Sunday Club - Children Theatre

Six-Month Sunday Club for Kids - Theatre, Dance, Drama & Music

Calling all young stars! Step into the world of creativity, rhythm, and imagination with our Six-Month Sunday Club - a vibrant weekend escape where kids explore the exciting realms of theatre, dance, drama, and music.

Each Sunday, our budding performers will dive into fun-filled workshops led by experienced instructors, building confidence, teamwork, and expressive skills. From acting and storytelling to movement, rhythm, and live performance, this club is the perfect platform to unleash hidden talents and shine on stage.

No experience needed - just bring your energy and enthusiasm!!

Limited spots available - register now and let the magic begin!

About the Trainers

Diwakar Naveen Diwakar is an accomplished theatre director, academician, and cultural practitioner known for his deep engagement with Indian theatre traditions and contemporary performance. A UGC-NET qualified scholar in Performing Arts (Theatre), he brings both rigorous academic insight and rich artistic sensibility to his work.

As a recipient of the prestigious Senior Fellowship from the Centre for Cultural Resources and Training (CCRT) under the Ministry of Culture, Government of India, he has conducted in-depth research in the field of theatre, focusing on themes such as indigenous performance practices, actor training, and the role of theatre in social transformation.

With 15 years of experience in training and directing stage productions across genres and languages, he has been called for a guest lecture and is visiting faculty in numerous Indian universities and performing arts institutions. His lectures often explore the intersection of theory and practice, engaging students in both academic discourse and performative exercises.

Key Highlights:

UGC-NET Qualified in Performing Arts (Theatre/Drama)

Recipient of CCRT Senior Fellowship (SRF) for research in theatre

Guest Lecturer at reputed universities and drama schools

Directed plays spanning classical, folk, and contemporary themes

Regularly conducts theatre workshops, seminars, and actor training modules

Dr. Manisha Malhotra is a multi-faceted theatre professional-an accomplished actor, writer, director, and trainer-who seamlessly integrates creative practice with academic rigor. With a Ph.D. in Theatre and UGC-NET JRF qualification, Dr. Manisha has made significant contributions to both the performance space and scholarly discourse in Indian theatre.

Formerly a lecturer at Indira Kala Sangeet Vishwavidyalaya (IKSVV), Khairagarh, Indias premier university for music and performing arts, Dr. Manisha has mentored students in acting, direction, and theatre theory, fostering a generation of critically engaged and technically skilled theatre practitioners.

As a theatre artist, she has directed and performed in a wide range of productions, from Indian classical and folk narratives to experimental and socially engaged contemporary plays. As a writer, she has contributed scripts, and critical essays, and as a trainer, has led workshops in acting, movement, and voice across institutions and cultural festivals.

Dr. Manisha Malhotras research articles have been published in reputed national and international journals, covering themes like actor training, Indian dramaturgy, performance aesthetics, gender in performance, and community-based theatre practices.

Academic Qualifications:

Ph.D. in Theatre

UGC-NET/JRF Qualified in Performing Arts (Theatre)

Academic & Teaching Experience:

Lecturer, Department of Theatre, Indira Kala Sangeet Vishwavidyalaya (IKSV), Khairagarh

Guest Faculty / Visiting Lecturer at various universities and theatre institutes across India

Creative Practice:

Directed productions across genres and languages.

Trained in classical and contemporary acting methodologies.

Founder of Natakshala Theatre Company

Research & Publications:

Published 7+ articles in reputed journals and edited volumes

Topics include: Indian theatre pedagogy, performer training, theatre and society, intercultural performance, and script development

Presented papers at various national and international conferences

Workshops & Training:

Conducted theatre workshops for students, educators, and professionals

Areas: Acting techniques, body & voice training, scriptwriting, direction, and performance analysis

Engaged with NGOs and cultural forums for community theatre projects

Special Interests: Indian performance traditions, actor pedagogy, experimental theatre, theatre for social change

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