Auditions - Titanic, the Musical
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Step onto the grandest ship ever built as stories of ambition, love, class, and destiny unfold against one of history’s most unforgettable events. With a soaring Tony Award–winning score, richly drawn characters, and breathtaking theatrical storytelling, Titanic the Musical delivers a voyage filled with heart, drama, and awe‑inspiring beauty.
Director – Terrie Hyde
Music Director – John Leslie
Choreographer – Amanda Lawton
CAST REQUIREMENTS – 14 principal roles plus ensemble (ages 18 and up)
Where? Mount Wachusett Community College, room A110 (formerly 182)
When? Monday, November 30 and Tuesday, December 1 at 7PM. All auditions are by appointment only.
What: People auditioning for principal roles should prepare and sing 40-60 measures of a solo from the show for the character which is their first audition choice, and which shows their vocal range.
People who are not auditioning for principal roles may sing 32 measures of any song which best shows their vocal range. Bring sheet music for the pianist in the correct key.
Alternatively, people may sing The Star-Spangled Banner.
Also expect cold-readings from the script for key roles.
To schedule an audition appointment, call 978 630-9388 or email your request to [email protected]
Performance Dates: February 26, 27, March 5, 6 at 7:30PM; February 28, March 7 at 2PM
Tentative Rehearsal Schedule: Sundays from 6:00 – 9:00PM; Tuesdays and Thursdays from 7 – 10:00PM
CHARACTER DESCRIPTIONS
Principal Characters
THOMAS ANDREWS: Vocal Range: Baritone (A2–F4) Brilliant, meticulous, and quietly compassionate. Andrews is the ship’s architect, driven by pride in his creation and a deep sense of responsibility. His journey moves from confident optimism to tragic accountability.
CAPTAIN E.J. SMITH: Vocal Range: Baritone (B2–F4) A seasoned, dignified leader on his final voyage. Smith balances calm authority with mounting pressure from White Star Line and the weight of command as the crisis unfolds.
J. BRUCE ISMAY: Vocal Range: Tenor/High Baritone (C3–G4) Ambitious, image driven, and persuasive. Ismay pushes for speed and spectacle, often clashing with Smith and Andrews. His choices create one of the show’s central moral conflicts.
First Class Passengers
ISIDOR STRAUS: Vocal Range: Baritone (B2–E4) Warm, wise, and devoted to Ida. His steadfast love and integrity anchor the emotional heart of the first class storyline.
IDA STRAUS: Vocal Range: Mezzo Soprano (A3–E5) Graceful, witty, and deeply loving. Her loyalty to Isidor becomes one of the most poignant moments in the musical.
JOHN JACOB ASTOR: Vocal Range: Baritone (B2–E4) Affluent, confident, and protective. Astor carries himself with calm gentility and courage.
MADELINE ASTOR: Vocal Range: Soprano (B3–D5) Elegant, poised, and compassionate. Though young, she shows maturity and empathy as fear grows.
Second Class Passengers
ALICE BEANE: Vocal Range: Mezzo Soprano (B3–E5) Socially ambitious, comedic, and endearingly over the top. Alice longs for glamour and status, bringing humor and heart.
EDGAR BEANE: Vocal Range: Baritone (A2–E4) Practical, steady, and long suffering. Edgar is grounded and devoted, often exasperated by Alice’s aspirations.
Third Class Passengers
KATE MCGOWAN: Vocal Range: Mezzo Soprano (A3–E5) Determined, hopeful, and courageous. Kate dreams of independence in America and anchors the immigrant storyline.
JIM FARRELL: Vocal Range: Tenor (C3–G4) Rugged, honest, and protective. His connection with Kate brings warmth and optimism.
KATE MURPHY AND KATE MULLINS: Vocal Range: Mezzo Soprano (A3–D5) Spirited, supportive, and full of personality. They embody camaraderie among third class passengers.
Crew & Ship Staff
FREDERICK BARRETT: Vocal Range: Baritone (A2–F4) A passionate stoker with a romantic heart. Hardworking and earnest, Barrett dreams of a better future.
HAROLD BRIDE: Vocal Range: Tenor (C3–G4) Bright, dedicated, and youthful. Bride’s commitment becomes crucial as he sends distress signals.
MR. ETCHES: Vocal Range: Baritone (B2–E4) Polished, professional, and unflappable. He represents the precision and hierarchy of first class service.
BELLBOY: Vocal Range: Tenor (D3–A4) Youthful, eager, and innocent — a symbol of optimism and the human cost of the tragedy.
ENSEMBLE
For more information contact Professor Gail Steele at 978 630-9162 or at [email protected]
________________________________________
Director – Terrie Hyde
Music Director – John Leslie
Choreographer – Amanda Lawton
CAST REQUIREMENTS – 14 principal roles plus ensemble (ages 18 and up)
Where? Mount Wachusett Community College, room A110 (formerly 182)
When? Monday, November 30 and Tuesday, December 1 at 7PM. All auditions are by appointment only.
What: People auditioning for principal roles should prepare and sing 40-60 measures of a solo from the show for the character which is their first audition choice, and which shows their vocal range.
People who are not auditioning for principal roles may sing 32 measures of any song which best shows their vocal range. Bring sheet music for the pianist in the correct key.
Alternatively, people may sing The Star-Spangled Banner.
Also expect cold-readings from the script for key roles.
To schedule an audition appointment, call 978 630-9388 or email your request to [email protected]
Performance Dates: February 26, 27, March 5, 6 at 7:30PM; February 28, March 7 at 2PM
Tentative Rehearsal Schedule: Sundays from 6:00 – 9:00PM; Tuesdays and Thursdays from 7 – 10:00PM
CHARACTER DESCRIPTIONS
Principal Characters
THOMAS ANDREWS: Vocal Range: Baritone (A2–F4) Brilliant, meticulous, and quietly compassionate. Andrews is the ship’s architect, driven by pride in his creation and a deep sense of responsibility. His journey moves from confident optimism to tragic accountability.
CAPTAIN E.J. SMITH: Vocal Range: Baritone (B2–F4) A seasoned, dignified leader on his final voyage. Smith balances calm authority with mounting pressure from White Star Line and the weight of command as the crisis unfolds.
J. BRUCE ISMAY: Vocal Range: Tenor/High Baritone (C3–G4) Ambitious, image driven, and persuasive. Ismay pushes for speed and spectacle, often clashing with Smith and Andrews. His choices create one of the show’s central moral conflicts.
First Class Passengers
ISIDOR STRAUS: Vocal Range: Baritone (B2–E4) Warm, wise, and devoted to Ida. His steadfast love and integrity anchor the emotional heart of the first class storyline.
IDA STRAUS: Vocal Range: Mezzo Soprano (A3–E5) Graceful, witty, and deeply loving. Her loyalty to Isidor becomes one of the most poignant moments in the musical.
JOHN JACOB ASTOR: Vocal Range: Baritone (B2–E4) Affluent, confident, and protective. Astor carries himself with calm gentility and courage.
MADELINE ASTOR: Vocal Range: Soprano (B3–D5) Elegant, poised, and compassionate. Though young, she shows maturity and empathy as fear grows.
Second Class Passengers
ALICE BEANE: Vocal Range: Mezzo Soprano (B3–E5) Socially ambitious, comedic, and endearingly over the top. Alice longs for glamour and status, bringing humor and heart.
EDGAR BEANE: Vocal Range: Baritone (A2–E4) Practical, steady, and long suffering. Edgar is grounded and devoted, often exasperated by Alice’s aspirations.
Third Class Passengers
KATE MCGOWAN: Vocal Range: Mezzo Soprano (A3–E5) Determined, hopeful, and courageous. Kate dreams of independence in America and anchors the immigrant storyline.
JIM FARRELL: Vocal Range: Tenor (C3–G4) Rugged, honest, and protective. His connection with Kate brings warmth and optimism.
KATE MURPHY AND KATE MULLINS: Vocal Range: Mezzo Soprano (A3–D5) Spirited, supportive, and full of personality. They embody camaraderie among third class passengers.
Crew & Ship Staff
FREDERICK BARRETT: Vocal Range: Baritone (A2–F4) A passionate stoker with a romantic heart. Hardworking and earnest, Barrett dreams of a better future.
HAROLD BRIDE: Vocal Range: Tenor (C3–G4) Bright, dedicated, and youthful. Bride’s commitment becomes crucial as he sends distress signals.
MR. ETCHES: Vocal Range: Baritone (B2–E4) Polished, professional, and unflappable. He represents the precision and hierarchy of first class service.
BELLBOY: Vocal Range: Tenor (D3–A4) Youthful, eager, and innocent — a symbol of optimism and the human cost of the tragedy.
ENSEMBLE
For more information contact Professor Gail Steele at 978 630-9162 or at [email protected]
________________________________________
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