A.S. FANNING (+ Morph*ne RIDGES) // NEUE ZUKUNFT - Berlin

Name: A.S. FANNING (+ Morph*ne RIDGES) // NEUE ZUKUNFT - Berlin
Start: 2026-05-02T19:00:00+02:00
Location: Neue Zukunft

Schedule

Sat, 02 May, 2026 at 07:00 pm

UTC+02:00

Location

Neue Zukunft | Berlin, BE

A.S. FANNING
SUPPORT: Morph*ne RIDGES
02.05.2026 - NEUE ZUKUNFT
DOORS: 7PM / START: 8PM
TICKETS: https://www.greyzone-tickets.de/produkte/1178
A.S. Fanning is an Irish songwriter whose music fuses the introspection of indie folk with the expansive weight of alternative rock and psychedelic music. Marked by layered textures, melancholic atmospheres, and his resonant baritone, his songs confront themes of dread, mortality, and uncertainty. Drawing comparisons to Leonard Cohen and Scott Walker, Fanning transforms unease into hauntingly beautiful soundscapes, blending acoustic intimacy with subtle electronic flourishes to create a voice that is both timeless and distinctly his own. A.S. Fanning’s latest album Mushroom Cloud earned widespread acclaim in the UK, praised for its sweeping atmospheres and unflinching lyricism. Hailed in the press as a career-defining work, it secured him recognition as Songwriter of the Year 2023 in Far Out Magazine and cemented his reputation as one of Ireland’s most compelling voices.
His upcoming album Take Me Back to Nowhere was shaped by disorientation, fracture, and a fascination with the unstable nature of reality. Written while housebound with a broken wrist, the album reflects both physical limitation and creative paralysis, where endless words became overwhelming chaos. Inspired by sci-fi authors like Ursula K. Le Guin and J.G. Ballard, the songs explore how imagination bends reality, how anxiety reshapes the world into surreal, isolating landscapes.
Alongside this inner turbulence came the constant noise of global conflict, viewed through the prism of social media, and the sense of a collapsing moral center. The surreal spectacle of war reduced to “content” deepened a feeling of unreality, of civilization as mere facade. His vision of confusion as a valid form of entertainment became a guiding force: instead of resisting disorder, the album embraces it.
The result is a work that oscillates between intimacy and disorientation, rooted in the belief that there is no singular reality, only fractured personal perspectives. “Take me back to nowhere” becomes both a plea for escape and an embrace of disorientation - a return to the void that precedes and outlasts us. Conceptual, atmospheric, and unsettling, the album invites listeners into the depths of confusion.