Tony Trischka at the 443

"Tony Trischka is known as the father of modern bluegrass" - New York Times

Trischka fell in love with the banjo by way of the Kingston Trio’s 1959 recording of “M.T.A.,” and was able to experience the New York-centered folk revival by trekking to the Newport Folk Festival in the early to mid-’60s. He moved to the city in the early ’70s and hit the ground running, settling in among a peer group of extraordinary musicians who saw American roots music as a thriving, living language that could be expanded and combined with other influences and sensibilities. Alongside other young masters like mandolinist Andy Statman and fiddler Kenny Kosek, in such units as Country Cooking and Breakfast Special, Trischka found his purpose. Jaw-dropping musicianship was certainly encouraged, as was comic and literary irreverence, earnest songwriting and a record shop’s worth of touchstones beyond bluegrass, from the avant-garde to fusion and R&B.

Through his theme song for Books on the Air and performances on A Prairie Home Companion, Mountain Stage, From Our Front Porch and other programs, he’s been a frequent presence on NPR. His work with his pal Steve Martin too has helped the banjo gain a wider audience and deeper understanding. Trischka’s Grammy-nominated album Double Banjo Bluegrass Spectacular, released in 2007, and Great Big World, from 2014, feature Martin within a mix of veterans and up-and-coming luminaries. He produced Martin’s Grammy-nominated Rounder album from 2011, Rare Bird Alert, which touts performances by the Steep Canyon Rangers, Paul McCartney and the Dixie Chicks. His forthcoming album, Shall We Hope, is a visionary exploration of Civil War history featuring an all-star cast—from Michael Daves and Maura O’Connell to the Femmes, Catherine Russell, Guy Davis, the actor John Lithgow and many others.

When Tony opened his mail one afternoon during the height of the Covid lockdown, he certainly wasn’t expecting to get a visit from his old pal, the late great Earl Scruggs. Of course, it wasn’t Earl at the door, but a mysterious thumb drive full of rare recordings of Scruggs jamming with John Hartford, mostly taken from private gatherings at Earl’s house during the 80s and 90s. Naturally, Trischka began pouring over the more than 200 songs, transcribing the all-new solos, tones, and tricks from the man he’d been studying for over half a century. Inspired, he featured a number of these pieces as part of an overview of Earl’s career, premiering the concept at the venerable Joe's Pub in New York City. When Down The Road’s Ken Irwin heard a recording of the show, he and Trischka agreed there should be an album of this unique material.

Naturally, Trischka couldn’t wait to get his friends and colleagues together to flesh out this new material in the studio, and it wasn’t long before Earl Jam: A Tribute To Earl Scruggs—a brand-new album released June 7 via Down The Road Records—came to be.

“Whether or not you’re a banjo player, if you play bluegrass, you’re influenced by Earl. So it was easy to get world-class players on board,” says Trischka. Names like Stuart Duncan, Ronnie McCoury, and Darol Anger fill the album liner notes next to those of Molly Tuttle, Brittany Haas, Dominick Leslie, and Bronwyn Keith-Hynes, creating a cross-generational, genre-spanning band of, let’s face it, a heaping of the best pickers alive today.

• The 443 has a $15 per person/seat required minimum purchase for our shows, which can be any combination of food and drink.
• If your party (or part of it) does not show up, the ticket buyer will be charged $40 per person. Please let us know if you're not coming at least 24 hours before the show to avoid this charge.
• The 443 is an 18+ venue
• No outside food or drink allowed.
• Ticket limit: 3 tables for two or 6 single seats.
• Be respectful to the artist on stage and considerate to your neighbors - put your phone away, limit your conversation, and plan to be settled in your seats before the show starts.

We have 3 tiers of ticket options:

Tier 1 – (YELLOW) – Most expensive tickets. Regular height ables for two and single barstools at the bar.

Tier 2 – (BLUE) – Mid-priced tickets. High and low tables for two with excellent sight lines – particularly the high tables.

Tier 3 – (LAVENDER) – Least expensive tickets. Two low tables for two (15 & 16), plus (potentially shared) high tables for single attendees (25, 26, 27)

Green squares/circles on the floor plan are bar-height tables, orange squares are regular-height tables.

Host or Publisher The 443 Social Club & Lounge