The Scorsese Family Experience

Name: The Scorsese Family Experience
Start: 2025-08-15T19:00:00-04:00
End: 2025-08-15T21:00:00-04:00
Location: 43 Hill Street, Southampton, NY, United States, New York 11968

Schedule

Fri Aug 15 2025 at 07:00 pm to 09:00 pm

UTC-04:00

Location

43 Hill Street, Southampton, NY, United States, New York 11968 | Southampton, NY

Features movies that legendary filmmaker Martin Scorsese shared with his daughter Francesca as she grew up. The series runs throughout the year and showcases films for kids from a variety of age groups (but adults will enjoy them, too).

Thursday, August 14
Bicycle Thieves (Vittorio De Sica, 1948) Ages 12 and Up
7:30PM
“One of the pillars of neorealist cinema. These movies, made by a group of Italian filmmakers in the years following WWII, had an impact that is still being felt today. The critic Lindsay Anderson, who later became a director, wrote about neorealism in 1948. He asked: ‘What is it about these Italian pictures that makes the impression they create so overwhelming?’ Anderson answered his own question. He said, ‘The key to these films is, first, their tremendous actuality; second, their honesty, and third, their passionate pleading for what we’ve come to term human values.’ No director expressed those values better than Vittorio De Sico, and very few films have been as meaningful to people as The Bicycle Thief. It was seen all over the world. For many years – especially in the 1950s and 1960s – The Bicycle Thief was considered the peak moment, the pinnacle of neorealism. “To me, these movies define the most precious moment in film history, when illusion took a backseat to reality. The performances in The Bicycle Thief were not actors. They were ordinary people De Sica found in the streets of Rome. The story is modest. The pace is deliberate as we follow a father and son searching for a stolen bicycle. It’s a small thing, perhaps, but their story means the world to them, and perhaps changed the course of cinema.”
– Martin Scorsese, Turner Classic Movies, 2002

Friday, August 15
Playtime (Jacques Tati, 1967) Ages 12 and Up
7:00PM
French director Jacques Tati isn’t as widely known in America as Charlie Chaplin, but deserves as much acclaim for expanding the potential of big screen comedy, and Playtime is his indisputable masterpiece. As his onscreen alter ego Monsieur Hulot (who appeared in two earlier Tati films), the filmmaker and star drifts through a vast, intricate set loaded with visual gags that comment on contemporary architecture, design, and technology. Though he barely mutters a word, Monsieur Hulot embodies the sense of confusion from an older generation confronting an alien world overwhelmed by modernity. Sliding doors, cubicles, and a crowded dance floor all figure into the character’s awkward journey through various parts of Paris, as plot takes a backseat to the cinematic equivalent of a popup book, as Monsieur Hulot stumbles through one baffling structure after another, roaming a world moving too fast for him to process it. This is a deceptively simple work that even younger audiences can enjoy getting lost in, though it grows deeper with repeat viewings, especially on the big screen. Writing for The Guardian, Martin Scorsese described Playtime as a movie with the uncanny ability to “stretch the possibilities of time, space, sound, and color to their limits, well beyond what we were used to seeing in most comedies.”

Saturday, August 16
The Thief of Bagdad (Michael Powell, 1940) Ages 5 and Up
1:30PM

Years before Aladdin, British director Michael Powell and producer Alexander Korda offered up this visually rich fantasy adaptation of Arabian Nights starring Indian teen actor Sabu as Abu, a street thief who joins forces with the magnetic Sultan of Bagdad (John Justin) to take back the kingdom from the evil Jaffar (Conrad Veidt, also famous as the villain of the seminal German Expressionist film The Cabinet of Dr. Caligari). Merging state-of-the-art “blue screen” technology with mesmerizing hand drawn backdrops and other early special effects, the movie is a visual marvel that has grown more transcendent and poetic with age: It’s an ideal starting point for witnessing the unique magic of cinema, which is exactly the effect it had on a young Martin Scorsese.
Scorsese first saw Arabian Nights on television in the late 1940s, when it was in black and white; he would come to appreciate its brilliant colors and big-screen splendor decades later. “Abu reminds me of Peter Pan, in a way,” Scorsese said in a directors commentary for the film. “He wants to remain in a fantasy, a Neverland in a way, where time is something that can be suspended and life is a constant adventure.”

Saturday, August 16
The Wizard of Oz in IMAX 3D (Victor Fleming, 1939) Ages 10 and Up
5:00PM

Martin Scorsese has cited the moment that The Wizard of Oz transitions from black and white to color as his wakeup call to the power of cinema. It’s a timeless musical adventure that many subsequent generations have found similarly transporting, and remains as visually stunning today as it was nearly 90 years ago.
Judy Garland’s Dorothy, marching down the Yellow Brick Road with the Lion, the Scarecrow, and the Tin Man as they search for the respective aid of courage, brains, and a heart, has become one of the most timeless achievements in film history for obvious reasons: Masterful visuals and transcendent world-building glide along effortlessly to the tune of ever-familiar songs that result in the most lyrical coming-of-age odyssey in Hollywood history. Wicked fans eager for the November release of Wicked for Good should be able to satiate themselves with this delectable repertory offering.

See it at the Playhouse in the rarely-screen IMAX 3D edition to experience the spectacular nature of the movie all over again – or, in some viewers’ cases, for the first time.

Sunday, August 17
Playhour Jr. Double Bill!
The Red Balloon (Albert Lamorisse, 1955)
A Dog’s Life (Charlie Chaplin, 1918)
Ages 5 and Up
10:30AM

Our weekly Playhouse Jr. matinee series turns to Martin and Francesca Scorsese for this pair of short film offerings that tap into the sweet simplicity of silent movies from two different eras. In A Dog’s Life (33 minutes), Chaplin joins forces with a stray dog as the Tramp evades an angry police officer and wreaks havoc at a cabaret, inadvertently taking down a pair of thieves in the process. The French masterpiece The Red Balloon (34 minutes) follows a young boy as he befriends a balloon adrift in Paris as it leads through the city. Both movies are tinged with melancholy even as they arrive at uplifting messages about the triumph of the human spirit. Together they serve as ideal access points to the blend of visual storytelling and emotion that are unique to the art of cinema.