Wayne Hancock w/ IV and The Strange Band

w/ IV and The Strange Band

Tuesday 11.12.24

Charleston Pour House

Main Stage

8pm doors /9pm show

$20 advance /$25 day of show

Wayne Hancock has more Hank Sr. in him than either I or Hank Williams Jr. He is the real deal.” – Hank III

“Hancock, who tosses out a roots mix of old country, roadhouse blues, western dance swing, boogie bop, and straight-up rockabilly, takes what was once old and makes it seem like it’s always been and always will be.”—allmusic.com

“The country music scene could do with a lot more characters like Wayne, who push the music’s limits while staying truer to its roots than any well-known names associated with the genre today.” – Slug Magazine

Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne “The Train” Hancock has been the undisputed king of Juke Joint Swing–that alchemist’s dream of honky-tonk, western swing, blues, Texas rockabilly and big band. Always an anomaly among his country music peers, Wayne’s uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never “retro;” bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie.

Wayne makes music fit for any road house anywhere. With his unmistakable voice, The Train’s reckless honky-tonk can move the dead. If you see him live (and he is ALWAYS touring), you’ll surely work up some sweat stains on that snazzy Rayon shirt you’re wearing. If you buy his records, you’ll be rolling up your carpets, spreading sawdust on the hardwood, and dancing until the downstairs neighbors are banging their brooms on the ceiling. Call him a throwback if you want, Wayne just wants to ENTERTAIN you, and what’s wrong with that?

Wayne’s disdain for the slick swill that passes for real deal country is well known. Like he’s fond of saying: “Man, I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.”

Little known fact: Wayne is the only Bloodshot artist to have had their CD taken aboard a space shuttle flight.

“A rare breed of traditionalist, one who imbues his retro obsessions with such high energy and passions that his songs never feel like the museum pieces he’s trying desperately to preserve.” —AllMusic.comWayne Hancock has more Hank Sr. in him than either I or Hank Williams Jr. He is the real deal.” – Hank III

“Hancock, who tosses out a roots mix of old country, roadhouse blues, western dance swing, boogie bop, and straight-up rockabilly, takes what was once old and makes it seem like it’s always been and always will be.”—allmusic.com

“The country music scene could do with a lot more characters like Wayne, who push the music’s limits while staying truer to its roots than any well-known names associated with the genre today.” – Slug Magazine

Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne “The Train” Hancock has been the undisputed king of Juke Joint Swing–that alchemist’s dream of honky-tonk, western swing, blues, Texas rockabilly and big band. Always an anomaly among his country music peers, Wayne’s uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never “retro;” bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie.

Wayne makes music fit for any road house anywhere. With his unmistakable voice, The Train’s reckless honky-tonk can move the dead. If you see him live (and he is ALWAYS touring), you’ll surely work up some sweat stains on that snazzy Rayon shirt you’re wearing. If you buy his records, you’ll be rolling up your carpets, spreading sawdust on the hardwood, and dancing until the downstairs neighbors are banging their brooms on the ceiling. Call him a throwback if you want, Wayne just wants to ENTERTAIN you, and what’s wrong with that?

Wayne’s disdain for the slick swill that passes for real deal country is well known. Like he’s fond of saying: “Man, I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.”

Little known fact: Wayne is the only Bloodshot artist to have had their CD taken aboard a space shuttle flight.

“A rare breed of traditionalist, one who imbues his retro obsessions with such high energy and passions that his songs never feel like the museum pieces he’s trying desperately to preserve.” —AllMusic.com

There are family traditions, and then there is the Williams Family Tradition. Beginning with the legendary Hank Williams, then his son, Hank Jr. and grandson, Hank 3, now the fourth generation of Williams (Coleman Williams or IV) is ready to take his place in the music world with his band, IV and the Strange Band.

IV was raised in Nashville in the early 90s before the explosion of what the city is now. The only son of Hank Williams III, IV was raised by his mother until his formative high school years which were spent with his father at Hank3’s “haunted ranch” going to punk and house shows and being driven by the heavy tones and sounds of progressive vocal driven music but still retaining a love for the southern country and blues legends. After high school, IV travelled the country which led to meeting more bands and expanding his musical tastes from country bands in Louisiana to doom metal bands in New Jersey.

Although being the first born son of the fourth generation of Williams is his legacy, but fulfilling a musical legacy is never what drove him as a person. After traveling the country, IV returned to Nashville to attend college and study English and literature with dreams of being a writer. After college, IV began teaching but over time he realized he didn’t enjoy the education route and got into working in the liquor business instead to make ends meet.

About this time, he became friends with Jason Dietz, a local producer, who became a personal friend and musical ally. Even though IV had been writing songs his entire life and grew up singing, he had never really had a project to express his true voice. Additionally, he had reservations about ever being like the rest of his family wanting to forge his own path. He had even kept his family history as a need to know among friends. He just wanted to be in the backdrop of the music scene to take it all in the right way.

Jason would help to change that as would musician Joe Buck with whom IV has developed his style of guitar playing. This all led to IV meeting the group of musicians he needed for what is now dubbed the “Strange Band”. His now lead guitar player David Talley with Jason Dietz on bass would become the core of IV and the Strange Band. Next came Laura Beth Jewell on Fiddle and Tylor Powell on drums to complete the band. Starting from IV’s acoustic songs, the band and IV collaborated to create the sound now that has come to define the project: 100 watt amps blended with fiddle, drums, and powerful vocal driven country hooks combining many diverse influences and different musical histories.

Being 29 and starting his music career seems an interesting time, but that exact age is when his great grandfather Hank Sr.’s life ended. IV had a vision and dream that couldn’t be obtained in the right way without this journey. Being handed a legacy is one thing to try, but IV is determined to earn it.

The first single, “Son of Sin”, is scheduled to be released on 4/20 via bandcamp and other streaming outlets.

* Show is 21+. Attendees under 21 must be accompanied by a parent & will be subject to a $5 surcharge. The surcharge must be paid in cash at the door on the day of the event.

Host or Publisher Charleston Pour House