Sue Scott’s Island of Discarded Women with Jillian Hiscock and Sarah Morris

We are celebrating the power of community on March 5th! Special guest Jillian Hiscock is the owner of A Bar of Their Own dedicated toall women's sports, all the time! She's also a passionate connector of people who is constantly striving to make the world a better place. Yes! Our musical guest is the always compelling Americana singer/songwriter Sarah Morris! Plus, our brilliantIsland cast Dae Yang, Silvia Pontaza & Zippy Laske will be there along withhost Sue Scott!

Sue Scott: Host

Jillian Hiscock: Special Guest

Sarah Morris: Musical Guest

Dae Yang: Actor/Writer

Silvia Pontaza: Actor/Writer

Zippy Laske: Singer/Songwriter

+ Live Real-Time Captioning available at this show. Bring your smartphones!

Creator, host Sue Scott is a veteran actor, who for 24 years was the female cast member on the public radio show A Prairie Home Companion. Since 2019, Sue has been thoroughly immersed in producing Island of Discarded Women live show & podcast. Special guest Jillian Hiscock is the owner of A Bar of Their Own, Minnesota’s first sports bar dedicated exclusively to women’s sports. A self-described sports nut, community builder, beer nerd and tireless advocate, Jillian has a background in team development, event management, and results-oriented leadership. While her glory days as a three-sport athlete in high school are long behind her, she has taken the skills she learned on the field and in life and applied them to this exciting new venture. Passionate about identifying inequities and working towards ways to eliminate barriers, Jillianis unapologetically optimistic about making the world a better place. Musical guest Sarah Morris is a Minneapolis-based Americana singer-songwriter whose crystalline voice and benevolent storytelling have earned her recognition as one of the Midwest’s most compelling musical voices. Her latest album, Say Yes, is a suggestion and an encouragement, a delicate search for the honest way forward. The Star Tribune’s Chris Riemenschneider praised her “Norah Jones-like approach to Americana, smoothing over its rough edges with a butter-velvety voice and an intimate songwriting style.”

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