Time’s Echo: The Second World War, the Holocaust, and the Music of Remembrance with Jeremy Eichler

Name: Time’s Echo: The Second World War, the Holocaust, and the Music of Remembrance with Jeremy Eichler
Start: 2024-12-16T19:00:00-05:00
Location: Follen Church Society-Unitarian Universalist

Schedule

Mon Dec 16 2024 at 07:00 pm

UTC-05:00

Location

Follen Church Society-Unitarian Universalist | Lexington, MA

When it comes to how societies remember increasingly distant dreams and catastrophes, we often think of history books, archives, documentaries, or memorials carved from stone. But in Time’s Echo, the award-winning critic and cultural historian Jeremy Eichler makes a passionate and revelatory case for the power of music as culture’s memory, an art form uniquely capable of carrying forward meaning from the past. With a critic’s ear, a scholar’s erudition, and a novelist’s eye for detail, Eichler shows how four towering composers—Richard Strauss, Arnold Schoenberg, Dmitri Shostakovich, and Benjamin Britten—lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving, transcendent works of music, scores that echo lost time. Summoning the supporting testimony of writers, poets, philosophers, musicians, and everyday citizens, Eichler reveals how the essence of an entire epoch has been inscribed in these sounds and stories. Along the way, he visits key locations central to the music’s creation, from the ruins of Coventry Cathedral to the site of the Babi Yar ravine in Kyiv. As the living memory of the Second World War fades, Time’s Echo proposes new ways of listening to history, and learning to hear between its notes the resonances of what another era has written, heard, dreamed, hoped, and mourned. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the renewed promise of art for our lives today.
An award-winning critic and cultural historian, Jeremy Eichler currently serves as the chief classical music critic of The Boston Globe. He is the recipient of an ASCAP Deems Taylor Award for writing published in The New Yorker, a fellowship at Harvard University’s Radcliffe Institute for Advanced Study, and a Public Scholars grant from the National Endowment for the Humanities. Formerly a critic for The New York Times and a contributor to many other national publications, he holds a Ph.D. in modern European history from Columbia University. For more information, please visit timesecho.com.