The Idiot Box Presents Sean Patton

Sean Patton is a comedian based in New York, by way of New Orleans. He began doing stand-up in the Crescent City and has since performed in comedy clubs and festivals across the world, including The Melbourne International Comedy Festival (2011, 2018), The Glasgow Comedy fest (2016), the Dublin Comedy fest (2017), and The Edinburgh Fringe (2017, 2019). Other festivals appearances include SXSW (2016, 2017, 2018, 2022), The Moontower comedy festival (2012, 2013, 2014, 2019), Just for Laughs Chicago (2013), Just for Laughs Toronto (2013) and Just for Laughs Montreal (2008, 2010, 2012, 2016, 2018). He's performed on Comedy Central’s Live at Gotham (2009), Late Night with Jimmy Fallon (2010), Conan (2011, 2013), and Comedy Central’s The Half Hour (2013). More recently, He's been on @midnight (2014, 2015), The Meltdown with Jonah and Kumail (2015), This Is Not Happening (2015, 2017, 2019), Showtime's Live from SXSW (2017), TruTv's Comedy Knockout (2016, 2017, 2018), and This week at the Comedy Cellar (2018, 2019, 2020).

In 2019 he released his second album Scuttlebutt on Helium Records. His next album King Scorpio was released on Christmas Eve 2021 and as a special on Youtube in August 2022. His special Number One streamed on peacock from 2022-2024 and is currently available on 800lb Gorilla’s YouTube page.

As for acting, He's appeared on IFC'S Maron, Comedy Central's Inside Amy Schumer and TruTV's Those who can't.  He stars alongside Brian Jordan Alvarez, Stephanie Koenig, Enrico Colantoni, and Carmen Christopher in in two seasons of FX’s English Teacher

"I’ve seen him perform more than a dozen sets, and he’s killed every time. He’s dynamite, even with ordinary material, turning standard Brooklyn hipster jokes into a stomping, roaring, tour de force, and elevating a bit about sex-performance anxiety into high-stakes comedy. [...] He’s the rare comic who goes over as well in a comedy club as in a bar basement."

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“ …a deceptively mesmeric ­talent, I found myself watching rapt between fits of eruptive laughter.”

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“There’s a lot of talk in comedy circles about club acts as opposed to festival ones – reliable joke-machines who can tame the rowdiest rooms compared to the artier, slower-burn types with stories and ideas that demand and reward attention.

Well, in Sean Patton you get both… he’s the sort of comedian who puts the ‘art’ in ‘fart’.”

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