tangent mek · Berz / Chualan / Voglsinger
Schedule
Tue, 17 Mar, 2026 at 08:00 pm
UTC+01:00Location
Echoraum | Vienna, WI
Advertisement
tangent mek · Berz / Chualan / Voglsinger
Anouck Genthon (Violine) / Anna-Kaisa Meklin (Viola da gamba) / Marina Tantanozi (Flöten, Stimme) · Simon Berz (Steine, Elektronik) / Kasho Chualan (präpariertes Klavier) / Stefan Voglsinger (Nagra, Elektronik)
Dienstag, 17. März 2026 · 20:00 Uhr
echoraum, Sechshauserstrasse 66, 1150 Wien
https://echoraum.at/programm/
---
tangent mek
Anouck Genthon – Violine
�Anna-Kaisa Meklin – Viola da gamba
Marina Tantanozi – Flöten, Stimme
The music of the trio is an open-ended sonic space. Dense, broken, the sound surfaces and structures are continuous, oscillating between noise, drone and traces of folk music fragments that remain rather distant associations. The trio gently leads the listener into the sounds themselves, using memory as a process as well as a research method: focusing on their countries of origin over the past years, the trio re-traces their sonic soil and endlessly reactivates its language.
https://montagnenoire.bandcamp.com/album/immutable-traveler
Anna-Kaisa Meklin is a viola da gamba and organ player, improviser and composer. Born in Finland, they live in Basel and in Geneva since 2003, where they are active in the improvised music scene. Their projects often locate in interspaces between different musical languages, like early music and experimental, free improvised music. They are interested in collective processes and in the question of responsibility towards environment and audience.
Born in France, Anouck Genthon is a violinist based in Geneva (CH). She anchors her work in the development of her own language through the experience of sound and listening. She likes to engage in transversal forms of research and she plays in various contexts at the crossroads of improvised, experimental, contemporary, electroacoustic and traditional music through projects ranging from solo to large ensemble. Her work is published by Carton, Ligne de crête, Montagne Noire GMEA, Sbire records, Wide Ear Records, Newwaveofjazz, Another Timbre, Confront Recordings, Pan y rosas discos, UNRec, Insub. Records, Le petit label, Thödol, Gamut Edition. She is the author of “Fictation” (Gamut, 2020) and “Tuareg Music. From political symbolism to aesthetic singularization” (L’Harmattan, 2012).
Marina Tantanozi is a Basel-based flutist and improviser from Greece. She explores music-making in numerous settings based on improvisation, reflecting on the notions of communication, temporality and active listening. She combines voice, microtonal textures and electronic processing in order to create a personal language and to expand the technical and expressive possibilities of her instrument. Active in numerous artistic and curatorial contexts, she has collaborated with musicians and collectives all over Europe. She performs as a soloist, as well as with the insub meta Orchestra, Bottom Orchestra, trio tangent+mek, Eden/Loriot/Tantanozi trio, duo with Andria Nicodemou, duo Silvan Schmidt, duo with Tom Malmendier among many others. Her work has been presented in major festivals such as Irtijal Beirut, Borderline Athens, Copenhagen Jazz Festival, Willisau Jazz Festival, Archipel Genéve, Rümlingen Neue Musik Festival etc.
---
Geschiebe | Berz / Chualan / Voglsinger
Simon Berz – Steine, Elektronik
Kasho Chualan – präpariertes Klavier
Stefan Voglsinger – Nagra, Elektronik
Unterwasseraufnahmen vom Rauschen von Flusssteinen versetzen den Resonanzraum des Klaviers in Schwingung. Chualan präpariert das Instrument, während Voglsinger die Klänge mit Open-Source-Elektronik und analogen Bandmaschinen filtert und transformiert. Berz komplettiert das Trio mit geologischen Soundexperimenten auf isländischen Vulkansteinen und Live-Elektronik.
Geschiebe knüpft an die ortsspezifische Arbeit von Transceiver (Mamka Records MAM07, 2024) an und erweitert diese um ein akustisches Instrumentarium, das mit externen Klangräumen verschmilzt. Komponierte Stimmungen verbinden sich mit Field Recording Texturen, die durch Resonanzräume transformiert und durch improvisierte Passagen ergänzt werden.
Kasho Chualan is a Kurdish-Canadian pianist, composer, and sound artist based in Vienna. Her work explores the emotional and physical textures of sound by breaking boundaries through performance and experimental improvisation. Influenced by political unrest, human suffering, and the intrigue of melancholy and nature, she uses prepared piano, electronics, toys, and everyday objects to challenge traditional ways instruments are played.
Simon Berz is a transdisciplinary drummer sound artist, and music educator based in Switzerland and Berlin. Working at the intersection of improvised music, sound art, and performance, and deliberately crossing boundaries between disciplines, his aesthetics are shaped by a sustained engagement with natural materials, particularly stone, and their sonic transformation through electronic manipulation. https://simonberz.ch/
Stefan Voglsinger is a musician and performer based in Vienna. He improvises with sine waves and noise generators sent through resonators. He uses open-source instruments for live sampling and fuses them with filtered field recordings from his travels around the world. Voglsinger works across disciplines, developing performances and audiovisual installations with self-built and hacked electronic circuits. He deconstructs machines and instruments and improvises with various groups in Vienna and abroad. https://voglsinger.klingt.org
Das Projekt wird unterstützt von MA7 Wien Kultur.
Advertisement
Where is it happening?
Echoraum, Sechshauser Str. 66, A-1150 Vienna,Wien, Österreich, Vienna, AustriaEvent Location & Nearby Stays:
Know what’s Happening Next — before everyone else does.
