Theory of a Deadman: Unplugged

This event is Fully Reserved Seated on the Floor, and in the Balcony.

VIP Packages Available: Theory Meet & Greet Experience and Theory Merch Bundle Package

With sky-high hooks, riffs as thick as a 2x4, rumbling grooves, and a razor-sharp sense of humor, Theory Of A Deadman) have quietly persisted as an unapologetic, unbreakable, and undeniable hard rock force with major multiplatinum hits and countless sold out shows in each of the past two decades. Jamming together in basements throughout high school, the band burst out of their small hometown of North Delta, British Columbia with the self-titled, Theory of a Deadman, during 2002. In addition to the double-platinum breakthrough album Scars & Souvenirs [2008] and gold-certified The Truth Is… [2011], they have notched a procession of hits, including the gold-certified “All Or Nothing,” “Bitch Came Back,” and “Lowlife,” platinum-certified “Angel,” “Hate My Life,” and “Not Meant To Be,” double-platinum “Bad Girlfriend,” and triple-platinum “RX (Medicate).” As the biggest smash of their career this far, the latter marked their third #1 on the Billboard Hot Mainstream Rock Tracks Chart and garnered a nomination for “Rock Song of the Year” at the iHeartRadio Music Awards. They have logged two Top 10 debuts on the Billboard Top 200. In 2020, Say Nothing landed at #2 on the Billboard Alternative Albums Chart and #3 on the Rock Albums Chart. Plus, it earned praise from American Songwriter, Billboard, and Classic Rock Magazine who awarded it “4-out-of-5 stars.” Now, the award-winning quartet—Tyler Connolly [lead vocals, guitar], Dave Brenner [guitar, backing vocals], Dean Back [bass], and Joey Dandeneau [drums, backing vocals]—once again deliver a barrage of anthems, beginning with the single “Dinosaur” and more to come.
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By turning inward, Saint Asonia amplify every element of their signature sound. Skyscraping hooks soar higher, while arena-ready rhythms rattle harder. The guitars cut deeper, and the lyrics resound louder than ever. The quartet—Adam Gontier [vocals, guitar], Mike Mushok [lead guitar], Cale Gontier [bass], and Cody Watkins [drums]—find power and strength on their aptly titled 2022 EP, Introvert [Spinefarm Records].

Saint Asonia initially united two hard rock luminaries under a new banner. Respectively, Adam and Mike had each reached stratospheric heights in Three Days Grace and Staind, toppling charts, packing venues, and selling millions of records. As such, their union captivated audiences worldwide. In the wake of their 2015 self-titled debut Saint Asonia, Loudwire christened the band its “Best New Artist” at the Loudwire Music Awards. The 2019 follow-up, Flawed Design, yielded the blockbuster single “The Hunted” [feat. Sully Erna of Godsmack], generating over 15 million Spotify streams. In a “4.5-out-of-5-star” review, New Noise Magazine declared, “Any fan of hard rock (whether they’ve listened in recently or not) should give Saint Asonia a spin.” Plus, Loudwire applauded it as one of the “The 50 Best Rock Albums of the Year.” Not to mention, they toured with everyone from Disturbed, Breaking Benjamin, and Seether to Alter Bridge and Mötley Crüe.

Unfortunately, Flawed Design never received a proper tour due to the Global Pandemic. However, the musicians buckled down and wrote what would become Introvert during the downtime.

“The title was fitting with the way the songs were written,” observes Adam. “We wrote and recorded individually. It’s a weird situation to make a record and not be in the same room as your band. I felt like an Introvert when I was working on these songs.”

This time around, they recorded with producer Anton Delost [Cleopatrick, Seaway, Hollow Coves] outside of Toronto. The producer injected a fresh perspective into the project as did recently welcomed drummer Cody (who played in Art of Dying with Cale). Meanwhile, Mike recorded remotely from his home studio in Connecticut.

“We had a blast with Anton,” Adam goes on. “He played a big part in the sonic changes. It’s a little different for us, but it’s still pretty heavy. He understood what we were hoping to accomplish. It’s Saint Asonia.”

The guys initially teased out this phase with a heavy and haunting take on The Weeknd’s “Blinding Lights,” tallying millions of streams. However, they properly introduce Introvert with the single “Above It All.” Airy electronics brush up against clean guitar as Adam declares, “It’s time to take a stand and save our lives.” A chugging verse gives way to an irresistible hook punctuated by a hummable guitar lead.

“It’s the first one I actually wrote,” he recalls. “I wrote it about standing up and paying attention to what you’re told to do as a society and then making your own decisions. You’re not necessarily acting or reacting as people want you to. We’re all told so many things about what’s right or wrong. There was a lot of misinformation. ‘Above It All’ is about making the right decision for yourself.”

Then, there’s “Chew Me Up” [feat. Johnny Stevens of Highly Suspect]. Johnny’s bluesy timbre serves as the perfect counterpoint to Adam as the slow burning track builds towards a catharsis with teeth.

“We’re big fans of Highly Suspect, so we were really excited to have Johnny on the song,” he goes on. “Our styles are a little bit different, but he did his thing. It turned out amazing. Lyrically, it’s about cancel culture. People are influenced by things online and try to be who they’re not on social media platforms. There’s a lot of pressure. The song is a realization it doesn’t matter. The internet and social media can chew you up pretty quickly and spit you back out before you even know it.”

Elsewhere, “Left Behind” culminates on a scorching guitar solo, while “Bite The Bullet” hinges on a thick bass line and candid lyricism.

“My dad passed away about a year ago, and ‘Bite The Bullet’ hits home,” he admits. “He always used to use the phrase ‘Bite The Bullet’ when I was growing up. The song remembers him and how he told me you can’t change things that are out of your control. It’s a good reminder of my dad.”

In the end, Saint Asonia connect closer than ever on Introvert.

“This band means a lot to me,” Adam leaves off. “It’s been an incredible outlet, and it’s become a family. I love the guys and the freedom we have to create. I couldn’t ask for a better situation. I hope people dig it and love the music. If you relate to it and drive down the road blasting it, that’s the most I could ask for.”
Links: Official Website | Facebook | Instagram | Twitter | Spotify

Cory Marks can sometimes feel like an outsider, a North Bay, Ontario native, former hockey player (and lifelong fan) who dreamed of one day flying his own plane, before sitting behind a drum kit like his idol, fellow Canadian Rush’s Neil Peart. Marks is taking up his territory, equally divided between arena-rock and roots country. It’s a blend that’s proven to be a crowd-pleaser for Marks, joining together diverse metal/Americana audiences on tours with Toby Keith, Five Finger Death Punch, ZZ Top, Travis Tritt and Brantley Gilbert, while joining Nickelback on the main stage at the annual Boots and Hearts festival outside Toronto last summer. Over the last two years, his breakthrough country-rock fusion has paved the way for the success of Morgen Wallen, Zach Bryan, Hardy, and Bailey Zimmerman. Marks’ successful debut, Who I Am, included “Outlaws & Outsiders,” which went Top 10 at U.S. rock radio, eventually certified platinum in Canada, featuring Five Finger Death Punch’s Ivan Moody, Mötley Crüe guitarist Mick Mars and country star Travis Tritt. That was followed by three EPs, including the latest, 2022’s six-song I Rise, which included “Burn It Up,” featured on Better Noise’s The Retaliators Original Motion Picture Soundtrack (where Marks also had an onscreen cameo). To date, Cory’s songs have garnered a total of more than 220 million global streams, and performance slots at over 25 major music festivals in Canada and the U.S. In early 2024, he will cross his native country for the seventh time on the “Liquored Up” tour, starting in Calgary with fellow Canadian country legend Aaron Pritchett, with whom he toured on the original “Outlaws & Outsiders” tour in 2015. “I love rock and I love country. I tried to sequence the new album as if it were a live show, interspersing the slower, acoustic songs in the middle, then build toward the climax, making them fit front to back.”

“I ain’t the same old shit/I ride in my own lane/Didn’t come to lose/Didn’t come to play. I came to change the game. “change the game”.
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