The Big Star Quintet - EXTRA DATE

Name: The Big Star Quintet - EXTRA DATE
Start: 2026-04-29T20:00:00+01:00
Location: Button Factory

Schedule

Wed, 29 Apr, 2026 at 08:00 pm

UTC+01:00

Location

Button Factory | Dublin, DN

Foggy Notions presents THE BIG STAR QUINTET at The Button Factory, Dublin in April 2026. Thursday 30th April is sold out with an extra date added for Wednesday 29th April on sale this Wednesday at 10:00.
Featuring Big Star’s Jody Stephens, Mike Mills (R.E.M.), Jon Auer (Big Star/The Posies), Chris Stamey (the dB’s), and Norman Blake (Teenage Fanclub)
THE BIG STAR QUINTET
CELEBRATES FIVE DECADES OF
THE INFLUENTIAL BAND’S LEGACY
“A half-century later, the Memphis band’s sophomore album remains a bright, beautiful portrait of young, big emotions and the way they intersected with the joy of music – Paste Magazine (2024)
Memphis, TN (July 2025)—Five decades ago, Memphis power pop pioneers Big Star released two albums: No. 1 Record and Radio City. These genre-defining works went on to become cult classics, inspiring generations of fans through songs such as “In the Street,” “Thirteen,” “September Gurls,” “Back of a Car,” and “I’m in Love With a Girl.” To celebrate the albums’ enduring legacy, an all-star collective of musicians (led by the band’s sole surviving original member, Jody Stephens) will join together on May 1, at the Smithwick’s Kilkenny Roots Festival (Ireland) to perform many essential songs from Radio City and No. 1 Record, inducted this year into the Grammy Hall of Fame, and from the highly influential Third album.
Joining Stephens will be some of the band’s biggest fans who have long been associated with Big Star–related projects, including Jon Auer (Big Star/The Posies), Mike Mills (R.E.M.), Chris Stamey (The dB’s), and (subbing for Wilco’s Pat Sansone) Norman Blake (Teenage Fanclub)
Heavily influenced by the British Invasion, yet undeniably original, Big Star (vocalist/guitarist/pianist Alex Chilton, vocalist/guitarist Chris Bell, bassist Andy Hummel, and drummer Jody Stephens) offered a fresh new sound when they emerged in the early ’70s. While power pop wouldn’t truly take off until later in the decade, the Memphis band set the tone with their infectious blend of jangly pop, driving guitars, sweet harmonies, and wistful melancholia. In 1971, Big Star made their debut with #1 Record, which featured such memorable numbers as “In the Street” (later made famous by Cheap Trick), “Thirteen” (“one of rock’s most beautiful celebrations of adolescence” — Rolling Stone, 2011), and “The Ballad of El Goodo.” (“The bridge [or middle eight, call it what you will] alone shows more talent and creativity than some bands’ entire back catalogues.” — The Guardian, 2011) While the album garnered high marks from critics, however, it failed to make a commercial splash.
Bell departed the band soon after, leaving Chilton, Hummel, and Stephens to continue as a trio. In late 1973, Big Star returned to Ardent Studios to record their follow-up, with producer John Fry. Despite losing his longtime collaborator, Chilton stepped in as the band’s de facto leader—a role that allowed his songwriting talents to shine. Released in 1974, Radio City featured some of Big Star’s most beloved tracks, including the bluesy opener “O, My Soul,” offbeat rocker “Back of a Car,” the sweet acoustic ballad “I’m in Love with a Girl,” plus their iconic pop classic, “September Gurls.” Once again, Radio City was met with critical acclaim but fell victim to distribution issues, selling less than 20,000 copies at the time.
But the story of Big Star certainly wasn’t over. Shared between friends and musicians as the years went on, the albums became cult favorites—far exceeding their original commercial performance. Today, both No. 1 Record and Radio City are considered definitive titles in the power pop canon and have long been counted among rock’s greatest albums. Hailed as “Pure power pop perfection” by Rolling Stone, Radio City has been included in the outlet’s 2003, 2012, and 2020 “500 Greatest Albums of All Time” rankings. “September Gurls,” meanwhile, appeared on its “500 Greatest Songs of All Time” list, while Consequence of Sound declared the track “One of American music’s prototypical power pop jams.”
Although Big Star disbanded in late 1974 (not long after recording their third album, Third/Sister Lovers), the band went on to achieve near-mythic status in the underground scene, influencing some the biggest alt-rock artists of the ’80s, ’90s and beyond, including R.E.M., Teenage Fanclub, Wilco, and The Replacements (who famously penned the song “Alex Chilton” as an ode to the group’s frontman). Over the years, Big Star’s songs have been reinterpreted by the likes of Elliott Smith, The Bangles, Placebo, Beck, Gin Blossoms, Garbage, Counting Crows, and Jeff Buckley, to name a few.
In the last two decades, Big Star has finally been given their due, honored with a host of glowing retrospectives, as well as a tribute record (Big Star Small World, 2006), a documentary (2012’s Nothing Can Hurt Me), and the 2016 concert film and live album, Thank You, Friends: Big Star’s Third Live…And More. The acclaimed release, which is available to view on Amazon Prime, captures the popular touring live show, “Big Star’s Third,” in which an all-star roster of guest vocalists and musicians join a core group (including Stephens, Mike Mills, Auer, Sansone, and Stamey) to perform Third/Sister Lovers, plus selections from #1 Record and Radio City. Filmed at a concert in Glendale, CA, Thank You, Friends features a cross-generational lineup of talent, including Jeff Tweedy (Wilco), Ira Kaplan (Yo La Tengo), Robyn Hitchcock, Dan Wilson, original arranger Carl Marsh, and San Francisco’s Kronos Quartet.