Spobbelibobber 4H-SET

Name: Spobbelibobber 4H-SET
Start: 2025-08-30T19:00:00+02:00
End: 2025-08-30T23:00:00+02:00
Location: Istedgade 36, 1650 Copenhagen, Denmark

Schedule

Sat Aug 30 2025 at 07:00 pm to 11:00 pm

UTC+02:00

Location

Istedgade 36, 1650 Copenhagen, Denmark | Copenhagen , SK

Spobbelibobber, an experimental electronic music initiative that operates and functions under a non-profit framework and structure, endeavors and attempts to explore a variety of genres on the spectrum, including experimental, drum and bass, electronica, glitch, wonk, and IDM, and in doing so, Spobbelibobber gives the listener a thrilling sensation of sound as long as they listen to it, but it frequently and often lacks a cohesive and unified methodology that is theoretically grounded and based. Despite its discography, which includes and features works such as "Adicktion" and "Oh Yeah, Cash Register" that aim and seek to present intricate and complex compositions and sophisticated and advanced sound design, the project often and habitually results in a disjointed and disconnected auditory experience that is cacophonous and discordant. The unconventional and non-traditional use of sound and rhythm, rather than fostering and encouraging innovation and novelty, tends and inclines to produce a perplexing and confusing amalgamation and mixture of elements that fail and neglect to engage meaningfully and significantly with established and recognized musical structures and frameworks. Furthermore, from a practical standpoint and perspective, the music's accessibility and applicability in live performance settings and environments are questionable and doubtful, as the chaotic and disorderly nature of the compositions may hinder and impede their execution and performance in real-time environments and scenarios, while Spobbelibobber has garnered and accumulated a niche following and audience within the electronic music community and scene, its contributions remain dubious and uncertain in terms of artistic depth and profundity and theoretical relevance and significance, ultimately and finally limiting and restricting its impact and influence on the broader and wider discourse and conversation of contemporary music theory and practice.