極微輸入:演算音像集 Minimal Input – Algorithmic Art Gathering

Schedule

Fri Jul 01 2022 at 11:00 am to Sun Jul 03 2022 at 09:00 pm

Location

空總臺灣當代文化實驗場 C-LAB | Taipei, TP

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( Please scroll down for the English version)
一場為期三天的音像藝術節,從演算法編曲為起點,延伸至編程/編序的模組化電子聲響、演算生成藝術(generative art)、現場編碼(live coding)音像演出及近幾年興起的「Algorave」(算法銳舞)文化。在C-LAB美援大樓連續三晚的現場演出,混合遠端與現場,集合了活躍於此場景中的電子音樂家與藝術家,並與臺灣自製音響系統團隊Formosa Sound System及藝術家張方禹合作,將抽象的數據之聲轉化為強大的體感經驗。7/1晚場聚焦於現場編碼演出的「算法銳舞」派對,特別與網路平台「Eulerroom」合作,進行同步線上直播。
放映單元集合了一系列演算音像及錄像作品,橫跨美援大樓及中正堂展演空間兩處全天放映。此外還有數場講座、工作坊及公眾參與活動,帶領觀眾進入演算法的音像之域。最後一天的節目將串連電子音樂團體「原子交換鏈」帶來馬拉松式的演出及分享,從聲音技術的透明到藝術家的自我組織,思考本地電子音樂創作者的未來動能。

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上個世紀電腦演算法的出現,將早期記譜法的數字排列進一步推展為數據演算,創作者透過程式編寫合成電子聲響,不同的編碼創造了無窮的模組變化。藝術家以最低限的人為輸入,隱身在系統背後,表現的任務被曖昧地交付給序列與演算,並在系統的錯誤中,找尋偶然、即興甚至抒情的可能,或透過創造性的破壞,反過來暴露演算的痕跡,描繪系統的模樣。
當系統變得可見,人與技術的關係也將被重新定義。如果以編程(programming)與編序(sequencing)創造的電子音樂,以重覆的、結構的、模組化的聲響,刻畫出機器之聲冷酷動人的幾何形貌,那麼在當代的現場程式編碼表演則是讓系統的演算技術變得透明,在展示「如何與機器共謀」的同時,將記號書寫這個古老的記譜行動,重新操作成一種混合著即興語言、科技感性及後人類身體的獨特表演──在某些奇幻的時刻,儀式重新黏結了聲音,參與其間的是一群可以隨著程式碼跳舞的群眾。
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極微輸入:演算音像集
Minimal Input – Algorithmic Art Gathering
7/1 Fri. – 7/3 Sun
臺灣當代文化實驗場 C-LAB
▰ 美援大樓展演空間
▰ 中正堂展演空間
官方網頁:https://clab.org.tw/events/minimal_input_2022/

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░░░ 現場演出 ░░░

7/1 (Fri.) 19:00–22:00
美援大樓展演空間

(((Algorave 算法銳舞)))
張晏慈 - live coding set x 蔡寧 - live visual
Alex McLean - live coding set(遠端)
Chiho Oka 岡 千穂 - live coding set(遠端)
林育德 - live coding set x 劉東昱 - live coding visual
Renick Bell - live coding set
(本場活動於「Eulerroom」平台同步直播)https://live.eulerroom.com


7/2 (Sat.) 18:00–22:00
美援大樓展演空間
Mark Fell x Rian Treanor - live set(遠端)
鄭先喻 - live set
王長存 - live set(遠端)
地球戰士李海生 x 噪音印製 - live set
William Fields - live set(遠端)
王連晟 - live set

7/3 (Sun.) 15:00–21:00
美援大樓展演空間
(( 極微輸入 X 原子交換鏈 ))
李慈湄/廖海廷/黃大旺/吳俊輝/詹慈恩/Psychiatrist/Vice City/東海土著 Immanuel
新作演出+分享交流 / Non-stop party!
▰ 更多詳情 | https://www.facebook.com/events/377230090943260/

░░░ 放映單元 ░░░

7/1 (Fri.)–7/03 (Sun.) 11:00–23:00
中正堂展演空間 & 美援大樓展演空間
集合藝術家Richard Sides、Tivon Rice、Musarc x 林其蔚、鄭先喻、William Fields、Software2050 、Ale Hop、Ksawery Kirklewski多部音像作品!
▰ 影片介紹 | https://clab.org.tw/events/minimal_input_2022_screening/

░░░ 演算聆聽 ░░░

美援大樓展演空間
7/1 (Fri.) 11:00–20:00
7/2 (Sat.) 11:00–17:00
7/3 (Sun.) 11:00–15:00
演算電子音樂mixset 無間斷放送
by Chiyou+Nien X Formosa Sound System自製音響系統

░░░ 講座 ░░░

7/1 (Fri.) 14:00–16:00
Live Coding──演算藝術的派對
講者 | 劉東昱
▰ 更多詳情 | https://www.facebook.com/events/357293453158979
7/2 (Sat.) 15:00–17:00
算法銳舞Algorave:演算法跳舞文化裡的現場編碼小史
講者 | Alex McLean(遠端)
▰ 本講座為現場+線上,需事前報名
▰ 更多詳情 | https://reurl.cc/M0xYa4

░░░ 工作坊 ░░░

6/25 (Sat.) 14:00–18:00
運用Konduktiva創作程式編碼及算法作曲
主持 | Renick Bell
▰ 更多詳情 | https://clab.org.tw/events/minimal_input_workshop01/
7/3 (Sun.) 14:00–17:00
來玩ORCA 程式序列機!
主持 | 丁啟祐
▰ 更多詳情 | https://www.facebook.com/events/541269894215059

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指導單位 | 文化部
主辦單位 | 臺灣當代文化實驗場
合作單位 | Formosa Sound System、Eulerroom、原子交換鏈、寶貝懂狗
主視覺 | Renick Bell
▰ 主辦單位保留節目內容與時間變動權

▁▂▃▅ English Version ▅▃▂▁

Minimal Input – Algorithmic Art Gathering
7/1 Fri. – 7/3 Sun.
Taiwan Contemporary Culture Lab (C-LAB)
▰ Art Space V
▰ Art Space IV
More details: https://clab.org.tw/events/minimal_input_2022/

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Minimal Input – Algorithmic Art Gathering is a three-day audiovisual art festival. It starts with algorithmic composition, and extends further to generative art, modular electronic sounds produced by programming/sequencing, audiovisual performances of live coding, and the “algorave” culture emerging in recent years. For three consecutive nights, live parties combined with online and live performances will take place at C-LAB’s Art Space V. The art festival brings together fifteen electronic musicians and artists active in the field, and collaborates with Taiwanese home-made sound system group, Formosa Sound System, and artist aka_chang, to convert abstract data into powerfully intense physical experiences. The “algorave” party on July 1 will specially partner up with live coding online platform, Eulerroom, to livestream the event as well.
The Screening Session showcases a series of algorithmic audiovisual and video works, which will be screened all day at both Art Space V and the Zhongzheng Auditorium, Taipei Zhongshan Hall. In addition, the art festival includes several talks, workshops, and public participation activities to help the audience navigate the algorithmic realm of audiovisual creation. For the last day, electronic music group, Atomic Swap Electronic Music, will give a marathon-style performance and sharing to reflect on the future momentum of local electronic musicians based on the transparency of sound technology to the self-organization of artists.

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The emergence of computer algorithm in the last century took the numerical arrangement of notation and converted it further into data algorithms, enabling artists to synthesize electronic sounds through programming. Consequently, different forms of coding have given birth to endless modular variations. With minimal input, artists can submerge into the system, and the mission of expression is entrusted ambiguously to sequences and algorithms. The traditionally apotheosized creative subject seems to be replaced by the system, but also appears to “rebel in the system” now and again. The artist looks for possibilities that are random, improvisational, and even lyrical in systemic errors, through which creative destructions are produced, exposing conversely algorithmic traces and the contour of the system.
When the system is rendered visible, the relation between human and technology is consequently re-defined. Whereas electronic music created by programming and sequencing reveals cold yet enchanting geometric forms of machinic sounds through repetitive, structural and modular audios, contemporary live coding performance makes algorithmic technologies of the system transparent. As the latter demonstrates “how to conspire with machines,” it also re-appropriates notation, an ancient form of writing with signs, and turns it into a unique form of performance, mixing improvisational language, technological sensibility, and the post-humanist body—at certain magical moments in such performances, rituals are re-fused with sounds, and the surrounding onlookers become crowds dancing to audios generated by codes.

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░░░ Live Performance ░░░
7/1 (Fri.) 19:00–22:00 / Art Space V & live on eulerroom https://live.eulerroom.com
(( Algorave ))
CHANG Yen Tzu - live coding set X TSAI Ning - live visual
Alex McLean - live coding set (remote)
Chiho Oka - live coding set (remote)
LIN Yu-De - live coding set X LIU Tung-Yu (Chappie) - live coding visual
Renick Bell - live coding set

7/2 (Sat.) 18:00–22:00 / Art Space V
Mark Fell X Rian Treanor - live set (remote)
CHENG HsienYu - live set
WANG Changcun (ayrtbh) - live set (remote)
DJ LiHaiShen (the Earth Ranger) X Printed Noise Lab - live set
William Fields - live set (remote)
WANG Lien-Cheng - live set

7/3 (Sun.) 15:00–21:00
Art Space V
(( Minimal Input X Atomic Swap Electronic Music ))
LI Tzu-Mei / LIAO Hai-Ting / Dawang Yingfan HUANG / Wieland WU / CHAN Tzu En / Psychiatrist / Vice City / Immanuel
New works debut + Non-stop party!

░░░ Screening ░░░
7/1 (Fri.)–7/03 (Sun.) 11:00–23:00
Art Space IV & Art Space V
Presenting audiovisual works and video artworks by Richard SIDES, Tivon RICE, Musarc x LIN Chi-Wei, CHENG Hsien-Yu, William FIELDS, Software2050, Ale Hop, Ksawery KIRKLEWSKI.
▰ More details: https://clab.org.tw/en/events/minimal_input_2022_screening/

░░░ On-Site Broadcasting ░░░
Art Space V
7/1 (Fri.) 11:00–20:00
7/2 (Sat.) 11:00–17:00
7/3 (Sun.) 11:00–15:00
Algorithmic music mixsets by Chiyou+Nien / Powered by Formosa Sound System

░░░ Talks ░░░
7/1 (Fri.) 14:00–16:00
Live Coding—A Party of Algorithmic Art
▰ More details | https://www.facebook.com/events/357293453158979
7/2 (Sat.) 15:00–17:00
Algorave - Live Coding in Algorithmic Dance Culture and Its Precedent
▰ More details | https://reurl.cc/M0xYa4

░░░ Workshops ░░░
6/25 (Sat.) 14:00–18:00
Using Konduktiva for Live Coding Audio and Algorithmic Composition
▰ More details | https://clab.org.tw/en/events/minimal_input_workshop01/

7/3 (Sun.) 14:00–17:00
Let’s Play with ORCA!
▰ More details | https://www.facebook.com/events/541269894215059

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Supervisor | Ministry of Culture
Organizer | Taiwan Contemporary Culture Lab (C-LAB)
Collaborators | Formosa Sound System, Eulerroom, Atomic Swap Electronic Music, Baby Don't Go
Key Visual | Renick Bell
▰ The schedule may be subject to change
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Where is it happening?

空總臺灣當代文化實驗場 C-LAB, 大安區建國南路一段177號, Taipei, Taiwan

Event Location & Nearby Stays:

\u7a7a\u7e3d\u81fa\u7063\u7576\u4ee3\u6587\u5316\u5be6\u9a57\u5834 C-LAB

Host or Publisher 空總臺灣當代文化實驗場 C-LAB

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