There’s No M**der Like Show M**der with Matthew Greene

About the guest

Matthew Greene is a playwright, lyricist, screenwriter, and novelist whose works have been seen on both coasts and a few places in between. His play Thousand Pines had its world premier at Westport Country Playhouse (directed by Austin Pendleton), and the autobiographical Good Standingplayed at Theater Row as part of the United Solo Theatre Festival. Other plays include Gregorian (Working Artists Theatre Project), Adam and Steve and the Empty Sea (Plan B Theatre, New York International Fringe Festival), #Mormoninchief (New York International Fringe Festival), Job Well Done (national finalist, American College Theatre Festival), and Bread of Affliction (Society for the Study of Jewish American and Holocaust Literature). His work has been developed at Westport Country Playhouse, the Jerome Robbins Foundation Project Springboard, LiveRead, Apples and Oranges Arts, and the Working Artists Theatre Project. In 2020, he received the Stiles + Drew Prize for a new musical in progress and is currently under commission from Westport Country Playhouse for his play Beloved Son, directed by Chay Yew. His first novel - There's No M**der Like Show M**der - is due out this year from Crooked Lane Books. He is a proud member of the BMI Musical Theatre Workshop and has taught theatre to people of all ages in and out of New York City.

About the book

Tasha Weaver has seen her fair share of divas come and go while working as the costume shop head at the Eastbrook Playhouse, but her beloved theater is put at risk when the star of the show is killed in this fun but deadly debut.

Tasha Weaver is most at home in the cozy backstage world of the Eastbrook Playhouse. As the costume shop head at the charming regional theater, she’s used to watching dramatic acts of love and revenge from the shadows. But when Kurt Mozer—the insufferable Broadway reject who stars in their production of Annie Get Your Gun—is shot center stage, the spotlight turns to her.

Everyone knows Kurt was difficult to work with, and after he got into a fight with both director Marnie Mason and artistic leader Arthur Winston, he promptly decided to quit the show. In deep financial trouble, the Eastbrook Playhouse depended on a big name like Kurt to keep afloat. With reporters coming in from the Big Apple to Tasha’s little corner of Connecticut, she realizes it's up to her to save their local theater and keep her community safe. After all, the show must go on…but what do you do when the killer could very well be one of your loved ones?

With the help of her friends, her long-time crush Bruno Machado, and her feline colleague Hilly, Tasha must catch a murderer before the shining lights of the playhouse go out forever.

About the event

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