orchestre Regional d’Ile de France, Hungarian Symphony, Arpeggione Kammerorchester, Milano Classica and Belgrade Philharmonic.

ABOUT THE MUSIC

Piano Concerto No. 2, Op. 19 by Ludwig van Beethoven (1770-1827)

Chamber orchestra version by Vinzenz Lachner

Beethoven composed his Piano Concerto No. 2 between 1787 and 1789 and made revisions for a few years until it was published in its final version in 1795. He used it to help establish his reputation in Vienna when he moved there from Bonn, playing it first in private concerts in the homes of aristocrats and then at his public debut in the Burgtheater.

The concerto shows Mozart’s influence. The first movement beings with a dashing, Mozartean orchestral flourish. The soloist enters with new material and leads the way to a second theme which is brilliantly developed in the central section and subtly varied in a final recapitulation.

The orchestra sets the mood in the beginning of the slow movement with a lyrical theme which is taken over by the piano’s singing line. In the final Rondo, the soloist introduces a cheerful, energetic tune and passes it to the orchestra. Dramatic contrasting episodes set off cheerful rondo-form returns of the main theme, before the movement ends with the type of surprise the more mature Beethoven loved - a brief whisper followed by a sudden, emphatic conclusion.

Ergir - Homeland by Vahram Sargsyan (1981 - )

World premiere

Inspired by Sargsyan’s reflections on Western Armenia and on the world of Armenian illuminated manuscripts, Ergir (Homeland) brings together memory, history, and cultural inheritance through the sonorities of the strings. It blends art forms by transforming visual elements such as the ornamental motifs from illuminated manuscripts and khachkars (cross-stones) into musical patterns, and reflects on the once rich and diverse cultural heritage of regions now in ruins after the 1915 Armenian Genocide.

Vahram Sargsyan studied at the Komitas State Conservatory in Yerevan, then continued his education at the Schulich School of Music at McGill. His works have been performed across Europe, Asia, and North America, recorded by the BBC Singers, and recognized with the 2023 Jules Léger Prize as well as awards from the World Armenian Congress, European Seminar for Young Composers, BCE Commission Competition, POLYPHONOS Commission Competition and the International Contest for New Choral Compositions, among many others. His style spans a multicultural palette and creative ideas influenced by traditions and practices from medieval Armenian chants to contemporary extended vocal techniques. He is active as an experimental vocalist and choral conductor and is a founding member of the Montreal vocal ensemble Phth.

Milonga del Angel by Astor Piazzolla (1921-1992)

Milonga del Ángel (Dance of the Angel) is a deeply melancholic and lyrical tango written by Astor Piazzolla in 1962. Originally featured in a stage play by Alberto Rodríguez Muñoz, the piece eventually became the second installment in Piazzolla's famous Angel cycle. It blends traditional Argentine milonga rhythms with classical and jazz influences.

The "Angel" series of compositions—which also includes Introducción al Ángel and La muerte del ángel—tells a metaphorical story about an angel who descends to the gritty, restless, and occasionally violent streets of Buenos Aires. Instead of purifying the city's rough edges, the angel is embraced and changed by them. Milonga del Ángel captures the soul of the angel dancing in the shadows of the city, serving as a mournful, nostalgic, yet beautifully tender contrast to the aggressive, driving energy often found in Piazzolla's other works.

Divertimento for Strings K 138 by Wolfgang Amadeus Mozart (1756-1791)

Wolfgang Amadeus Mozart wrote the Divertimento in F major, K. 138 (K. 125c) in January 1772 in Salzburg. At just 15 years old, the young prodigy composed this bright, three-movement work—often referred to as a "Salzburg Symphony"—likely as light entertainment or as preparation for his second tour of Italy.

Despite the title Divertimento, which historically implies light background music or dinner entertainment, this piece demonstrates a surprising level of maturity, contrapuntal mastery, and refined elegance. Along with its sister pieces (K. 136 and K. 137), it is a staple of the string ensemble repertoire, often performed by a standard string quartet or a chamber string orchestra.