Wild Pink
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Wild Pink with Opening Act TBA
There’s a novelistic impression to the songs of Wild Pink, where characters peer over the edge of potential futures, past mistakes and paths not taken. Backed by a dive bar hue, NYC-based frontman John Ross blends the existential with the celestial, gathering pieces of passer-bys, fictional figures, and historical idiosyncrasies to make sense of what’s in front of him. It’s on their sixth album, Still Coming Down, that Ross cements the voice he’s been steadily honing over the years.
The album pokes fun at the listlessness of consumerism, coping through detachment and finding the punchline of it all. Ross is a consummate of curiosity, becoming a narrator of a warped and unpredictable America, morphing everyday mundanity into a cinematic, sepia-toned flipbook. Propelled by the witty and ravenous wisdom of 2024’s Dulling the Horns, Ross’ poetic form has only gained traction, as jocular, heartfelt stories pour with a clever and distinctive ease. NFL bros cruise alongside big guys in grocery stores with even bigger tattoos; ghost stories and references from the cinematic haze of movies like Heat, Moneyball and The Town buzz in the background while Ross also points to Waterworld and The Perfect Storm––heroes who wander, looking for answers at the end of the world.
After battling––and beating––cancer, and now becoming a father for the first time, Ross’ outlook has hairpin-bent its way into a simpler significance, where creating music is less about the bigger picture, and more about being present in the moment. It’s a genuine rock record, leaning into the dynamics of open-armed arrangements, inviting huge chords, harmonicas, horns, keys and pedal steel to morph and blend into a cathartic swirl. Ross looked back to the grunge bands he was obsessed with as a teen, and found that it sparked a deeper presence with his own voice, both in lyrics and performance. He endeavoured to create an album that is as fun to play live as it is for the audience to witness, harkening back to the enthusiasm and motivation he felt growing up. “Strangely, I feel like I've found my voice on this record,” he says.
Still Coming Down was recorded in one week in Asheville, NC at the renowned Drop of Sun studios with producer and engineer Alex Farrar (Bnny, Wednesday, Samia). Vocal takes were done in two to three bursts, marking a less laborious process than previous records. “There was not a ton of overthinking,” Ross says. He invited friends to collaborate throughout, mimicking the carousel of characters that comes with living a life on the road. Longtime Wild Pink member Dan Keegan lends his percussive talents, with Meg Duffy (Hand Habits), MJ Lenderman and Lenderman’s The Wind bandmates Landon George and Xandy Chelmis adding a raucous vigor to the arrangements.
On opener “Box Store” Ross is that college buddy lamenting the empty desires of folks strolling the strip mall and the irony of AC units blocking the view during one of the year’s best seasons. Hearty keys and groaning steel are teamed with electric plucks, piecing together a bursting introduction. “500 is in the New 250” bounces between scuzzy guitars and softer, reflective moments, portraying the push-and-pull of cacophonous rock clubs and the long, quiet drive to the next hotel, bandmates silently staring into their phones.
There’s a novelistic impression to the songs of Wild Pink, where characters peer over the edge of potential futures, past mistakes and paths not taken. Backed by a dive bar hue, NYC-based frontman John Ross blends the existential with the celestial, gathering pieces of passer-bys, fictional figures, and historical idiosyncrasies to make sense of what’s in front of him. It’s on their sixth album, Still Coming Down, that Ross cements the voice he’s been steadily honing over the years.
The album pokes fun at the listlessness of consumerism, coping through detachment and finding the punchline of it all. Ross is a consummate of curiosity, becoming a narrator of a warped and unpredictable America, morphing everyday mundanity into a cinematic, sepia-toned flipbook. Propelled by the witty and ravenous wisdom of 2024’s Dulling the Horns, Ross’ poetic form has only gained traction, as jocular, heartfelt stories pour with a clever and distinctive ease. NFL bros cruise alongside big guys in grocery stores with even bigger tattoos; ghost stories and references from the cinematic haze of movies like Heat, Moneyball and The Town buzz in the background while Ross also points to Waterworld and The Perfect Storm––heroes who wander, looking for answers at the end of the world.
After battling––and beating––cancer, and now becoming a father for the first time, Ross’ outlook has hairpin-bent its way into a simpler significance, where creating music is less about the bigger picture, and more about being present in the moment. It’s a genuine rock record, leaning into the dynamics of open-armed arrangements, inviting huge chords, harmonicas, horns, keys and pedal steel to morph and blend into a cathartic swirl. Ross looked back to the grunge bands he was obsessed with as a teen, and found that it sparked a deeper presence with his own voice, both in lyrics and performance. He endeavoured to create an album that is as fun to play live as it is for the audience to witness, harkening back to the enthusiasm and motivation he felt growing up. “Strangely, I feel like I've found my voice on this record,” he says.
Still Coming Down was recorded in one week in Asheville, NC at the renowned Drop of Sun studios with producer and engineer Alex Farrar (Bnny, Wednesday, Samia). Vocal takes were done in two to three bursts, marking a less laborious process than previous records. “There was not a ton of overthinking,” Ross says. He invited friends to collaborate throughout, mimicking the carousel of characters that comes with living a life on the road. Longtime Wild Pink member Dan Keegan lends his percussive talents, with Meg Duffy (Hand Habits), MJ Lenderman and Lenderman’s The Wind bandmates Landon George and Xandy Chelmis adding a raucous vigor to the arrangements.
On opener “Box Store” Ross is that college buddy lamenting the empty desires of folks strolling the strip mall and the irony of AC units blocking the view during one of the year’s best seasons. Hearty keys and groaning steel are teamed with electric plucks, piecing together a bursting introduction. “500 is in the New 250” bounces between scuzzy guitars and softer, reflective moments, portraying the push-and-pull of cacophonous rock clubs and the long, quiet drive to the next hotel, bandmates silently staring into their phones.
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Where is it happening?
Armory FoCo, 314 E Mountain Ave,Fort Collins, Colorado, United States
Event Location & Nearby Stays:
Know what’s Happening Next — before everyone else does.
Host or PublisherArmory FoCo
